Science.NONFICTION Proust Was a Neuroscientist By Jonah Lehrer A bridge between modern science and the arts. "In the stuffy silence of his Parisian studio, [Marcel Proust] listened so intently to his sentimental brain that he discovered how it operated." So argues Jonah Lehrer, who in this fascinating debut argues that eight 19th- and 20th-century artists envisioned 21st-century breakthroughs in the field of neuroscience. Proust discerned the instability and inaccuracy of memory. Paul Cezanne reproduced on his canvases the inner workings of the visual cortex. Gertrude Stein's prose anticipated the work of Noam Chom-sky, while Virginia Woolf charted the terrain of the conscious mind. Icons such as Igor Stravinsky, George Eliot, Walt Whitman, and Auguste Escoffier instinctively knew what scientists are only now able to prove, suggesting that the gap between science and the arts may not be as wide as we think. [ILLUSTRATION OMITTED] Houghton Mifflin. 256 pages. $24. ISBN: 0618620109 Los Angeles Times **** "Looked at one way, Proust Was a Neuroscientist is a lucid summary of the brain as seen by contemporary neuroscience; looked at again, it is an inspired interpretation of the work of eight 19th and 20th century artists and writers whose insights, Lehrer claims, anticipated our current understanding. In lesser hands, this argument would be merely tendentious, but Lehrer's command of his material is so complete that he persuasively makes his case with scientific acuity and aesthetic sensitivity." JESSE COHEN Minneapolis Star Tribune **** "At the age of 25 (!) [Lehrer] has written a dazzling yet always accessible book blending literary criticism and neuroscience. ... This exhilarating book will give you much to think about and make you feel good about your endlessly innovative brain." BRIGITTE FRASE San Francisco Chronicle **** "Lehrer is a capable scientific popularizer, rendering the recent spate of discoveries about the complexity of the human brain comprehensible to laymen. While Proust devotes equal time to art and science, Lehrer will probably prove of more interest to humanities geeks interested in moving beyond A Brief History of Time." SAUL AUSTERLITZ Entertainment Weekly *** "Each of Lehrer's chapters is devoted to one artist, and gets a tad predictable (e.g., Woolf thought the self was an illusion? Later neuroscientists backed her up!). ... But Lehrer writes skillfully and coherently about both art and science--no small feat." GREGORY KIRSCHLING NY Times Book Review *** "Lehrer is smart, and there are some fun moments in these pages. ... At the same time, I'm not sure all his conclusions follow from his data." D.T. MAX Cleveland Plain Dealer ** "Why reduce so much marvelous complexity--how the brain works, Proust's prose, the nature of smell, the creative process, the scientific method--to a cause-and-effect hypothesis? ... Both science and art lose out in this book." ANNE TRUBEK CRITICAL SUMMARY Jonah Lehrer, a Rhodes scholar working in the lab of a Nobel Prize--winning neuroscientist, was participating in experiments on the nature of memory while reading Proust's Swann's Way. He was amazed to find that the author had predicted his scientific findings nearly a century earlier. This epiphany inspired Lehrer to reexamine other great works of art. This highly readable book generally engaged and enlightened critics; Lehrer writes competently despite his "graduate-student earnestness" (Cleveland Plain Dealer). A few critics felt that some conclusions were strained and some generalizations did a disservice to the very fields they were meant to illuminate; however, most considered Lehrer's arguments compelling and persuasive. If not all critics bought Lehrer's claims, his book nonetheless "marks the arrival of an important new thinker" (Los Angeles Times). RELATED ARTICLE: BOOKMARKS SELECTION **** Your Inner Fish A Journey into 3.5-Billion-Year History of the Human Body By Neil Shubin Know your roots. And your gills. People usually talk about the human body teleologically. "Why do we have lungs?" "So we can breathe." "Why is the heart built like a pump?" "To move the blood around the body." But these sorts of questions and answers don't really explain the way we are, since we ultimately descend from a fish that was doing just fine without lungs and from some earlier, bloodless creatures that didn't need hearts. The concept of evolution is difficult to understand, but Neil Shubin, a paleontologist and anatomy professor, makes it more intelligible in this evolutionary guide to the human body and anatomical journey back in time. Shubin finds that the natural way to explain the forms and functions of the human body is by looking at our evolutionary predecessors. The result is a work that helps his students and his readers better understand our place in the scheme of life. [ILLUSTRATION OMITTED] Pantheon. 