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Same-sex samurai.


Gohatto * Written and directed by Nagisa Oshima * Starring Tadanobu Asano, Ryuhei Matsuda * New Yorker Films

Gohatto means "taboo," and God knows, anyone who saw Japanese director Nagisa Oshima's 1976 sex odyssey, In the Realm of the Senses--with its clinical fellatio A sexual act in which a male places his penis into the mouth of another person.

At Common Law, fellatio was considered a crime against nature. It was classified as a felony and punishable by imprisonment and/or death.
 shots, all-geisha gang rape, and castration castration, removal of the sex glands of an animal, i.e., testes in the male, or ovaries and often the uterus in the female. Castration of the female animal is commonly referred to as spaying.  finale--won't be surprised that he's taken on a queer samurai love story set in 1865.

Based on novellas This literature-related list is incomplete; you can help by [ expanding it].
This is a selected list of novellas that have gained fame and/or critical and public acclaim.
 by Ryotaro Shiba, Gohatto uses the flouting of sexual norms as a metaphor for a society in transition--in this case, from the fall of the Shogun shogun (shō`gŭn'), title of the feudal military administrator who from the 12th cent. to the 19th cent. was, as the emperor's military deputy, the actual ruler of Japan.  Tokugawa to the restoration of the emperor. Caught in the middle of this change was the militia opposed to the emperor, the Shinsen-gumi, a ragtag rag·tag  
adj.
1. Shaggy or unkempt; ragged.

2. Diverse and disorderly in appearance or composition: "They're a small ragtag army of racketeers, bandits, and murderers" 
 but fiercely self-disciplined band of samurai whose code of conduct was so strict, one could get one's head lopped off for borrowing money.

Shiba's story is about the last Shinsen-gumi, but Oshima's movie is so deliriously agog over the men's sex lives, you would think it was really about the first homosexuals on earth. In the fag Genesis, according to Gohatto, God didn't make Adam and Steve, he made Kano and Tashiro. Tashiro (Tadanobu Asano) is a rough-and-tumble creature of humble parentage who earns a prized spot in the militia on the same day as the ponytailed teenage Kano (Ryuhei Matsuda). Kano is a wealthy merchant's son of Olympian samurai prowess, ,stoic demeanor, and a beauty so fair and willowy wil·low·y  
adj. wil·low·i·er, wil·low·i·est
1. Planted with or abounding in willows.

2. Resembling a willow tree, especially:
a. Flexible; pliant.

b. Tall, slender, and graceful.
 that Hilary Swank could easily out-butch him in the Miss Hiroshima obi competition.

Given the samurai's severe book of conduct, it is delicious to contemplate that same-sex intercourse was so beyond the pale in the realm of taboos that no one bothered to write it in. So when rumors begin to spread that Kano and Tashiro are an item, the initial response of their cohorts is to simply look the other way. There are men who "lean that way," as they put it, and what can you expect when you shove a bunch of guys A Bunch of Guys (BOGs), or Group of Guys (GOGs) are terms used by counter-terrorism officials to refer to small, self-organizing terrorist cells.[1] BOGs typically have little to no contact with global terrorist groups like al Qaeda, so they independently plan and  together between bamboo walls for months on end?

But Kano is no ordinary Adonis. Besides Tashiro, Shinsen-gumi of all ages and stripes are falling for his charms. Before long, that eternal bugaboo, unit cohesion, becomes a source of concern to Kano's superiors. At this point the story could go a predictably operatic, tragic route, but Kano has engendered too much respect among the men to be written off peremptorily per·emp·to·ry  
adj.
1. Putting an end to all debate or action: a peremptory decree.

2. Not allowing contradiction or refusal; imperative:
 with a sword. Instead, Gohatto takes a bizarre and oddly welcome turn into camp comedy, as Kano is packed off to the geisha geisha

Member of a professional class of women in Japan whose traditional occupation is to entertain men. A geisha must be adept at singing, dancing, and playing traditional musical instruments (e.g., the samisen) in addition to being skilled at making conversation.
 house to learn new ways.

Gohatto ultimately gets its violent summation in a denouement rife with confusion and "who's on first?" speculation. The ending seems calculated to make the audience as flummoxed as the men who have been trading rumors about Kano. For all his taboo-busting bravado, the director chooses to leave both answers and sexual explicitness to the imagination. When an interviewer asked if the homosexuality would shock his Japanese audience, Oshima (who is ostensibly straight) answered cryptically, "No, I don't believe so. In this film homosexuality and death are intimately linked, and that's what makes it so beautiful."

Let's choose to assume something got lost in translation, shall we?

Stuart is film critic and senior film writer at Newsday.

Find more on Gohatto and Nagisa Oshima's other films at www.advocate.com
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Article Details
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Title Annotation:Review
Author:Stuart, Jan
Publication:The Advocate (The national gay & lesbian newsmagazine)
Article Type:Movie Review
Date:Nov 7, 2000
Words:556
Previous Article:Making and breaking taboos.(film director Nagisa Oshima)(Brief Article)
Next Article:Lane Janger.(Interview)
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