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The Man Who Was Dorian Gray.


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 by Jerusha Hull McCormack (St. Martin's Press, $24.95) The problem with ambitious books is that sometimes their aspirations outstrip out·strip  
tr.v. out·stripped, out·strip·ping, out·strips
1. To leave behind; outrun.

2. To exceed or surpass: "Material development outstripped human development" 
 the possibilities of their subjects. That's the case here. McCormack has written an impressionistic im·pres·sion·is·tic  
adj.
1. Of, relating to, or practicing impressionism.

2. Of, relating to, or predicated on impression as opposed to reason or fact: impressionistic memories of early childhood.
, highly fictionalized life of John Gray--proletarian boy made good, sometime lover of Oscar Wilde, Catholic convert (weren't they all?), and, finally, priest. McCormack succeeds impressively in summoning up the shimmering shim·mer  
intr.v. shim·mered, shim·mer·ing, shim·mers
1. To shine with a subdued flickering light. See Synonyms at flash.

2.
 era of the aesthetes, but she's so deeply inside her subject that she loses the sense of proportion needed from biographers. Gray, a talented but minor poet, thus takes center stage, a position he's not suited for.
COPYRIGHT 2001 Liberation Publications, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:Review
Author:Chinn, Sarah E.
Publication:The Advocate (The national gay & lesbian newsmagazine)
Article Type:Book Review
Date:Jan 30, 2001
Words:107
Previous Article:Truly Wilde: The Unsettling Story of Dolly Wilde, Oscar's Unusual Niece.(Review)(Brief Article)
Next Article:The Unmasking of Oscar Wilde.(Review)(Brief Article)
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