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Redefining the dancer's body.


IT'S NO SECRET THAT DANCERS ARE OBSESSED ob·sess  
v. ob·sessed, ob·sess·ing, ob·sess·es

v.tr.
To preoccupy the mind of excessively.

v.intr.
 WITH their bodies. But don't feel embarrassed about it, because it simply comes with the territory. There is no way to train as a dancer and not be hyperconscious hy·per·con·scious  
adj.
Extremely or acutely aware.
 of the way you look, the proportions of your body, and the quality of your movement. As dancers, our concern for our image goes beyond that of a model or an actor. It is not simply the figure we cut or our attractiveness as a sexual being, but the artistic, emotional, and aesthetic impact we create in motion. [] Dancers tend to define the "ideal body" narrowly, and nervously measure the gap between the ideal and the real. To deconstruct de·con·struct  
tr.v. de·con·struct·ed, de·con·struct·ing, de·con·structs
1. To break down into components; dismantle.

2.
 the ideal, we state here that "Any Body Can Dance" and visit the lives of dancers whose bodies defy the stereotypes. And we target another stereotype--the adoration adoration,
n a prayer of worship and praise.
 of youth in dancing. Yes, most gorgeous dancers are under 35, but there are many, still beautiful, who dance past that age. Our writer Merilyn Jackson gives a glimpse of positive aging for dancers in "Never Stop Dancing." [] Slogging away year after year in technique class can bring miraculous changes, making our bodies taut and essential. But that can happen only if your mind keeps up with your body. Both creators and performers in the field of dance must aim for the body and mind to work together. To complete our segment on the body, we take a look at an extraordinary exemplar ex·em·plar  
n.
1. One that is worthy of imitation; a model. See Synonyms at ideal.

2. One that is typical or representative; an example.

3. An ideal that serves as a pattern; an archetype.

4.
 of body-mind unity, dancer/choreographer Kei Takei. [] So go ahead and obsess ob·sess  
v. ob·sessed, ob·sess·ing, ob·sess·es

v.tr.
To preoccupy the mind of excessively.

v.intr.
. After all, no one ever improved her technique by being complacent. [] Reading the following stories will stretch your idea of the dancer's body, help connect your body to your mind, and bring your goal closer to reality.
COPYRIGHT 2001 Dance Magazine, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Author:Perron, Wendy
Publication:Dance Magazine
Article Type:Brief Article
Geographic Code:1USA
Date:Nov 1, 2001
Words:294
Previous Article:The return of Jennifer Ringer: principal dancer at New York City Ballet takes back center stage. (Cover Story).(Critical Essay)
Next Article:Any body can dance: four artists who break the mold. (Cover Story).(physical build of dancers)(Cover Story)
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