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Street Level: Mark Bradford, William Cordova and Robin Rhone.


Street Level: Mark Bradford Mark Bradford (born Los Angeles, California, 1961) is an American artist living and working in Los Angeles. He studied at the California Institute of the Arts, located at Valencia, California, U.S., earning an MFA in 1997 and a BFA in 1995. , William Cordova Cordova, Spain: see Córdoba.  and Robin Rhone, edited by Trevor Schoonmaker. Nasher Museum of Art The Nasher Museum of Art is the art museum of Duke University, and is located on Duke's campus in Durham, North Carolina, USA. The $24 million museum was designed by architect Rafael Viñoly, and opened on October 2, 2005. The first year after opening drew almost 100,000 visitors.  at Duke University/82 pp./$19.95 (sb).

Street Level: Mark Bradford, William Cordova and Robin Rhone is a handy paperback catalog-book hybrid published in conjunction with the exhibition of the same name. Vivid reproductions are brilliantly laid out within the text, instantly available for wandering eyes. The book expands upon the exhibition itself, relaying artists' backgrounds, themes, and motivations. It also includes a checklist of works on view and detailed bios of each artist and writer. Street Level embodies what the paintings, collages, photography, performance, and video media of these three young artists create on the canvases of the cities that inspire their work: something familiar but new; it reaches us where we are, with critical commentary, inspiring curatorship and straight-up seeable art.

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The Urban Generation: Chinese Cinema and Society at the Turn of the Twenty-First Century, edited by Zhang Zhen. Duke University Press/464 pp./$94.95 (hb), $26.95 (sb).

Vanishing Beauty: Indigenous Body Art and Decoration, by Bertie and Dos Winkel, text by Berenice Geoffroy-Schneiter. Prestel/352 pp./$85.00 (hb).

Inclusion in "Media Received and Noted" does not preclude pre·clude  
tr.v. pre·clud·ed, pre·clud·ing, pre·cludes
1. To make impossible, as by action taken in advance; prevent. See Synonyms at prevent.

2.
 later full review in Afterimage afterimage /af·ter·im·age/ (af´ter-im?aj) a retinal impression remaining after cessation of the stimulus causing it.

af·ter·im·age
n.
.
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Author:Swerdlin, Ilana
Publication:Afterimage
Date:May 1, 2007
Words:208
Previous Article:Self/Image: Technology, Representation and the Contemporary Subject.
Next Article:Exhibitions.



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