Stravinsky: The Rite of Spring Nielsen: Symphony No. 5.
I know I've mentioned this before, but I can't help thinking when I see the name Paavo Jarvi of his father, Neemi Jarvi, and his fellow maestro, Paavo Berglund. Once I've sorted all of this out, I remember the younger Jarvi is now the principal conductor of the Cincinnati Symphony. Anyway, Jarvi is back after his Telarc disc of Stravinsky's Petrouchka and Firebird Suite with the composer's Rite of Spring. That isn't the news, though. It's the new disc's coupling, the Nielsen Fifth Symphony, that makes the papers.
The pairing works in several ways. First, it must be a difficult decision for a conductor and a record company to decide whether to produce a disc of familiar music with an enormous amount of marketplace competition or a disc of relatively unfamiliar music with the risk of nobody buying it. By providing both a seasoned warhorse like the Rite and a well-liked but lesser-known symphony such as Nielsen's Fifth, Jarvi can have it both ways. Second, the two pieces of music have a lot in common, each being written in the early part of the twentieth century (1913 and 1922 respectively) and each being unusual, somewhat radical, in its own way. They make good companions on CD.
The Rite, of course, was the most controversial work of its time, causing a riot during its premiere. But today it all seems pretty tame, revolutionary or not, and it's well known even to school children through Disney's Fantasia. Jarvi takes the first part at a most leisurely stride, preferring to build atmosphere at the expense of utmost excitement. He does, however, finally build up a head of steam by the closing moments, though nothing that might induce one to think that a young woman was literally dancing herself to death. Nor does Telarc's sound help unless it's turned up quite high. Perhaps because Telarc realized there is a wide dynamic range involved and some deep bass drum thumps, they chose to keep the playback level low. The opening notes are so quiet, you'll hardly know the piece has begun unless you set the gain up a bit more than usual.
But the Nielsen is quite another story. Here, the conflicting forces of nature or whatever that are being portrayed are always at perfect odds with one another, the ominous, gutsy, staccato gestures of the snare drum in the first movement finally, hopelessly, giving way to the repose of the Adagio. Jarvi brings out the best of these contrasts, with tempos that ensure that no listener is going to nod off. Moreover, Telarc's sound, again lower in level than normal, is smooth and natural in the extreme, with a realistic sense of breadth and depth to the sonic stage. The Nielsen is a fine production all the way around and alone worth the price of the disc.
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|Article Type:||Sound Recording Review|
|Date:||Jan 1, 2005|
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