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Stephan Micus: Desert Poems (ECM 1757 012 159 739-2).


Stephan Micus Stephan Micus (born January 19, 1953) is a German musician and composer, whose musical style is heavily influenced by his study of traditional instruments and musical techniques from Japan, India, South America, and other countries around the world. : Desert Poems (ECM (1) (Enterprise Change Management) See version control and configuration management.

(2) (Error Correcting Mode) A Group 3 fax capability that can test for errors within a row of pixels and request retransmission.
 1757 012 159 739-2)

Stephan Micus makes music that is hard to categorize. In the past, his music has focused on simplicity, with a Zen-like spareness of form; however, in this new release he indulges in overdubbing Overdubbing (the process of making an overdub, or overdubs) is a technique used by recording studios to add a supplementary recorded sound to a previously recorded performance.  and other Western tricks to make his sound more grandiose, with the end result being an album that is rich, full, and quite enjoyable. Even with all of the overdubbing and variety of sounds, however, the simplicity of his musical vision shines through; this is music more likely to appeal to fans of Part than of Rimsky-Korsakov. I invoke the names of those "classical" composers quite deliberately, for much of Micus's music on Desert Poems sounds like contemporary classical music In the broadest sense, contemporary music is any music being written in the present day. Contemporary classical music can be understood as belonging to a period that started in the mid-1970s with the retreat of modernism. , but played on folk instruments rather than orchestral instruments. Some for the arrangements also feature Micus's voice. The end result is a rich-sounding recording of great appeal. --KWN
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Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:Review
Author:Nehring, Karl W.
Publication:Sensible Sound
Article Type:Sound Recording Review
Date:Jun 1, 2001
Words:150
Previous Article:Mahler: Das Lied von der Erde Violeta Urmana, mezzo-soprano/Michael Schade, tenor/Vienna Philharmonic/Pierre Boulez (Deutsche Grammophon 469...
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