The Man Who Was Dorian Gray.The Man Who Was Dorian Gray You can assist by [ editing it] now. by Jerusha Hull McCormack (St. Martin's Press, $24.95) The problem with ambitious books is that sometimes their aspirations outstrip out·strip tr.v. out·stripped, out·strip·ping, out·strips 1. To leave behind; outrun. 2. To exceed or surpass: "Material development outstripped human development" the possibilities of their subjects. That's the case here. McCormack has written an impressionistic im·pres·sion·is·tic adj. 1. Of, relating to, or practicing impressionism. 2. Of, relating to, or predicated on impression as opposed to reason or fact: impressionistic memories of early childhood. , highly fictionalized life of John Gray--proletarian boy made good, sometime lover of Oscar Wilde, Catholic convert (weren't they all?), and, finally, priest. McCormack succeeds impressively in summoning up the shimmering shim·mer intr.v. shim·mered, shim·mer·ing, shim·mers 1. To shine with a subdued flickering light. See Synonyms at flash. 2. era of the aesthetes, but she's so deeply inside her subject that she loses the sense of proportion needed from biographers. Gray, a talented but minor poet, thus takes center stage, a position he's not suited for. |
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