Stratton Players eyes abuse in uncomfortable `Sin'.
Byline: James A. Karis II
COLUMN: THEATER REVIEW
"Sin, A Cardinal Deposed," staged through this weekend by the Stratton Players, deals with the sexual abuse scandal in the Archdiocese of Boston that led to Cardinal Bernard Law's resignation.
It isn't an easy form of entertainment; the accounts range from sobering to mortifying mor·ti·fy
v. mor·ti·fied, mor·ti·fy·ing, mor·ti·fies
1. To cause to experience shame, humiliation, or wounded pride; humiliate.
2. . But it does prove to be an interesting study in the legal process that led to the downfall of a man once beloved, reduced to an archetype archetype (är`kĭtīp') [Gr. arch=first, typos=mold], term whose earlier meaning, "original model," or "prototype," has been enlarged by C. G. Jung and by several contemporary literary critics. of negligence.
The play takes the form of a dramatic re-creation of Cardinal Law's 2002 deposition in Suffolk Superior Court, with the majority of the dialogue taking place between Law (Rich White) and Orson Krieger (Michael Tobin), the attorney representing the victims. It deals primarily with priests John Geoghan John J. Geoghan (c. 1935 - August 23, 2003) was a key figure in the Roman Catholic sex abuse cases that rocked the Boston Archdiocese in the 1990s and 2000s, and eventually led to the resignation of Boston's archbishop, Cardinal Bernard Francis Law on December 13, 2002. and Paul Shanley Father Paul Richard Shanley (born 25 January 1931), a defrocked priest, served at St. Jean's Parish in Newton, Massachusetts and was a prominent figure in the Boston clergy sex abuse scandal. , and how Law simply moved them from one parish to another after they were repeatedly accused of molestation molestation n. the crime of sexual acts with children up to the age of 18, including touching of private parts, exposure of genitalia, taking of pornographic pictures, rape, inducement of sexual acts with the molester or with other children, and variations of these .
One of the main challenges for playwright Michael Murphy Michael Murphy may refer to:
Aloof or reserved.
stand·offish·ness n. , evasive and almost wholly unapologetic.
While he admits he made mistakes in the way he dealt with accused priests, he passes much of the responsibility off to his delegates, adding that he had no reason to question priests that had been appointed by his predecessors because he assumed they had been rightly appointed.
It is precisely this delegation of authority The action by which a commander assigns part of his or her authority commensurate with the assigned task to a subordinate commander. While ultimate responsibility cannot be relinquished, delegation of authority carries with it the imposition of a measure of responsibility. and operating under false assumptions that makes Law look most negligent. When pressed for specific answers, the Cardinal responds casually that he doesn't remember. Between the dialogue in the play, which was taken from the deposition itself, and Mr. White's performance, Law is portrayed as a man unwilling to accept any responsibility for not dealing with abusive priests swiftly and decisively. He admits to attempting to help the priests, but not the victims and their families. It is a portrait of a man who seems genuinely offended to even have his actions questioned.
While the play is generally effective in making its point, I wonder if it can actually help change the way the church deals with similar circumstances in the future. Hopefully the answer is yes. But I also question the suitability of child molestation Child molestation is a crime involving a range of indecent or sexual activities between an adult and a child, usually under the age of 14. In psychiatric terms, these acts are sometimes known as pedophilia. for dramatic fodder. It's simply not something people associate with "going to the theater," which typically means "entertainment." If it can raise awareness and help educate the public, however, the playwright has done his job.
If you consider attending this play, bear in mind, you aren't in for a pleasant experience. It isn't intended to be. While the accounts are not particularly graphic, it isn't easy listening easy listening
Light or popular compositions, usually having a prominent melody and a quiet or blended arrangement. to descriptions of sexual abuse, however vague - especially when the events involve children. There are no winners in this situation, and in the case of the play, no happy endings.
`Sin, A Cardinal Deposed'
Written by Michael Murphy, directed by Rick Woods, produced and stage managed by Pam Sontag, set construction by Bob Blake, set decoration by Victor Dupuis, lighting design by Brian Boyle. Performances Jan. 25 and 26 at 8 p.m. and Jan. 27 at 2 p.m. at the Stratton Playhouse, 60 Wallace Ave., Fitchburg.
With Rich White, Michael Tobin, Bob Blake, Matt Hager, Brigita Clementi, Victor Dupuis and Rick Woods.
CUTLINE: From left, Matt Hager, Michael Tobin, Rich White and Bob Blake star in "Sin (A Cardinal Deposed.)"