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The Huasteca.


A new exhibit at the Museo Nacional de Culturas Populares takes visitors on a trip through six Mexican states without so much as a toll or a pit stop at Pemex. The exhibit "De aqui somos--La Huasteca" gives viewers the opportunity to understand the Huasteca region of Mexico, an area that includes parts of the states of Hidalgo Hidalgo, state, Mexico
Hidalgo thäl`gō), state (1990 pop. 1,888,366), 8,058 sq mi (20,870 sq km), central Mexico. Pachuca de Soto is the capital.
, Puebla, Queretaro, San Luis Potosi San Lu·is Po·to·sí  

A city of central Mexico northeast of León. It was founded in the late 1500s and is a mining, transportation, and industrial center. Population: 659,000.

Noun 1.
, Tamaulipas and Veracruz.

If la Huasteca For rock-climbing area near Monterrey, see .
La Huasteca is a region in the northeastern part of Mexico, comprising mountains, hill country and lowlands, centered on the watershed of the Pánuco River, inland from the city of Tampico.
 is famous for anything it is music. Regional music greets visitors at the exhibit's entrance and follows through to the end where six listening stations play huapango, son huasteco Son Huasteco is a traditional Mexican musical style originating in the area of Northeastern Mexico called La Huasteca. Usually it is played by a Trio Huasteco composed of a Quinta Huapanguera (five stringed guitar-like) a Jarana Huasteca (a stringed instrument related to , banda de viento and other lesser-known music types from the area. Traditional instruments are on display as well.

The exhibit touches briefly on a variety of topics such as flora and fauna, textiles, fishing and la Huasteca in film--apparently the region is featured in at least seven movies. It quickly traces the region's pre-Hispanic roots, and drives home the fact that this diverse area, home to several indigenous groups, is linked by an extremely Mexican icon--corn.

This brief overview may appear simplistic sim·plism  
n.
The tendency to oversimplify an issue or a problem by ignoring complexities or complications.



[French simplisme, from simple, simple, from Old French; see simple
 to the more knowledgeable, though for the rest, the exhibit does an effective job of whetting the appetite for all things Huasteca.

Where the exhibit really shines is in showing aspects of daily Huasteca life. Brightly decorated dolls illustrate scenes of birth, death and many events in between. Bits of folklore and myth make the descriptions particularly memorable. For example, it is tradition to bury the piece of umbilical cord umbilical cord (ŭmbĭl`ĭkəl), cordlike structure about 22 in. (56 cm) long in the pregnant human female, extending from the abdominal wall of the fetus to the placenta.  that falls off a newborn under a tree. Then in a comical display of a parental guilt trip guilt trip
n. Informal
A usually prolonged feeling of guilt or culpability.

Idiom:
lay a guilt trip on
To make or try to make (someone) feel guilty.

Noun 1.
, Huastecos tell their teenage children, "if you leave, you must come back because your umbilical cord is buried here and it will be calling you."

The most elaborate piece in the exhibit is a thatched thatch  
n.
1. Plant stalks or foliage, such as reeds or palm fronds, used for roofing.

2. Something, such as a thick growth of hair on the head, that resembles thatch.

3. Dead turf, as on a lawn.

tr.v.
 roof and dirt floor house built by Huastecos from Hidalgo. Even the lively Huasteca market is recreated here.

Festivals, an important part of Huasteca life, are also a great feature of the exhibit. Spectacular altars show the significance of religious festivals like Xantolo or the Day of the Dead. The Huasteca love for music and dance is made clear in a homage to Carnaval. And as festivals are often linked to agriculture, there is an interesting display of Tlamanas, a ceremony celebrating the importance of corn and harvesting in Huasteca life.

[ILLUSTRATION OMITTED]

Breaking away briefly from the colorful and folkloric, the exhibit also points out the contemporary problems and contrasts of this both industrial and traditional region. The area is rich in natural resources, among them natural gas and oil, but suffers from environmental problems. And while those resources bring in foreigners and money, natives are migrating looking for Looking for

In the context of general equities, this describing a buy interest in which a dealer is asked to offer stock, often involving a capital commitment. Antithesis of in touch with.
 work. Consequently, the Huasteca is home to both modern cities and poverty-stricken towns.

"De aqui somos--La Huasteca" offers a wonderful chance to see a bit of the cultural diversity of Mexico without letting the visitor forget that this is a living, breathing region with modern issues and constant change.

Entrance to the exhibit is free and it runs through January 2005. The display will be complemented by concerts, discussions, dances, and the sale of handiwork, books, music and regional dishes. Go to www.cnca.gob.mx/cnca/popul/mncp.htm or call 9172-8840 ext. 126 for dates and times of these special events. Museo Nacional de Culturas Populares, Avenida Hidalgo 289, colonia Del Carmen Carmen

throws over lover for another. [Fr. Lit.: Carmen; Fr. Opera: Bizet, Carmen, Westerman, 189–190]

See : Faithlessness


Carmen

the cards repeatedly spell her death. [Fr.
, Coyoacan.
COPYRIGHT 2004 American Chamber of Commerce of Mexico A.C.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2004, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Title Annotation:Art Watch; De aqui somos--La Huasteca
Author:Hughes, Eliza
Publication:Business Mexico
Geographic Code:1MEX
Date:Jul 1, 2004
Words:568
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