The Builder Illustrations Index: 1843-1883.The Builder was the most important chronicle of architecture in Britain (and sometimes abroad) of the entire nineteenth century. It was not copiously illustrated (picture reproduction was not cheap, particularly in the early years, when wood engraving wood engraving n. 1. a. A block of wood on whose surface a design for printing is engraved across the end grain. b. A print made from a wood engraving. 2. The art or process of making wood engravings. was the norm). But the illustrations it did carry provide a remarkable record, not only of the Battle of the Styles, but of building methods, scientific improvements and social problems. The cause of the excellence of the pictures and their wide range of subject matter was George Godwin George Godwin (1813 - 1888) was an influential architect, journalist, and editor of The Builder magazine. The son of George Godwin, he trained at his father's architectural practice in Kensington where he set up a practice with his brother Henry Godwin (1831–1917). , the magazine's second editor, and perhaps the finest architectural journalist that has ever been. (Motto: 'The old adage of too many irons in the fire too many objects or tasks requiring the attention at once. See also: Iron conveys an untruth. You cannot have too many - poker, tongs tongs long-handled, about 3 feet, shaped like pincers with knobs on the ends of the grasping blades. Applied by standing behind the subject in a confined space and closing the jaws to grasp the animal's head just below the ears. and all - keep them all going'.) Ruth Richardson Ruth Richardson (born December 13 1950) served as New Zealand's Minister of Finance from 1990 to 1993, and is known for her strong pursuit of free-market economic reforms (her opponents sometimes called it "Ruthanasia"). and Robert Thorne have catalogued every picture used in Godwin's 39-year reign. (He was deposed by a swinish swin·ish adj. 1. Resembling or befitting swine. 2. Bestial or brutish. swin ish·ly adv.Adj. young proprietor a few months before his 40th anniversary in the chair.) Richardson and Thorne have been most meticulous. Their chronological catalogue reveals not only the architects and engineers responsible for the work but, where possible, the names of the draftsman and engraver, building methods and innovations, architectural features and devices. They provide an excellent introduction to architectural publishing of the period, and to Godwin in particular. And there are no less than six indexes (geographical, titles, names, roles, styles, subjects). An exemplary work, essential to all scholarly libraries, and to anyone seriously interested in the nineteenth century. PD |
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