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Spiritual Merchants: Religion, Magic, and Commerce.


By Carolyn Morrow Long. (Knoxville: University of Tennessee Press The University of Tennessee Press (or UT Press), founded in 1940, is a university press that is part of the University of Tennessee. External link
  • University of Tennessee Press
, 2001. Pp. xxx, 314. Paper, $19.00, ISBN ISBN
abbr.
International Standard Book Number


ISBN International Standard Book Number

ISBN n abbr (= International Standard Book Number) → ISBN m 
 1-57233-110-0; cloth, $38.00, ISBN 1-57233-109-7.)

From colonial times to the present, African American African American Multiculture A person having origins in any of the black racial groups of Africa. See Race.  spirituality has been attacked, stereotyped, and misunderstood. Africans who were brought to the New World practiced their ancestral faiths, even though the derivatives that emerged, such as Vodou, Santeria, conjure, and rootwork, were legally discouraged. The history of these practices and their merging in the New World amid changing interpretations, criminalization crim·i·nal·ize  
tr.v. crim·i·nal·ized, crim·i·nal·iz·ing, crim·i·nal·iz·es
1. To impose a criminal penalty on or for; outlaw.

2. To treat as a criminal.
, and commodification Commodification (or commoditization) is the transformation of what is normally a non-commodity into a commodity, or, in other words, to assign value. As the word commodity has distinct meanings in business and in Marxist theory, commodification  are the subjects of Carolyn Morrow Long's Spiritual Merchants.

The spiritual products industry is the focus of the book's study of the origins, meaning, and practice of folk religion. In Long's view, "charms and spiritual products" are "artifacts artifacts

see specimen artifacts.
 within a cultural context" when understood on their own terms as "simply part of everyday life" (pp. xx-xxi). The roots of the religious faith Long describes emerged in the crucible of struggle. Although African slaves, European indentures, Native Americans, and other immigrants faced a hostile environment, they produced a unique spiritual legacy.

To untangle the origins of these peculiarly New World religious practices, Long did fieldwork across the country, visited over fifty outlets of the spiritual products industry, and conducted numerous interviews. She also used the work of Newbell Niles Puckett and Zora Neale Hurston Zora Neale Hurston (January 7, 1891 – January 28, 1960) was an American folklorist and author during the time of the Harlem Renaissance, best known for the 1937 novel Their Eyes Were Watching God. , the Hampton Folklore Society, the Federal Writers' Project Federal Writers' Project: see Work Projects Administration. , and other sources. She makes great use of her material, particularly voluminous court records. Without blinking at the racial bias of the data, Long observes that rarely did the authorities reveal the names--or apparently even prosecute--those practitioners who were white, but the cases against blacks were countless, widely publicized, and replete with prison sentences. The case studies on latter-day spiritual workers are fascinating, especially as juxtaposed jux·ta·pose  
tr.v. jux·ta·posed, jux·ta·pos·ing, jux·ta·pos·es
To place side by side, especially for comparison or contrast.
 with Voodoo Queen Marie Laveau and other legendary root doctors. Long discusses the myths surrounding these figures and blends in cogent analysis of the overarching racism that continues to shroud them in mystery.

The book benefits from a clear understanding of the distinctions between different types of occult practice, and Long carefully distinguishes between regional fine points. She easily shifts her focus from graveyard rituals in the South Carolina Lowcountry to the New Orleans-influenced Gulf Coast, from the West Indian obeah in Harlem to the hundreds of botanicas in Los Angeles (p. 82). The book reads like a catalog in places (the appendix lists retailers by state, manufacturers, wholesalers, and websites), along with graphics and photographs, providing a welter of detail that might stagger some readers.

In the second half of the book Long analyzes what happened in the twentieth century when New Orleans Voodoo
For the American arena football team, see New Orleans VooDoo.
New Orleans Voodoo is a religion of the African diaspora. It is one of many incarnations of African-based religions rooted in the West African, Yoruban tradition, including the Ifá, Vodou,
 and conjuring in general went underground. By the 1930s "manufactured spiritual products" (p. 99), like modern-day cake mixes, had replaced the traditional ones made from scratch. The resulting charms, totems, powders, perfumes, washes, soaps, oils, sachets, incense, and the like are "a symbol of a symbol" because they carry no magical essence, but they bear "symbolic ingredients" and hence derive their power from faith (p. 104). Today these products are the backbone of a flourishing industry, and Long gives the history of dozens of these retailers.

While all the detail in Spiritual Merchants lends texture to this work, it also presents the familiar dilemma of how best to link the themes in a narrative that must deal with so many regional and chronological distinctions. Long addresses this in two ways. First, she repeatedly traces the multifaceted origins of each spiritual practice as far back as possible. Second, she presents an episodic view, one that moves from Africa to the colonial Caribbean, from contemporary Chicago and Memphis back to medieval Europe. This approach is perhaps her greatest accomplishment because it demonstrates how Vodou, conjure, and rootwork are such an integral part of the American experience. Throughout the twentieth century to the present day, "[p]eople came from all over," as one practitioner told Long, to purchase spiritual products. "They didn't just buy a little of this and that--they bought by the box" (p. 150).

EDITH EDITH Exit Drills In The Home (Fire Prevention)
EDITH European Development on Indexing Techniques for Databases with Multidimensional Hierarchies
 AMBROSE

Xavier University of Louisiana Xavier University of Louisiana is a private, coed, liberal arts college that is also a historically African-American (HBCU) Roman Catholic University located in uptown New Orleans, Louisiana on the edge of the Gert Town neighborhood.  
COPYRIGHT 2003 Southern Historical Association
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Copyright 2003, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Author:Ambrose, Edith
Publication:Journal of Southern History
Article Type:Book Review
Date:Aug 1, 2003
Words:675
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