Singing her own tune: Lesley Gore is on her second run of celebrity--from the "It's My Party" songbird of the '60s to the out singer-songwriter of 2005's quietly haunting indie CD Ever Since.

Apparently, it was worth the wait. Lesley Gore was a teen sensation, hitting number 1 with her very first single (the thunderous "It's My Party') and scoring with other hits like the protofeminist anthem "You Don't Own Me." She's also been nominated for an Oscar after cowriting (with her brother Michael) the classic standard "Out Here on My Own" for 1980's Fame.

But Gore hadn't recorded a new album for 30 years. Now she is out with Ever Since (available exclusively at her Web site), and the reviews have been ecstatic. The New York Times calls this collection of intimate acoustic pop "mature and wistful," The Washington Post says it is "welcome and enjoyable," and AllMusic.com deems her CD "subtle and brilliant."

Gore's gay fans are just as thrilled to see that her being out--something obvious to those who saw Gore ably serve as a guest host on the TV series In the Life--is now acknowledged by the mainstream media.

One of her mentors---Bella Abzug--encouraged her to be more public, and Gore took it to heart, saying yes when the PBS show approached her. (Another clue? The times she would open her act in San Francisco by making a play on an Elton John hit by saying "Don't let your son go down on me.") "When I do get to parts of the Midwest, people did come up to me and say, "Thanks for doing that [show],'" says the 59-year-old singer-songwriter. "They just want to be validated and know that they're human beings. So it's been a nice thing and I'm happy I did it."

Still, while she's OK with being public, Gore isn't ready to be personal--don't expect coming-out stories or even how she met her partner, a jewelry designer. Gore is more comfortable talking about "Better Angels"--a track from Ever Since--being featured prominently in the season premiere of CSI: Miami. "It was utilized beautifully," she beams. But she's pleased to acknowledge what she's been open about with family and friends since the '70s.

"We're talking about this, but I've been with the same partner for 24 years," says Gore. "This is just an opportunity for me to kind of catch up with myself. I'm not campaigning. I'm a musical person, and that's what I want my life to be about."

When her stardom was at its highest, even Gore's Jewishness was off-limits. She didn't realize she was gay until she was ensconced at Sarah Lawrence College, where it was "easier to be Joan Baez than Lesley Gore."

As time passed, Gore came to believe no label would spend hundreds of thousands of dollars to get her back into the studio. But the digital revolution meant that when artist and Engine Company Records founder Blake Morgan approached Gore, she knew they could record an album and even make a few bucks. Of course, it helped that she'd known Morgan (who produced, arranged, and wrote or cowrote several of the songs) since he was 9 years old.

"I remember when Blake sat at the piano and couldn't reach the pedals, which is the problem I still have," the petite Gore says with a laugh.

The result is easily the best album of her career, with new tunes like the witty "Not the First" ("You're not the first to think you'll be the last") sitting comfortably alongside more mellow tracks and reimaginings of "You Don't Own Me" and "Out Here on My Own."

Gore could have been out more prominently in the mid '90s in connection with the movie Grace of My Heart, which included a subplot about a Gore-like teen idol (played by Bridget Fonda) who was gay. Gore worked on the character's song--"My Secret Love"--until she was comfortable having her name on it as a cowriter. But she felt wary that she'd been brought in too late for a real collaboration, and when she wasn't even invited to the premiere, Gore was convinced the filmmakers had used her primarily for publicity. "It turned into the opposite of what I would have wanted," she says.

So they don't own her either. Now Gore is looking forward to perhaps a live album next year and another album of originals after that. (She says she's already in the midst, or finished, with seven or eight songs.) A one-woman show a la Elaine Stritch is a long-held dream, and there might even be a book down the road. But every day--just as it's been for most of her life--the one constant is music.

"When I wake up in the morning and I go to the piano and there's a blank sheet of paper in front of me, by the end of the day that could be a gold mine," says Gore. "You really do need to wake up and expect that the world is your oyster, because it very well may be."

TOP 10 indie

1 Where Joy Kills Sorrow Garrin Benfield Benfields all-around talent includes a gift for beautiful songwriting on top of his prowess as a singer and musician.

2 Love Will Take Over. The Remixes Ari Gold All soulful, sexy strut, Gold's groovy dance music has already made the Billboard charts.

3 God-des and She on Logo's Hip Hop Homos Add a sultry R&B singer to a crotch-grabbing rapper and you've got a perfectly matched set of women.

4 Shadowed Sacha Sacket He's the boy Tori Amos, with moody, piano-driven pop and spare electronic flourishes.

5 Year Gone By KJ Denhert If the music industry can accommodate the uniquely retro sounds of Norah Jones, then Denhert deserves her own break.

6 Ruby Red Christine Havrilla Armed with a deep back catalog of great songs, she's an artist primed and ready for plenty of reissues.

7 Marry Me Tori Fixx This artist has already master-minded enough dance music that his first major-label release could be a greatest hits collection.

8 Wandering Eyes Dylan Rice This sensitive-guy singer-songwriter with a rough, gritty edge perfectly blends pop and rock.

9 Whores Have More Fun Houston Bernard Rock and roll dance music, wild theatrical performances, and an adolescent delight in dirty words and cheap sex.

10 Danielle Lo Presti and the Masses at the San Diego Indie Music Fest 2005 Aggressive, ambitious, female-fronted rock band, crossing genres with tight playing.

--Mark Davis

TOP 10 pop music

1 The Woods Sleater-Kinney This dyke-inclusive postpunk combo have never rocked harder--or better--than on their groundbreaking 2005 release.

2 Melissa Etheridge on the Grammys What a comeback! Our bald, beautiful cancer survivor does justice to a Janis classic. She'll always have a big piece of our hearts.

3 I Am a Bird Now Antony and the Johnsons Mercury Music Prize-winner makes velvety underground lullabies, which sort of makes him a Nico for right now.

4 Mercy Now Mary Gauthier A throaty, captivating set from a lesbian daughter of the South who's been there and back. Must to download: "I Drink," "Mercy Now."

5 Fine Upstanding Citizen Maia Sharp Out songwriter Sharp, long behind the scenes, comes into her own with this melodic set of captivating tunes, richly sung.

6 Tragic Realism LD & the New Criticism Crunchy pop-punk + Sondheimian wordplay = angsty breakup songs for grad students and other book owners.

7 Prom Amy Ray The darker half of the Indigo Girls took no prisoners in this hard-rocking, guitar-fueled leap back into those queer discovery days of high school.

8 Takk ... Sigur R6s True, we still have no idea what these Icelanders are singing about. But with music and vocals this haunting, who needs lyrics in English?

9 Twice the Speed of Life Sugarland Major-label success greeted this rockin' country trio anchored by unapologetically out singer-guitarist Kristen Hall.

10 In Good Company Lee Lessack The cabaret artist gathered his all-star pals together for this smooth, accomplished set of duets, both luscious and lounge-y.

In a category all its own

Rodrigo, Villa-Lobos, and Ponce concerti Sharon Isbin, New York Philharmonic The foxy lesbian guitar virtuosa snagged a Latin Grammy nomination for this disc.