The Best of the Three Tenors.
Decca 289 466 999-2.
What do you mean, who are they? This album collects twenty-two of the fellows' best songs from all three major performances: Rome, 1990; Los Angeles, 1994; and Paris, 1998. The accompanying orchestras and conductors are Zubin Mehta with the Orchestra del Maggio Musicale Fiorentino Maggio Musicale Fiorentino is an annual opera festival which was founded in April 1933 by conductor Vittorio Gui with the aim of presenting contemporary and forgotten operas in visually dramatic productions. It was the first music festival in Italy. , the Orchestra del Teatro dell'Opera di Roma The Teatro dell'Opera di Roma (Rome Opera House) is an opera house in Rome, Italy. Originally opened in November 1880 as the 2,212 seat Constanzi Theatre, it has undergone several changes of name as well modifications and improvements. , and the Los Angeles Philharmonic The Los Angeles Philharmonic (LAP) is an American orchestra based in Los Angeles, California, United States. History
Founded in 1919 by William Andrews Clark, Jr. ; and James Levine with the Orchestre de Paris The Orchestre de Paris is a French orchestra founded in 1967, based in Paris, whose current music director is Christoph Eschenbach. Most concerts are currently held at the Salle Pleyel. .
The chosen songs are only those that the three men sang together, and they include among others, "O sole mio," "Funiculi funiculi
plural of funiculus. , funicula," "Libiamo ne" lieti calici (Brindsi)," "Brazil," "Torna a Surriento," "Nessun dorma," and "La donna e mobile." Of course, there are also the silly bits of American pop material sung in English, most of which are fun but not particularly thrilling; things like "Because," "You'll Never Walk Alone," "Maria," and their eminently forgettable for·get·ta·ble
Fit or apt to be forgotten: a movie with very forgettable characters.
Adj. 1. forgettable - easily forgotten
unforgettable - impossible to forget rendition of "Singin" in the Rain." Remember, this is an album that documents a trio of events, not to be confused with a album of classic music.
Without seeing the tenors, it's easy for a moment to forget which of them is singing at any given time, but the ear soon adjusts to Pavarotti's massively bright voice, Domingo's mellower, more fluid tones, and Carreras's less opulent timbres. The audio is as big as the vocalists, no matter which of the venues they sing in, sometimes cavernous, never especially transparent. They are magnificent singers, and the phenomena of hearing them together is entertaining. They are a dream team, to be sure. Too bad they weren't together in something more consequential and better recorded.