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SIOBHAN DAVIES DANCE COMPANY.


SIOBHAN DAVIES DANCE COMPANY Siobhan Davies Dance is one of the UK's leading contemporary dance companies founded in 1988 by Siobhan Davies, previously a dancer and choreographer with the London Contemporary Dance Theatre.  SADLER'S WELLS THEATRE
For the racehorse, see Sadler's Wells (horse).
Sadler's Wells Theatre is located on Rosebery Avenue, Clerkenwell in the London Borough of Islington. The present theatre is the sixth on the site and seats 1,500.
 LONDON, ENGLAND, UK SEPTEMBER 26, 1999 REVIEWED BY HELEN COOPER

Siobhan Davies's first full-length work created for the company in more than thirty years of making dances, Wild Air epitomizes her work and that of her company. One of the first students of the London Contemporary Dance School The London Contemporary Dance School is a school in the United Kingdom for the teaching of contemporary dance.

Based at The Place near Euston, London, the school was founded by Robin Howard in the 1966[1]
 in the late sixties, Davies has been a prominent figure throughout the development of contemporary dance in Britain.

One element of this work that immediately set it apart from other modern dance today is that it allowed the audience to travel into the piece rather than presenting it to them. At the London premiere, I was invited by the dancers into their domain. At times quite insular insular /in·su·lar/ (-sdbobr-ler) pertaining to the insula or to an island, as the islands of Langerhans.

in·su·lar
adj.
Of or being an isolated tissue or island of tissue.
, the movements also conveyed a sense of fun, moving seamlessly from statuesque stat·u·esque  
adj.
Suggestive of a statue, as in proportion, grace, or dignity; stately.



statu·esque
 poses to a small nudge or a lift of another dancer in the space.

The score, by South African composer and long-term Davies collaborator Kevin Volans Kevin Volans is a composer associated with the post-minimalist movement in contemporary composition. He was born in Pietermaritzburg, South Africa on July 6, 1949, and even though he has spent most of his life outside his native country, is the best known South African composer , provided a catalyst for sound and movement to play cat-and-mouse with each other--running, chasing, softening into pauses of stillness and moments of silence. The first half echoed individualism, its somewhat fragmented state provoking questions of intention.

The set, designed by David Buckland, used moving holographic See holographic storage.  images of everyday objects--a chair, a ladder, a window--at times to enhance, at other times to be in total opposition to the movement. Sliding screens across the back of the stage opened and closed at seemingly random intervals, offering a doorway to another avenue to be explored.

The present Siobhan Davies Dance Company, five women and three men, displayed in a moment a singular group identity. Stunning moments between Deborah Saxon and Paul Old, interspersed through the second half, conveyed feelings of peace, turmoil, isolation, or solidarity--or a combination of these emotions. It is Davies's intrinsic way of working with intelligent dancers who want to be challenged and opened to new movement that allows the magnitude of creativity she enjoys in her work.
COPYRIGHT 2000 Dance Magazine, Inc.
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Copyright 2000, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:Review; Sadler Wells Theatre, London, England, UK
Author:COOPER, HELEN
Publication:Dance Magazine
Article Type:Dance Review
Date:Jan 1, 2000
Words:328
Previous Article:Schorer on Balanchine.(Suki Schorer)
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