Printer Friendly
The Free Library
14,506,614 articles and books
Member login
User name  
Password 
 
Join us Forgot password?

Recorded history: locked up by copyright laws.


MUSIC LOVERS, take heart: The overwhelming majority of commercial recordings ever released in the U.S.--probably more than 90 percent--still survive in some form, somewhere. And you'll only have to wait until 2067 to hear most of them.

Last summer, the Library of Congress and the Council on Library and Information Resources (1) The data and information assets of an organization, department or unit. See data administration.

(2) Another name for the Information Systems (IS) or Information Technology (IT) department. See IT.
 released a study, commissioned by Congress, of a sample of 1,500 commercial recordings released from 1890 to 1964 in the U.S. Some 84 percent of these historic recordings were still under the control of a copyright owner, which under current law means that most will remain protected by copyright through February 2067.

That deadline was set by the Sonny Bono Salvatore Phillip "Sonny" Bono (January 16 1935(1935--) – January 5 1998) was an American record producer, singer, actor, and politician whose career spanned over three decades.  Copyright Term Extension Act of 1998, which retroactively ret·ro·ac·tive  
adj.
Influencing or applying to a period prior to enactment: a retroactive pay increase.



[French rétroactif, from Latin
 increased the copyright terms of pre-existing as well as new works. The extension was supposed to give copyright owners added incentive to reissue re·is·sue  
v. re·is·sued, re·is·su·ing, re·is·sues

v.tr.
To issue again, especially to make available again.

v.intr.
To come forth again.

n.
1.
 classic works in newer formats. Yet only about 14 percent of the study's sample had been reissued by rights holders, as compared with 22 percent that has been made available by "other entities," including foreign labels and others "operating under the legal radar."

For up to a quarter of the sample, the investigators could not precisely trace the recordings' ownership--an extra obstacle for anyone hoping to reintroduce Re`in`tro`duce´   

v. t. 1. To introduce again.

Verb 1. reintroduce - introduce anew; "We haven't met in a long time, so let me reintroduce myself"
re-introduce
 an old favorite record to the modern world. A bit more than a quarter of the jazz and pop recordings surveyed were available on compact disc from any source, and for what the library dubbed dub 1  
tr.v. dubbed, dub·bing, dubs
1. To tap lightly on the shoulder by way of conferring knighthood.

2. To honor with a new title or description.

3.
 "ethnic" recordings, the figure was only about 2 percent.

The study itself, incidentally, may not "be reproduced or transcribed in any form without permission of the publishers."
COPYRIGHT 2006 Reason Foundation
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2006, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

 Reader Opinion

Title:

Comment:



 

Article Details
Printer friendly Cite/link Email Feedback
Title Annotation:Citings
Author:Sanchez, Julian
Publication:Reason
Article Type:Brief article
Geographic Code:1USA
Date:Apr 1, 2006
Words:275
Previous Article:Amtrak sucks.(Letter to the editor)
Next Article:Breaking the levy: an illegal phone tax.(excise tax on cell phone usage)(Brief article)
Topics:



Related Articles
Congress has heard your objections to classroom license fees! (fees required by American Society of Composers, Authors, and Publishers and Broadcast...
Copyright Law and the Internet.
Copywrong.(inequities of the Digital Millennium Copyright Act)
Song, Sung Blue.(Napster copyright ruling)(Company Business and Marketing)
Copyright versus Copywrong.(managing digital communications)
Intellectual property and Internet publications. (Legal).(Copyright law)
What every poet should know about copyright. (poetic license).(Brief Article)
RUSSIA - Dec. 17 - Elcomsoft Cleared In Digital Test Case.(Brief Article)
Free culture vs. big media: Lawrence Lessig leads the charge to retake the public domain.
Clearing up misconceptions about copyright protection.(Guest Column)

Terms of use | Copyright © 2009 Farlex, Inc. | Feedback | For webmasters | Submit articles