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SPIRITED `ZORBA' PUTS THE ACCENT ON LIFE.


Byline: Evan Henerson Theater Critic

There are references, several in fact, to the age (or make that mileage) of Alexis Zorba, the ouzo-swilling, skirt-chasing dynamo of the musical that carries his name. And, indeed, there's only so much disbelief a person can willingly suspend when you've got a robust-looking man still in his 30s playing a character who belly dancers dismiss as ``grandpapa'' until he pulls out the drachmas.

No, Marc Kudisch, who plays Zorba the Greek for Reprise!, is hardly decrepit and you'd be hard pressed to say the performer possesses anything resembling an old soul.

But bottled-up pain, technical brio and sheer stage magnetism count for a lot. The splendid Kudisch is the central electrical current of this production of ``Zorba,'' but he's by no means its only spark. Just as formidable are performers Camille Saviola, Judy Kaye, the Reprise orchestra, and a not-to-be dismissed score by John Kander and Fred Ebb.

Director David Lee's stagings for Reprise! get deeper and more nuanced with each new effort he tackels, and this one brims over with dance, lust, death and sorrow. He has set ``Zorba'' - an occasionally mawkish mawk·ish  
adj.
1. Excessively and objectionably sentimental. See Synonyms at sentimental.

2. Sickening or insipid in taste.
 tale of life, love and mining (sort of) in hardscrabble hard·scrab·ble  
adj.
Earning a bare subsistence, as on the land; marginal: the sharecropper's hardscrabble life.

n.
Barren or marginal farmland.

Adj. 1.
 Crete - in a bare Bouzouki bouzouki

Long-necked lute used in Greek popular music. Developed from a Turkish instrument early in the 20th century, it has a pear-shaped body and a fretted fingerboard.
 Parlor. The cast forms a wide semicircle, taking chairs when not in the scene, and occasionally bringing out an instrument or two. Gerald Sternbach's orchestra sits directly behind, blending effortlessly. You barely realize they're even there.

There's no such thing as a grand entrance, here. Characters merely step forward and - Boom! Opa! - they're in the story. Busty bust·y  
adj. bust·i·er, bust·i·est
Full-bosomed.

Adj. 1. busty - (of a woman's body) having a large bosom and pleasing curves; "Hollywood seems full of curvaceous blondes"; "a curvy young woman in a tight
 Camille Saviola fires the first shot, getting things started as the leader/narrator who sings about ``Life'' and who later guides our two heroes to where the women of their destinies are waiting (``The Top of the Hill,'' ``The Bend of the Road.'')

The men are the aforementioned Zorba (Kudisch) and Nikos (Stan Chandler), an American student who comes to Crete to reopen the mine left in an inheritance. Zorba spots Nikos in a bar, learns of the younger man's quest and says, ``You will take me with you.'' Given that Nikos doesn't know how to really grab life by both horns, he's pretty much putty in Zorba's mitts.

In Crete, there are women and complications. Zorba sets his amorous am·o·rous  
adj.
1. Strongly attracted or disposed to love, especially sexual love.

2. Indicative of love or sexual desire: an amorous glance.

3.
 sights on the matronly innkeeper An individual who, as a regular business, provides accommodations for guests in exchange for reasonable compensation.

An inn is defined as a place where lodgings are made available to the public for a charge, such as a hotel, motel, hostel, or guest house.
, Madame Hortense (Judy Kaye), who dreams of a ring. Nikos is smitten by a shunned widow (Lesli Margherita). < Playing perhaps the play's most grounded character, Kaye's work here is lovely. She can handle the frisky frisk·y  
adj. frisk·i·er, frisk·i·est
Energetic, lively, and playful: a frisky kitten.



frisk
 ditty dit·ty  
n. pl. dit·ties
A simple song.



[Middle English dite, a literary composition, from Old French dite, from Latin dict
 from Hortense's youth, ``No Boom Boom,'' and the much darker closing number, ``Happy Birthday,'' with equal finesse. Hovering somewhere between hope and the realization that men aren't that reliable, Kaye's last-chance love for Zorba is more than a little bit heartbreaking.

This Kander and Ebb score paints with many different hues. A lusty lust·y  
adj. lust·i·er, lust·i·est
1. Full of vigor or vitality; robust.

2. Powerful; strong: a lusty cry.

3. Lustful.

4. Merry; joyous.
 opener like ``Life'' can give way, seamlessly, to the sorrowful sor·row·ful  
adj.
Affected with, marked by, causing, or expressing sorrow. See Synonyms at sad.



sorrow·ful·ly adv.
 meditation of ``Only Love'' and back again to the get-up-and-move urgency of ``Yassou.'' For what it's worth, ``Zorba'' was Kander and Ebb's next score after ``Cabaret,'' and the overall dark edges of both the music and Joseph Stein's book (adapted from Nikos Kazantzakis' novel) may have kept the musical from being a crowd- pleasing hit.

There is, ironically, nobody on stage more knotted and tragic than Zorba, a fact that Kudisch convincingly brings home. It's late in the play when the story finally gives us an idea of who this man is and why he lives as he does. Zorba - we learn - has fought, killed, loved, lost and run away. Kudisch, who moved gracefully when in seduction mode, starts a frenzied final dance to beat back the darkness. Pretty darned darned  
adj.
Damned.

Adj. 1. darned - expletives used informally as intensifiers; "he's a blasted idiot"; "it's a blamed shame"; "a blame cold winter"; "not a blessed dime"; "I'll be damned (or blessed or darned or
 exhilarating.

A character who draws a distinction between living as though he could die at any moment and living as though he will never die is a character worth our attention. Kudisch, Lee and the life-embracing cast of Reprise's! ``Zorba'' make it resonate and give us a dance to savor.

Evan Henerson, (818) 713-3651

evan.henerson(at)dailynews.com

ZORBA - Three and one half stars

Where: Freud Playhouse, UCLA UCLA University of California at Los Angeles
UCLA University Center for Learning Assistance (Illinois State University)
UCLA University of Carrollton, TX and Lower Addison, TX
.

When: 8 p.m. Tuesday through Friday, 2 and 8 p.m. Saturday, 2 and 7 p.m. Sunday; through May 14.

Tickets: $70 to $75. (213) 825-2101 or visit www.reprise.org.

In a nutshell: My big fat Greek existential party.

CAPTION(S):

photo

Photo:

Zorba (Marc Kudisch) exhorts American student Nikos (Stan Chandler) to take him along on a quest to reopen a mine the latter inherits in Crete in the Reprise! production of ``Zorba.''
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Publication:Daily News (Los Angeles, CA)
Date:May 5, 2006
Words:761
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