Articles from The Architectural Review (September 1, 1997)

Title	Author	Type	Words
Beaux-Arts revival.	Ellis, Charlotte		1953
Cool collection: hidden behind a fine traditional nineteenth-century facade in a chic shopping district of Paris, the design of a new shop is a coolly luminous expression of modernity.	McGuirre, Penny		621
Creative umbrella: the ambitious transformation of a provincial fun palace into a progressive postgraduate art school demanded an adventurous architectural solution.	Ellis, Charlotte		754
Elemental synthesis: set in rolling countryside, this museum devoted to the study of Celtic civilisation explores a modern sensibility of abstraction and asceticism.	Slessor, Catherine		529
Housing history: located on the site of ancient Roman settlement, a new archaeology museum provides an elegant forum for the display and discovery of historic treasures.	Slessor, Catherine		693
Infant ark: this creche on the edge of L'Isle de'Abeau uses nautical imagery and robust materials to enliven both its surroundings and the lives of its small users.	Ellis, Charlotte		416
Kids' stuff: combining sturdy materials with spatial clarity, this little nursery school in Roubaix forms a cheerful enclave for its young charges.	Ellis, Charlotte		433
Legal expression.	Slessor, Catherine		567
Life in Venice.	Davey, Peter		1128
Lyons renewal.	Meade, Martin		1078
On the edge: an idealistic language school sensitively intervenes between park and town, academia and community.	Wiles, Emma		567
Quartier des Etats-Unis.	Meade, Martin		656
Safe harbour.	Ellis, Charlotte		646
Solid and void: a small museum for the works of one of the most important sculptors of this century constitutes a moments of contemplative peace in the busiest public square in Paris.	McGuirre, Penny		705
Suburban surrealism: a moribund town square in a Rouen suburb has been transformed by a series of idiosyncratically inventive structures housing a new bus station and tram stop.			468
The song of the bridge: a dramatic demonstration of the properties of stainless steel and glass is developing a personality of its own.	Davey, Peter		492