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The Civil War: An Illustrated History.


The Civil War:

An Illustrated History, by Geoffrey C. Ward with the Burnses. Here one can pore over the illustrations and note every detail, gaze into the thousands of faces and ponder the thoughts and fears they reflect, read and re-read the poignant letters written by soldiers and their loved ones loved ones nplseres mpl queridos

loved ones nplproches mpl et amis chers

loved ones love npl
, some barely literate, others profoundly beautiful. Altogether there are five hundred pictures, paintings, and lithographs, including some rare ones that not even veteran historians will recognize. In addition to the authors' well-written narrative, they have called on four distinguished historians-Barbara Fields, Don Fehrenbacher, James McPherson James McPherson is the name of several people:
  • James Alan McPherson, Pulitzer prize winner and instructor at the University of Iowa Writer's Workshop
  • James Alpin McPherson, Australian bushranger
  • James B. McPherson, General in the United States Civil War
  • James M.
, and C. Vann Woodward--for interpretive essays. And Ken Burns Kenneth Lauren Burns (b. July 29, 1953) is an American director and producer of documentary films known for his style of making use of original prints and photographs. Among his most notable productions are The Civil War (1990), Baseball (1994), Jazz  interviews historian Shelby Foote Shelby Dade Foote, Jr. (November 17 1916 – June 27 2005) was an American novelist and a noted historian of the American Civil War. With geographic and cultural roots in the Mississippi Delta alluvium, Foote's life and writing paralleled the radical shift from the agrarian , who enthralled en·thrall  
tr.v. en·thralled, en·thrall·ing, en·thralls
1. To hold spellbound; captivate: The magic show enthralled the audience.

2. To enslave.
 viewers of the documentary with his commentaries, at once witty and moving.

Mr. Leckie's book, a "saga" in which he enlarges upon the Civil War portion of his comprehensive Wars of America, would probably have received more attention had it not coincided with the Burnses' more ambitious project. Still, it is the product of enormous research and gives excellent background for the broader historical currents of the period. Mr. Leckie mentions, for instance, General Beauregard's spy network in Washington but fails to name the network's principal spy; Ward and the Burnses, more oriented toward detail, tell us that she was Rose O'Neal Greenhow Rose O'Neal Greenhow (1817–October 1, 1864) was a renowned Confederate spy. As a leader in Washington, D.C. society during the period prior to the American Civil War, she traveled in important political circles and cultivated friendships with presidents, generals, senators, . Where Ward and the Burnses open with the murder of abolitionist Elijah Lovejoy by a pro-slavery mob in 1837, Leckie begins with the Mexican War Mexican War, 1846–48, armed conflict between the United States and Mexico. Causes


While the immediate cause of the war was the U.S. annexation of Texas (Dec., 1845), other factors had disturbed peaceful relations between the two republics.
 and a portrait of America at midcentury. None Died in Vain ends with the hanging of the Lincoln conspirators CONSPIRATORS. Persons guilty of a conspiracy. See 3 Bl. Com. 126-71 Wils. Rep. 210-11. See Conspiracy. , The Civil War with the fiftieth reunion of veterans of Gettysburg.

But despite differences in scope and emphasis, both reject the view of some modern scholars that slavery was but a surface issue concealing the economic tensions that really caused the war. True, as he came to the Presidency Lincoln said that slave states need not fear for their peculiar institution. But in his mind and the minds of those who fought and died, slavery was the issue. Lincoln was prepared to tolerate the institution only where it already existed, with the expectation that it would, in time, pass away. But he would not allow it to spread further, and this, both books contend, was the decisive point.

One is left wondering whether slavery would in fact have passed away. What if the Southern fire-eaters had not pressed the issue to the point of secession and had spared us the bitter legacy of war? Would the increasingly archaic institution of slavery have died a natural death by the century's end? Such questions only make our sense of loss in studying the war that much deeper.
COPYRIGHT 1990 National Review, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1990, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Author:Hubbard, Paul
Publication:National Review
Article Type:Book Review
Date:Dec 17, 1990
Words:443
Previous Article:None Died in Vain.
Next Article:Memoirs.
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