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St. Louis in the Century of Henry Shaw: a View beyond the Garden Wall.


St. Louis in the Century of Henry Shaw Henry Shaw may refer to:
  • Henry Shaw (botanist) (1800–1889), American botanist and philanthropist
  • Henry Marchmore Shaw (1819–1864), congressman from North Carolina
  • Henry Shaw (Massachusetts), congressman from Massachusetts
: A View beyond the Garden Wall. Edited and with an introduction by Eric Sandweiss. (Columbia and London: Published by the University of Missouri Press The University of Missouri Press, founded in 1958, is a university press that is part of the University of Missouri System. External link
  • University of Missouri Press

 for the Missouri Botanical Garden The Missouri Botanical Garden is a botanical garden located in St. Louis, Missouri, and is also known informally as "Shaw's Garden" (named for founder Henry Shaw, a botanist and philanthropist).  and the Missouri Historical Society, c. 2003. Pp. xx, 251. $39.95, ISBN ISBN
abbr.
International Standard Book Number


ISBN International Standard Book Number

ISBN n abbr (= International Standard Book Number) → ISBN m 
 0-8262-1439-8.)

Written in conjunction with a lecture and discussion series held in 2000, the eight essays in this anthology honor the 200th birthday of Henry Shaw. Shaw, one of St. Louis's greatest benefactors, founded some of the city's finest institutions, including the renowned Missouri Botanical Garden, which opened in 1859. But the book is less about Shaw, as Eric Sandweiss explains, than about "the world that he knew" (p. 7). By that Sandweiss means St. Louis, a city neither East nor West, North nor South, but a cosmopolitan crossroads that over Shaw's lifetime attracted Native Americans, freed blacks, easterners, and an entire spectrum of European immigrants.

The book's essays, which are aimed at general readers, cover selected aspects of Shaw's world--its politics, racial and ethnic issues, business life, efforts in scientific research and learning, and finally its theater, genre painting genre painting

Painting of scenes from everyday life, of ordinary people at work or play, depicted in a realistic manner. In the 18th century, the term was used derogatorily to describe painters specializing in one type of picture, such as flowers, animals, or middle-class
, and literature. Forty illustrations enhance the text, and the whole is elegantly printed, with footnotes at the bottom of the page (a rarity these days) and a useful index.

Arriving in the United States from England in 1819, Henry Shaw had been delegated to sell his family's hardware shipment, then sitting in the port of New Orleans The Port of New Orleans is a port located in New Orleans, Louisiana. It is the 5th largest port in the United States based on volume of cargo handled, second-largest in the state after the Port of South Louisiana, and 12th largest in the U.S. based on value of cargo.  without a buyer. With a stroke of foresight, Shaw took the goods to St. Louis, where over the following years he established himself as a merchant. By 1840 he was a wealthy man. The Missouri Botanical Garden, which he conceived as a place not just of pleasure but also of education about plants and their benefits, remains his most glorious creation. In 1868 he helped found another unique and beloved city space nearby, Tower Grove Park Tower Grove Park is a municipal park built on land most of which was given as a gift to the City of Saint Louis by Henry Shaw in 1868. It is on 289 acres (1.17 km²) which are adjacent to the Missouri Botanical Garden, another of Shaw’s legacies. , a 289-acre stretch of walkways, shrubs and trees, pavilions, and other delights. Shaw also helped found Christ Church Cathedral Christ Church Cathedral is the name of the Anglican Cathedral in several cities around the world, including the following: In Australia
  • Grafton, New South Wales http://www.graftoncathedral.org.au/
  • Newcastle, New South Wales http://www.newcastlecathedral.org.
, the Missouri Historical Society, the St. Louis Mercantile Library, and the Missouri School for the Blind.

The essays are all well written and informative. Sandweiss's graceful introduction sets Shaw's life and career into the context of a slave-owning culture. Kenneth H. Winn, Missouri state archivist ARCHIVIST. One to whose care the archives have been confided. , describes some of the contests among the city's great male politicians to control the city's destiny. Antonio F. Holland explains how the African American African American Multiculture A person having origins in any of the black racial groups of Africa. See Race.  experience in St. Louis differed from that in other southern border cities. Walter D. Kamphoefner relates how immigrants fared in the city over Shaw's lifetime, focusing especially on the role of Germans, whose culture dominated city life in the late 1800s. In reviewing the city's economic history, eminent St. Louis historian James Neal Primm disputes Wyatt Winton Belcher's "misbegotten mis·be·got·ten  
adj.
1.
a. Of, relating to, or being a child or children born to unmarried parents.

b. Not lawfully obtained: misbegotten wealth.

2.
" 1947 thesis about the presumed "timidity" of the city's mid-century economic leadership (pp. 131, 134). Michael Long, a researcher at the Missouri Botanical Garden, explores the history of scientific research in St. Louis and provides original material on physician and amateur naturalist George Engelmann, who established St. Louis as a crossroads of scientific exchange. William J. Reese focuses on three St. Louis educators of national influence: William T. Harris, who became U.S. Commissioner of Education; Susan Blow, who established the nation's first extensive public kindergarten system; and Calvin M. Woodward Calvin Milton Woodward (August 25, 1837 – January 12, 1915) was born at Fitchburg, Mass. to Isaac Burnap Woodward and Eliza W. (Wetherbee) Woodward. He graduated from Harvard College with an A.B. in 1860. , a promoter of manual training for youth. Louis Gerteis describes the "'authentic' social types" displayed in the theatrical presentations and genre paintings associated with early-nineteenth-century St. Louis (p. 191). And finally, Lee Ann Sandweiss, former Director of Publications at the Missouri Historical Society, discusses literary representations of nineteenth-century St. Louis.

As in most collections of this type, the contributions are not all original. Many of them recycle previously published material in summary form. There is nothing intrinsically wrong with such summaries, especially in a book intended for lay readers. However, for me, it made arriving at Long's essay, which exploits new material, especially interesting. Although only one essay deals explicitly with the African American experience, Gerteis's piece, which touches extensively on cultural representation of African Americans, increases the collection's contribution to our understanding of race. What is missing? To some extent class is, as most of the essays foreground white male leaders and touch on the city's social history only in passing. And except for the discussion of Susan Blow and a comment on property ownership among free women of color, the essays mention women only in a couple of footnotes. Given the prominence of St. Louis women in the late-nineteenth-century club and suffrage movements, to mention only some of their activities, I especially regretted their absence in this otherwise welcome excursion into Henry Shaw's century.

ELISABETH ISRAELS PERRY

Saint Louis University Saint Louis University, mainly at St. Louis, Mo.; Jesuit; coeducational; opened 1818 as an academy, became a college 1820, chartered as a university 1832. Parks College (est. 1927 as Parks College of Aeronautical Technology) in Cahokia, Ill.  
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Copyright 2004, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Author:Perry, Elisabeth Israels
Publication:Journal of Southern History
Article Type:Book Review
Date:Aug 1, 2004
Words:793
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