The Making of a Lynching Culture: Violence and Vigilantism in Central Texas, 1836-1916.The Making of a Lynching Culture: Violence and Vigilantism Taking the law into one's own hands and attempting to effect justice according to one's own understanding of right and wrong; action taken by a voluntary association of persons who organize themselves for the purpose of protecting a common interest, such as liberty, property, or in Central Texas, 1836-1916. By William D. Carrigan (Champaign, II: University of Illinois Press The University of Illinois Press (UIP), is a major American university press and part of the University of Illinois. Overview According to the UIP's website: , 2004. xi plus 308 pp. $35.00). With The Making of a Lynching Culture, William D. Carrigan makes important contribution to our knowledge of Southern violence in addressing the controversial question of the character and the role of the lynch mob between 1836 and 1916 in Central Texas. In the process, he provides a comprehensive account of the evolution of the culture of lynching at the local level. He shows how local mobs acted as a quasi [Latin, Almost as it were; as if; analogous to.] In the legal sense, the term denotes that one subject has certain characteristics in common with another subject but that intrinsic and material differences exist between them. legitimate agency of local communities and local insitutions. The most innovative aspect of the book is the inclusion of large blocks of material that show how local memory, constantly shaped and reshaped by specific events and particular groups, played a major role in forming a lynching culture. Finally, he demonstrates the importance of studying this social phenomenon at the local level, since vigilantism and lynching could vary tremendously from one place to another and from time to time even in regions dominated by similar ethnic groups that shared common cultural backgrounds. The author divides his study in seven chapters which follow a chronological chron·o·log·i·cal also chron·o·log·ic adj. 1. Arranged in order of time of occurrence. 2. Relating to or in accordance with chronology. order, three dealing with the antebellum period and four with the post Civil War period and the early 20th century. The study is enriched by the fact that each chapter largely stands on its own since each chapter examines a particular theme. In so far as there is a connecting argument, it has to do with the local development of lynching culture as a local response to alleged social and political threat. However, partly because this book is so tighly constructed, the tension between thematic diversity and overall coherence coherence, constant phase difference in two or more Waves over time. Two waves are said to be in phase if their crests and troughs meet at the same place at the same time, and the waves are out of phase if the crests of one meet the troughs of another. is sometimes strained. Still, the study can be divided, although the author fails to do so, into two large parts. The three chapters dealing mainly with the antebellum period form part one, underlined by the molding of the mob violence as a lynching culture. The first chapter shows how the lynching culture was first rooted in the mentality forged by the frontier experience. The formation of the Texas Rangers Texas Rangers, mounted fighting force organized (1835) during the Texas Revolution. During the republic they became established as the guardians of the Texas frontier, particularly against Native Americans. is seen, less as a frontier defence force, than as ordinary farmers and stock raisers banding together in time of need. As a result, lynching of Mexicans became closely linked to the development of a racist stereotyping of that ethnic group. In the second chapter, the author examines how Native Indians in Central Texas were a primary target of mob violence. Indeed, he describes in a vivid manner how the fight with Indians reinforced and molded mob violence, providing in the process a justification for future mob action Mob Action is a clothing label based in Leipzig, Germany. The name is synonymous with riot, outlining the company's political appeal. against other groups. The third chapter fixes the origins of the panic of 1860 in the ambivalent am·biv·a·lent adj. Exhibiting or feeling ambivalence. am·biv a·lent·ly adv.Adj. 1. context of slavery, underlined by planters' paternalistic pa·ter·nal·ism n. A policy or practice of treating or governing people in a fatherly manner, especially by providing for their needs without giving them rights or responsibilities. attitude and slave resistance. In the second part of Professor Carrigan's book, chapters four to seven cover the years 1860 to 1916. Except for a chapter on white on white mob violence, this section centers mainly on how lynching evolved as a means of control of Afro-Americans. In Chapter Four, the author emphasizes how white on white violence during and after the civil war was not simply motivated by politics but was also rooted in fighting criminality. Chapter Five centres mainly on Post-Civil War racial violence, while Chapter Six examines the changing character of mob violence during the late part of the 19th century. Finally, the author examines, in Chapter Seven, the close interlinkage existing between lynching and the white supremacy white supremacist n. One who believes that white people are racially superior to others and should therefore dominate society. white supremacy n. ideology during the early 20th century. In the process, Professor Carrigan convincly demonstrates that the development of a lynching culture in Central Texas was dominated by four major factors: first, the frontier experience; second, racial slavery; third the resistance to lynching by racial, ethnic and political minorities; and the fourth and most important factor was the way the courts fluctuated between fighting or tolerating mob violence. Indeed, the frequent failure of the local authorities to prosecute To follow through; to commence and continue an action or judicial proceeding to its ultimate conclusion. To proceed against a defendant by charging that person with a crime and bringing him or her to trial. mob leaders not only gave an implicit approval to lynching, but had also a lasting effect on that phenomenon. Writing in a crisp, clear style and demonstrating an impressive mastery of a wide range of primary and secondary sources, Carrigan raises several important questions about the evolution of the lynching culture in the South. The presence of a complete appendix on the victims of mob violence between 1860 and 1922 makes the book a useful tool of reference for those seeking information. It is to Carrigan's credit that he does not oversimplify o·ver·sim·pli·fy v. o·ver·sim·pli·fied, o·ver·sim·pli·fy·ing, o·ver·sim·pli·fies v.tr. To simplify to the point of causing misrepresentation, misconception, or error. v.intr. all the underlying vigilantism revealed by his research. The quality of the research makes this study a detailed and judicious ju·di·cious adj. Having or exhibiting sound judgment; prudent. [From French judicieux, from Latin i work that opens new paths for further work and enhances our global comprehension of this tragic phenomenon. The main quality of the present study restes on the author's ability to examine not only how the lynching phenomenon represented a cultural response in times of crisis but also how the role of the lynch mob fluctuated from one set of polarities to any other. In the process, the study shows the effects on a community of surrounding circumstances, such as frontier insecurity Insecurity Inseparability (See FRIENDSHIP.) Insolence (See ARROGANCE.) Hamlet introspective, vacillating Prince of Denmark. [Br. Lit.: Hamlet] Linus cartoon character who is lost without his security blanket. , slave control, racist mentality, war, reconstruction, and the general dependence of a community on forces beyond its control. While the entire book is of interest to the general reader, Carrigan's examnination of the formulation and influence of the lynching culture will be particularly interesting for professional historians. Gilles Vandal University of Sherbrooke |
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