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The British Film Institute.


www.bfi.org See .org.

(networking) org - The top-level domain for organisations or individuals that don't fit any other top-level domain (national, com, edu, or gov). Though many have .org domains, it was never intended to be limited to non-profit organisations.

RFC 1591.
.uk/education/ teaching/

Film, television, and video are part of today's visual culture, and incorporating the moving image into an art classroom can engage students while building media literacy Media literacy is the process of accessing, analyzing, evaluating and creating messages in a wide variety of media modes, genres and forms. It uses an inquiry-based instructional model that encourages people to ask questions about what they watch, see and read. . The British Film Institute's Web site explores various gateways into the study of film, and while many of the teacher resources on this site must be ordered, two downloadable PDFs (require Adobe adobe (ədō`bē): see rammed earth.
adobe

Handmade sun-dried bricks formed from a mixture of heavy clay and straw found in arid regions.
 Acrobat Reader The former name of Adobe Reader. See PDF. ) provide basic strategies for working with film, along with suggestions for each area of the curriculum, including visual arts visual arts nplartes fpl plásticas

visual arts nplarts mpl plastiques

visual arts npl
.

"Look Again" is designed for ages three to eleven, and a representative strategy involves stopping the action of a film and asking the following questions: "What and/ or who can you see in the shot?" "Where do you think the camera is?" "What can you tell about the time/place/setting?" "What can you tell about the characters from how they are dressed?" These are much like questions one could ask students looking at a painting, for example. Links to the Art and Design curriculum include discussion of the use of shapes and patterns, color, and animation techniques. Puppetry puppetry

Art of creating and manipulating puppets in a theatrical show. Puppets are figures that are moved by human rather than mechanical aid. They may be controlled by one or several puppeteers, who are screened from the spectators.
 and storyboarding activities are suggested, as well as the use of computer software; for example, making sequences of a single color or shape, scanning images, and adding music for multimedia projects.

For secondary art and design teachers, techniques of animation, abstraction In object technology, determining the essential characteristics of an object. Abstraction is one of the basic principles of object-oriented design, which allows for creating user-defined data types, known as objects. See object-oriented programming and encapsulation.

1.
, and researching visual influences are expanded upon in "Moving Images in the Classroom." Discussion topics for older students include representations of gender, class, and disability, the intent of the filmmaker, and the audience response. Suggested projects include student production of films, animation sequences, and multimedia presentations, as well as experimentation with camera angles, and manipulation of digital images. In both of these resources, case studies provide examples of how film can be linked to the study of fine and commercial art in the classroom.
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No portion of this article can be reproduced without the express written permission from the copyright holder.
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Article Details
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Author:Arkenberg, Rebecca
Publication:School Arts
Article Type:Brief article
Geographic Code:1USA
Date:May 1, 2006
Words:309
Previous Article:Cincinnati Art Museum.
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