SOUND CHECK.BILL FRISELL: ``The Intercontinentals'' (Nonesuch none·such also non·such n. 1. A person or thing without equal. 2. See black medic. none ) - Three and one half stars Frisell is the Randy Newman of modern jazz. With an instrumental voice entirely his own and an appreciation for a world of arcane music gently incorporated into his often wistful compositions, Frisell's reflective guitar is as instantly identifiable as Newman's vocals. In this relaxed if slightly overlong o·ver·long adj. Excessively long: an overlong play. adv. For too long: talked overlong. 14-track set, Frisell gathers musicians from Greece, Mali, Brazil and the United States for an often intriguing exploration of the points where global folk forms and subtle electronics and American roots might meet. As Greg Leisz's big-sky pedal steel brings heartfelt counterpoint, the concept takes flight on the sultry opener, ``Boubacar'' (for Malian guitar great Boubacar Traore) and the appealing Brazilian pop of Gilberto Gil's ``Procissao.'' - Fred Shuster VARIOUS: ``Lonesome lone·some adj. 1. a. Dejected because of a lack of companionship. See Synonyms at alone. b. Producing such dejection: a lonesome hour at the bar. 2. , On'ry and Mean: A Tribute to Waylon Jennings'' (Dualtone/BMG) - Three stars This tribute to the late, baronial ba·ro·ni·al adj. 1. Of or relating to a baron or barony. 2. Suited for or befitting a baron; stately and grand: a baronial mansion. Adj. 1. baritone of outlaw country is superior to most such compilations, mainly because the majority of interpreters find a smart way to respectfully bend Waylon's spirit to their own sensibilities. Also helping is the shrewd diversity of the participants. There are kindred Texans (Guy Clark, Junior Brown, Robert Earl Keen), born- again cowpunks (Dave Alvin does a touching, ghostly ``Amanda''; Henry Rollins thrashes violently through the title song) and some good gals, too (Norah Jones, beguiling on ``Wurlitzer Prize''; Pam Tillis in a strong ``Let's All Help the Cowboys Sing the Blues'' duet with Jack Clement). Only a few of the ladies - Nanci Griffith, Carlene Carter, Allison Moorer - are too fastidious fas·tid·i·ous adj. 1. Possessing or displaying careful, meticulous attention to detail. 2. Difficult to please; exacting. 3. Having complex nutritional requirements. Used of microorganisms. for the earthy labor at hand. - Bob Strauss YERBA BUENA yerba buena (yĕr`bə bwā`nə), trailing evergreen perennial (Micromeria chamissonis) of the family Labiatae (mint family). It is native to W North America and especially common to woodland areas along the Pacific coast. : ``President Alien'' (Razor & Tie) - Four stars Cultures converge in a fusion of Spanglish lyrics, Caribbean rhythms, hip-hop beats, jazzy jazz·y adj. jazz·i·er, jazz·i·est 1. Resembling jazz in form or nature; rhythmical. 2. Slang Showy; flashy: a jazzy car. flute licks and scorching scorch v. scorched, scorch·ing, scorch·es v.tr. 1. To burn superficially so as to discolor or damage the texture of. See Synonyms at burn1. 2. brass from New York's answer to Ozomatli. The 420-friendly Afro-Cuban ensemble (the name translates to ``good weed'') draws from the Latin and American heritage of its nine members, all of whom were brought together by Andres Levin, the songwriter and producer best-known for his work with such notables as D'Angelo, Macy Gray and Meshell Ndegeocello, who lends her star power to the song ``Follow Me,'' which she co-wrote. But the biggest star of ``President Alien'' is Yerba Buena, fronted by Xiomara Laugart, a Cuban thrush drawing comparisons to a young Celia Cruz. The group especially shines as a whole on the cumbia cum·bi·a n. 1. A Latin-American dance originating among African slave populations on Colombia's Atlantic coast and characterized by short sliding steps. 2. Music for this dance. tune ``Solito Me Quede,'' as well as ``Electric Boogaloo Boogaloo (shing-a-ling, popcorn music) is a genre of Latin music and dance that was very popular in the United States in the late 1960s. Boogaloo originated in New York City among teenage Cubans and Puerto Ricans. ,'' a modern take on the Nuyorican mambo-fusion craze of the 1960s. Other standouts include ``Bote Bote Va,'' a traditional children's song from Cuba. - Sandra Barrera LONGWAVE: ``The Strangest Things'' (RCA See RCA connector and video/TV history. ) - Three stars Longwave, a shaggy-haired New York quartet sporting conventional rock instrumentation, is often lumped with the so-called garage-rock revival, thanks to the band's presence on the current Advanced Warning tour with the Mooney Suzuki. But Longwave actually has little in common with its tourmates. ``The Strangest Things'' is classic shoe-gazer material, much of it sounding like an amped-up Echo & the Bunnymen disc that never was - and that's a very good thing. Standouts like ``Wake Me When It's Over'' and ``Pool Song'' make you wonder what the foursome will do with the 1980s indie sound they're channeling so well. - Theo Douglas SOUNDTRACK: ``Crossing Jordan''(Columbia/Sony Music Soundtrax) - Three stars You don't have to be a fan of TV's crime-fighting coroner to dig this set of inspired covers of classic rock songs. Highlights include Richard Thompson's scorching reading of Donovan's ``Season of the Witch'' (memo to younger listeners: That loud bit in the middle is called a guitar solo - they used to do that in popular music), Lucinda Williams' wrenchingly sad take on Tom Waits' ``Hang Down Your Head'' and Vic Chesnutt's woozy ``Buckets of Rain.'' Series star Jill Hennessy adds pop vocalist to her resume with a soulful reading of Waits' ``You're Innocent When You Dream'' and a less-accomplished pass on ``It's All Over Now, Baby Blue.'' - David Kronke CAPTION(S): 5 photos Photo: (1) BILL FRISELL (2 -- 5) no caption (CD covers) |
|
||||||||||||||

Printer friendly
Cite/link
Email
Feedback
Reader Opinion