Remo L. Guidi. Il dibattito sull'uomo nel Quattrocento: Indagini e dibattiti.Rome: Tielle Media, 1999. viii + 1276 pp. + 20 b/w pls. index. bibl. 83 [euro]. ISBN ISBN abbr. International Standard Book Number ISBN International Standard Book Number ISBN n abbr (= International Standard Book Number) → ISBN m : 88-87604-00-2. To call this work a magnum opus seems inadequate, if not even ungenerous un·gen·er·ous adj. 1. Slow or reluctant in giving, forgiving, or sharing; stingy. 2. Harsh in judgment; unkind. 3. Mean-spirited; illiberal; ignoble. . Its bibliography alone takes up sixty-three pages. Its first seven chapters each run on average 150 pages, with dense footnotes teeming teem 1 v. teemed, teem·ing, teems v.intr. 1. To be full of things; abound or swarm: A drop of water teems with microorganisms. 2. with data drawn from manuscripts and early printed editions. Guidi examines the relationship in fifteenth-century Italy between the mendicant orders (R. C. Ch.) certain monastic orders which are forbidden to acquire landed property and are required to be supported by alms, esp. the Franciscans, the Dominicans, the Carmelites, and the Augustinians. See also: Mendicant , especially the Franciscans, in their guise as spiritual guides (maitres-a-penser and maestri di spirito are the terms he prefers) and the humanists in their self-appointed role as dispensers of ethical and religious advice and as critics of the religious establishment. Lorenzo Valla and Poggio Bracciolini figure largely in the narrative, as one would expect, but so too do very large number of other humanists, sometimes fleetingly, sometimes with so quite substantial treatments, such as in the case of Guarino Veronese and Ermolao Barbaro. Guidi very impressively has consulted a large range of texts in manuscripts and early printed editions. Once in a while, though, he cites from manuscripts works that are now easily available in recent critical editions. This I take to be an occupational hazard occupational hazard n. a danger or risk inherent in certain employments or workplaces, such as deep-sea diving, cutting timber, high-rise steel construction, high-voltage electrical wiring, use of pesticides, painting bridges, and many factories. of a project that demanded many years to complete. The great textual revelations of the opus, however, stern from its quotations and citations from the vast devotional and spiritual literature still in manuscript produced by the Italian mendicants of the Quattrocento quat·tro·cen·to n. The 15th-century period of Italian art and literature. [Italian, short for (mil) quattrocento, one thousand four hundred : quattro, four (from Latin . Guidi appended a ten-page indice dei manoscritti as well as a full indice dei nomi but they do not quite do the job because so many of the texts he quotes are anonymous. So, unless you are interested in, and have the shelfmark of, a specific manuscript, you cannot search for any of these anonymous works. I found myself jotting down on the back cover the pages where these texts are cited. This task is more important than one may suppose for the greatest value of the book is actually as a reference work. Guidi is far too knowledgeable and sophisticated to paint a black and white picture of the tensions between lay humanists and traditional spiritual leaders. He discusses the commonalities of the relationship as much as the antagonisms; and his treatment is invariably in·var·i·a·ble adj. Not changing or subject to change; constant. in·var i·a·bil much nuanced. He has large themes, such as the puritanism of the leading mendicants, their inability at times to understand adequately the realities of lay life, and their tendency to impose upon the laity the ethos, if not even the exigencies, of the cloister cloister, unroofed space forming part of a religious establishment and surrounded by the various buildings or by enclosing walls. Generally, it is provided on all sides with a vaulted passageway consisting of continuous colonnades or arcades opening onto a court. . Guidi discusses at length the role of the mendicants as important actors in the political and social life of the Italian city states and has some very interesting and substantial things to say about the moral and physical state of the mendicant orders in the Quattrocento. He contrasts in several different contexts the realities of Italian religious, political, and social life with the fictions humanists as well as mendicants purveyed. He analyzes hagiographical literature as a way of entering into the mentality of the mendicants, the spirituality that they wished to foster among the laity, and how the various images of their heroes were molded and exploited to serve the subsequent immediate interests of their followers. Guidi profitably studies at length from this perspective the founder of the Gesuati, Giovanni Colombini, as well as the Franciscan Bernardino of Siena Saint Bernardino of Siena (sometimes Bernardine, September 8 1380 – May 20, 1444) was an Italian priest, preacher, Franciscan missionary and Christian saint. Early life and the Dominican Girolamo Savonarola. The notion that humanists could and did at times act as rivals of the mendicants in the spheres of religion and, more vaguely, of the spirit, is hardly novel; and much of the general ground that Guidi covers has been covered before. The inestimable in·es·ti·ma·ble adj. 1. Impossible to estimate or compute: inestimable damage. See Synonyms at incalculable. 2. value of his book is in the details, as he discusses Poggio, Valla, Guarino, Ermolao Barbaro, Leonardi Bruni, Pier Candido Decembrio, Nicolaus Secundinus, Francisco Filelfo, Ambrogio Traversari, Giles of Viterbo, Marsilio Ficino, etc., on the one hand and a great mass of mendicant preachers and writers, great and small, famous and anonymous, on the other. Attempts to find a common Renaissance humanist spirituality I think are doomed to failure (for instance, I do not buy Guidi's argument about formalism causing "the death" of humanism, 601-14), but individual humanists could be insightful, influential, wonderfully quirky, shocking, and puzzling. Guidi provides all sorts of leads in this regard. Anyone working on Quattrocento intellectual and cultural life would make a serious mistake failing to dip into his book, reading the relevant chapters, and checking out the indices. Guidi's method of trawling For fishing by dragging a baited line after a boat, see . Trawling is a method of fishing that involves actively pulling a fishing net through the water behind one or more boats, called trawlers. extensively among manuscript texts and printed texts has paid off handsomely. On occasion, however, the subjects he addresses require the use of a quantitative method besides, for instance, when he examines the question whether there was an "inflation" of friars in the fifteenth century or discusses the financial problems of Franciscan nuns (le Clarisse) or analyzes varieties of Quattrocento hagiography hagiography Literature describing the lives of the saints. Christian hagiography includes stories of saintly monks, bishops, princes, and virgins, with accounts of their martyrdom and of the miracles connected with their relics, tombs, icons, or statues. . The rich detail and wide range of references he provides make these discussions very worthwhile and suggestive but in the final analysis impressionistic im·pres·sion·is·tic adj. 1. Of, relating to, or practicing impressionism. 2. Of, relating to, or predicated on impression as opposed to reason or fact: impressionistic memories of early childhood. rather than decisive. I learned a great deal reading Il dibattito, and I fully expect to be returning to it many times in the future in search of leads and to ascertain Guidi's take on the, literally, hundreds of different issues and figures he touches upon. His is a book that should be on the shelf of every university library. JOHN MONFASANI The University at Albany, State University of New York (body) State University of New York - (SUNY) The public university system of New York State, USA, with campuses throughout the state. |
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