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SANDLER'S TRYING, BUT THIS ONE DOESN'T QUITE `CLICK'.


Byline: Bob Strauss Film Critic

Not since ``Little Nicky'' has an Adam Sandler movie tried as hard as ``Click'' does to be, well, a movie. The results are a little better this time out, too. The elements that are missing from most of the comedian's picture -- story sense, humanity, jokes worth more than 10 seconds of anyone's attention -- are here in abundance.

But it's too much abundance, as if the writers, Sandler and his frequent director Frank Coraci (``The Wedding Singer,'' ``The Waterboy'') were overcompensating for all of the wan, one-note comedies like ``Billy Madison'' and ``Big Daddy.''

There's enough plot in this one for a ``Back to the Future'' trilogy.

Almost as many digital effects Synthetic sounds and animations created in the digital domain. Reverberation, morphing and transitions between video frames are examples. See digital video effects. , too, though they often look like leftover ESPN ESPN Entertainment and Sports Programming Network  or Fox News graphics. And when the standard Sandler entertainments of tormenting children and stereotyping foreigners grow tiresome (well, honestly, quite awhile after that feeling sets in), the actor shifts into fully committed (Law) committed to prison for trial, in distinction from being detained for examination.

See also: Fully
, self-pitying bathos ba·thos  
n.
1.
a. An abrupt, unintended transition in style from the exalted to the commonplace, producing a ludicrous effect.

b. An anticlimax.

2.
a.
.

Thank God they saved a fat suit for that stretch.

But while most of ``Click's'' gags may only be funny to Sandler's legion of fans, some cleverly engineered humor also works its way in.

Plus -- big plus -- there's Christopher Walken. And the film's premise is more-or-less well-exploited. It may all boil down to a cautionary tale A cautionary tale is a traditional story told in folklore, to warn its hearer of a danger.

There are three essential parts to a cautionary tale, though they can be introduced in a large variety of ways.
 that borrows shamelessly from ``It's a Wonderful Life,'' but when the comic energy is cooking, ``Click'' is diverting enough.

Sandler's Michael Newman is an up-and-coming New York New York, state, United States
New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of
 architect with two adorable young kids (Joseph Castanon and Tatum McCann), a beautiful and generally nice wife, Donna (Kate Beckinsale), lovably goofy parents (Henry Winkler and Julie Kavner) and a demanding idiot of a boss, Ammer (David Hasselhoff).

Ammer makes Michael work on holidays so that he disappoints his children, which annoys Donna. Plus, he's got too many remote controls for too many electronic devices. One overworked, upset night, Michael heads out to buy a universal remote. He finds one in a store's hitherto unknown Beyond department.

That's where Walken's crazy-haired Morty works. Friendly enough -- if you can imagine Walken being friendly -- Morty is evidently a demonic figure. But Walken makes him so offbeat off·beat  
n. Music
An unaccented beat in a measure.

adj. Slang
Not conforming to an ordinary type or pattern; unconventional: offbeat humor.
 and ingratiating in·gra·ti·at·ing  
adj.
1. Pleasing; agreeable: "Reading requires an effort.... Print is not as ingratiating as television" Robert MacNeil.

2.
, even singing and dancing a bit in his inimitable in·im·i·ta·ble  
adj.
Defying imitation; matchless.



[Middle English, from Latin inimit
 way, that you love Morty more than fear him.

Anyway, Morty lays a special clicker click·er  
n.
One that clicks, as:
a. A remote control, as for a television or VCR.

b. A computer mouse.

c. A mechanical counter.
 on Michael that enables the harried householder to control his universe. Dog's barking or wife's friend is babbling babbling Neurology Quasi-random vocalizations in infants that precede language acquisition. See Lalling stage. ? Mute them. Marital argument starting?

Fast-forward to the makeup sex. Boss dangling a partnership if a time- consuming design flies? Skip the time-consuming part and go straight to the promotion party.

Only trouble is, the remote is smart. It's designed to program itself to Michael's perceived preferences. And he can't override, nor get rid of it. Too much of a good thing is not just this movie's style, it's its very atomic essence.

Watching Sandler superficially yet intensely mature on screen is kind of creepy. His movies seem to be more and more about simple life lessons that most guys half his age understand, even if they don't always act according to them. Robin Williams' ``RV'' character goes down essentially the same path of workaholism-is bad discovery, and at least Sandler doesn't let his man become a complete fool in ``Click.'' But for all of his strenuous emoting, he never convinced me that Michael actually learned anything, either.

That's one part of moviemaking mov·ie·mak·er  
n.
One that makes movies, especially professionally.



movie·mak
 that can't be done by remote control.

Bob Strauss (818)713-3670

bob.strauss@dailynews.com

CLICK - Two and one half stars

(PG-13: language, crude and sex-related humor, some drug references )

Starring: Adam Sandler, Kate Beckinsale, Christopher Walken.

Director: Frank Coraci.

Running time: 1 hr. 38 min.

Playing: In wide release.

In a nutshell: Sandler's harried family man finds a universal remote that enables him to avoid all of life's problems -- but at a price. Ambitious for a silly/sappy Sandler farce, but it's a Sandler farce just the same.

CAPTION(S):

photo

Photo:

Wild-eyed Christopher Walken gives stressed-out family man Adam Sandler a walk-through on the universal remote in the crude cautionary tale ``Click.''
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Publication:Daily News (Los Angeles, CA)
Date:Jun 23, 2006
Words:677
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