The Outsiders.The Outsiders: The Complete Novel * Directed by Francis Ford Coppola Noun 1. Francis Ford Coppola - United States filmmaker (born in 1939) Coppola * Warner Home Video Warner Home Video is the home video unit of Warner Bros. Home Entertainment Group, a division of Warner Bros. Entertainment, Inc. It was founded in 1978 as WCI Home Video (for Warner Communications, Inc.). It was re-named Warner Home Video in 1980. Adapted from what might be the most earnest young-adult novel ever published, Coppola's 1983 heartthrob-o-rama is at once an epic tragedy of hardship and loss and a fantasy by author S.E. Hinton--who was still a teen herself at the time the book was published in 1967--of what it must be like to be a boy living among boys. (Young gays no doubt shared her idealized i·de·al·ize v. i·de·al·ized, i·de·al·iz·ing, i·de·al·iz·es v.tr. 1. To regard as ideal. 2. To make or envision as ideal. v.intr. 1. vision of roughhousing before dinner with Matt Dillon and Rob Lowe.) Set in 1960s Tulsa, Okla., the film is packed with raw, vulnerable performances by its young stars, revealing an unprecedented physical and emotional intimacy between teenagers. New footage includes scenes Coppola felt '80s audiences weren't ready for, including a brotherly moment between Sodapop (Lowe) and Ponyboy (C. Thomas Howell Christopher Thomas Howell (born December 7, 1966 in Los Angeles, California, U.S.) is an American actor. He appeared in a minor role (credited as Tom Howell) in Steven Spielberg's E.T. the Extra-Terrestrial (1982). ) comforting each other in the bed they share, and the tearful, grasping breakdowns of two overwhelmed fugitive kids (Howell and Ralph Macchio) who realize they have no place to go. While the pinup pin·up n. 1. a. A picture, especially of a sexually attractive person, that is displayed on a wall. b. A person considered a suitable model for such a picture. 2. and homoerotic ho·mo·e·rot·ic adj. 1. Of or concerning homosexual love and desire. 2. Tending to arouse such desire. Adj. 1. appeal of The Outsiders is obvious, more compelling is the palpable isolation, tenderness, and rage that binds this found family of outcasts, who alternately lash out in heartbreaking violence and cling to each other for relief. Sadly, in the updated version Coppola has replaced the original melodramatic West Side Story--inspired orchestral score with an apathetic surf-rock soundtrack that robs the movie of much of its middle-school sweetness. Nothing gold can stay. |
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