STARK `13 TZAMETI' TAKES A NUMBER OF STRANGE TURNS.Byline: Glenn Whipp Film Critic With its austere, black-and-white cinematography cinematography: see motion picture photography. cinematography Art and technology of motion-picture photography. It involves the composition of a scene, lighting of the set and actors, choice of cameras, camera angle, and integration of special and a cast full of weather-beaten faces, ``13 Tzameti'' tries hard to ape the hard-boiled crime movies of French filmmaker Jean-Pierre Melville and his successors from the French New Wave. But ``Tzameti'' plays more like an impeccably stylized styl·ize tr.v. styl·ized, styl·iz·ing, styl·iz·es 1. To restrict or make conform to a particular style. 2. To represent conventionally; conventionalize. version of ``Hostel,'' a hollow gimmick masquerading 1. (networking) masquerading - "NAT" (Linux kernel name). 2. (messaging) masquerading - Hiding the names of internal e-mail client and gateway machines from the outside world by rewriting the "From" address and other headers as the message leaves the as an inquiry into the desperate measures that desperate men will undertake. Outside the setup of its central stunt, it's pretty forgettable for·get·ta·ble adj. Fit or apt to be forgotten: a movie with very forgettable characters. Adj. 1. forgettable - easily forgotten unforgettable - impossible to forget . Georgian-born Gela Babluani's debut feature follows sweet-faced Sebastien (Georges Babluani, the director's brother), who begins the movie patching the roof of a crumbling house where a sickly degenerate degenerate /de·gen·er·ate/ (de-jen´er-at) to change from a higher to a lower form. degenerate /de·gen·er·ate/ (de-jen´er-at) characterized by degeneration. (Phillipe Passon) lives. Sebastien isn't exactly on the make, but he's a curious young man. While peering through a hole in the roof, he learns that his employer is expecting a letter containing a train ticket and hotel reservation. Sebastien also gathers that there's big money to be made. When a gust of wind blows the mysterious letter containing the hotel reservation and train ticket out the window and onto his scaffolding, Sebastien, short on money, sees it as a sign. He uses the ticket. He winds up in an isolated chateau in the French countryside, involved in a ``dirty business.'' To say anything more would ruin the setup (though the trailer makes Babluani's love for ``The Deer Hunter'' clear) -- and, as I mentioned earlier, setup is all this movie really has. Tension, too. I'll give Babluani that. He is skilled at using pacing and silence to ratchet up the audience's stress level. But given that Bubluani has only bothered to develop one character and that you're viewing this living hell through that character's eyes, it's a safe bet to assume that Sebastien will remain safe -- to a point. Once he ``stinks of blood,'' though, his fate is sealed. While Babluani spares us much of the gore inherent in the story, he also dispenses with other messy things like human emotions. They don't belong in this deadened dead·en v. dead·ened, dead·en·ing, dead·ens v.tr. 1. To render less intense, sensitive, or vigorous: , dead- end world. Once the shock of the story's premise wears off, you're stuck, just like Sebastien. And not even Bill Clinton could feel his pain. Glenn Whipp, (818) 713-3672. glenn.whipp(at)dailynews.com 13 TZAMETI - Two and one half stars (Not rated: violence, drug use) Starring: Georges Babluani. Director: Gela Babluani. Running time: 1 hr. 30 min. Playing: Landmark's Nuart Theater in West Los Angeles
In a nutshell nut·shell n. The shell enclosing the meat of a nut. Idiom: in a nutshell In a few words; concisely: Just give me the facts in a nutshell. Adv. 1. : Impeccably stylized version of ``Hostel.'' CAPTION(S): photo Photo: Georges Babluani goes to desperate lengths to get his hands on some much-needed money in ``13 Tzameti,'' directed by his brother, Gela Babluani. |
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