240 pages. $24. 0375424474 Financial Times **** "If you want to understand the evolutionary history of man and other animals, and read no other account this year, read this splendid monograph. ... Shubin's book is packed with the evidence to support his contention that everything innovative or apparently unique in the history of life 'is really just old stuff that has been recycled, recombined, repurposed or otherwise modified for new uses.'" ALAN CANE Los Angeles Times **** "A delightful introduction to our skeletal structure, viscera and other vital parts--and evidence that learning the secrets of the human body need not unhinge you. ... When he tells the thrilling story of coming upon the fossil remains of Tiktaalik in the Arctic wilderness, where anything that might be mistaken for a polar bear ... sends him scurrying, we share his sense of triumph." JESSE COHEN San Diego Union-Tribune **** "A remarkably enthusiastic and easy-to-read explanation of evolution described through the synthesis of paleontology, developmental genetics and genomics (the study of genes). ... Shubin presents his arguments creatively and concisely, tackling sometimes profound questions about origins and evolution directly, even humorously. The evidence mounts, chapter after chapter." SCOTT LAFEE CRITICAL SUMMARY Neil Shubin, Professor of Biology and Anatomy at the University of Chicago, made headlines in April 2006 with his discovery of a 375-million-year-old fossil called Tiktaalik, the missing link between ancient sea creatures and land dwellers. The reviewers, mostly science writers, embraced Shubin's popular science book, which offers a new perspective on evolution, a subject on which most people feel like they've already made up their minds. While many Americans doubt Darwinism, hardly anyone discounts anatomy, so it is a logical place to reopen the debate. All critics agreed that Shubin, with his clear examples and explanations, makes (yet another) convincing argument. A few critics, in fact, were so excited by it that they seemed ready to enroll in Shubin's anatomy course themselves. INDEX AGENT ZIGZAG 62 A True story of Nazi Espionage, Love, and Betrayal By Ben Macintyre AMERICAN CREATION 61 Triumphs and Tragedies at the Founding of the Republic By Joseph J. Ellis AMERICAN TRANSCENDENTALISM 62 A History By Philip F. Gura BEETHOVEN WAS ONE-SIXTEENTH BLACK 45 And Other Stories By Nadine Gordimer BLEEDING KANSAS 46 By Sara Paretsky BORN STANDING UP 56 A Comic's Life By Steve Martin BREAKFAST WITH BUDDHA 38 By Roland Merullo DAY 47 By A. L. Kennedy THE DEPORTEES AND OTHER STORIES! 34 By Roddy Doyle DIARY OF A BAD YEAR 40 By J. M. Coetzee DUMA KEY 50 By Stephen King THE FALL OF TROY 41 By Peter Ackroyd FIELDWORK 35 By Mischa Berlinski THE GEOGRAPHY OF BLISS 53 One Grump's Search for the Happiest Places in the World By Eric Weiner THE GHOST 36 By Robert Harris GODS BEHAVING BADLY 42 By Marie Phillips A GOLDEN AGE 43 By Tahmima Anam HALTING STATE 50 By Charles Stross THE HEARTS OF HORSES 37 By Molly Gloss HOMECOMING 47 By Bernhard Schlink, translated from the German by Michael Henry Heim IN DEFENSE OF FOOD 52 An Eater's Manifesto By Michael Pollan A LAND SO STRANGE 64 The Epic Journey of Cabeza de Vaca By Andres Resendez THE LAST CHICKEN IN AMERICA 36 A Novel in Stories By Ellen Litman LAST NIGHT AT THE LOBSTER 41 By Stewart O'Nan LIFE CLASS 44 By Pat Barker A LIFE OF PICASSO 56 The Triumphant Years, 1917-1932 By John Richardson LITTLE HEATHENS 58 Hard Times and High Spirits on an Iowa Farm During the Great Depression By Mildred Armstrong Kalish MARCO POLO 57 From Venice to Xanadu By Laurence Bergreen NUREYEV 59 The Life By Julie Kavanagh THE ORDEAL OF ELIZABETH MARSH 59 A Woman in World History By Linda Colley PEOPLE OF THE BOOK 30 By Geraldine Brooks A PIGEON AND A BOY 38 By Meir Shalev, translated from the Hebrew by Evan Fallenberg POSTSINGULAR 52 By Rudy Rucker POWERS 51 By Ursula K. Le Guin PROUST WAS A NEUROSCIENTIST 65 By Jonah Lehrer THE SENATOR'S WIFE 33 By Sue Miller THE SHOCK DOCTRINE 54 The Rise of Disaster Capitalism By Naomi Klein SIGNED, MATA HARI 39 By Yannick Murphy SOLDIER'S HEART 55 Reading Literature Through Peace and War at West Point By Elizabeth D. Samet T IS FOR TRESPASS 48 By Sue Grafton THE TELEPHONE GAMBIT 63 Chasing Alexander Graham Bell's Secret By Seth Shulman THE TENTH MUSE 60 My Life in Food By Judith Jones THEM 45 By Nathan McCall WATCHMAN 49 By Ian Rankin WHAT HATH GOD WROUGHT 65 The Transformation of America, 1815-1848 By Daniel Walker Howe YOUR INNER FISH 66 A Journey into 3.5-Billion-Year History of the Human Body By Neil Shubin ZEROVILLE 43 By Steve Erickson |
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