The Great Golden Garland Of Gampopa's Sublime Considerations On The Supreme Path.The Great Golden Garland Of Gampopa's Sublime Considerations On The Supreme Path B. Simhananda Orange Palm Publications Inc. 235 Rene-Levesque Boulevard East, Suite 310, Montreal, Quebec, Canada, H2X 1N8 0968704875 $69.95 www.PalmPublications.com A modern and thoroughly "reader friendly" translation of 12th century Buddhist master Gampopa's root text, enhanced with contemplative contemporary commentaries, The Great Golden Garland Of Gampopa's Sublime Considerations On The Supreme Path presents a single brief quotation on each page, along with a notation in the page corner so that the reader can keep track of which line of the original text the quotation is from. Quality hardcover binding and an inset ribbon bookmark contribute to the practicality and durability of this edition, which is mean to be read, reread Verb 1. reread - read anew; read again; "He re-read her letters to him" read - interpret something that is written or printed; "read the advertisement"; "Have you read Salman Rushdie?" , and contemplated at length. The timeless wisdom of a Tibetan Buddhism master is superbly preserved and presented in this classic work. "The Dharma dharma (där`mə). In Hinduism, dharma is the doctrine of the religious and moral rights and duties of each individual; it generally refers to religious duty, but may also mean social order, right conduct, or simply virtue. Road advises you to dump all avidity avidity /avid·i·ty/ (ah-vid´i-te) 1. the strength of an acid or base. 2. in immunology, an imprecise measure of the strength of antigen-antibody binding based on the rate at which the complex is formed. Cf. , acquisitiveness, and greed. // That is to say, you are to shelve shelve v. shelved, shelv·ing, shelves v.tr. 1. To place or arrange on a shelf. 2. any inordinate desire for the desirable." (Osel Ornamentation ornamentation In music, the addition of notes for expressive and aesthetic purposes. For example, a long note may be ornamented by repetition or by alternation with a neighboring note (“trill”); a skip to a nonadjacent note can be filled in with the intervening Loop 4) |
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