REARRANGING RADICALISM.Byline: Glenn Whipp Film Critic BUDDING revolutionaries may feel inspired to don their freshly minted Che T-shirts and check out ``The Edukators,'' given that its main characters are young people who search their souls by day (``I can't find anything I really want to believe in,'' moans one) and make mischief by night. But even the sort of earnest activists who joined Amnesty International Amnesty International (AI,) human-rights organization founded in 1961 by Englishman Peter Benenson; it campaigns internationally against the detention of prisoners of conscience, for the fair trial of political prisoners, to abolish the death penalty and torture of after the last U2 tour will be disappointed by Hans Weingartner's talky talk·y adj. talk·i·er, talk·i·est 1. Talkative; loquacious. 2. Containing or given to too much talk: a talky, boring play. , rambling movie, which is light on action and heavy on didactic dialogue. In trying to appeal to a generation searching for idealism (as well as perhaps boomers who have long ago lost theirs), ``The Edukators'' offers only applesauce ideas that more or less confirm the cynical mantra of the movie's corporate fat cat: ``Under 30 and not liberal, no heart. Over 30 and still liberal, no brain.'' Would that Weingartner had a little more brain, not to mention a decent editor. The 129-minute ``Edukators'' tips its hat to Francois Truffaut Noun 1. Francois Truffaut - French filmmaker (1932-1984) Truffaut with its chummy chum·my adj. chum·mi·er, chum·mi·est Intimate; friendly. chum mi·ly adv. romantic triangle of best friends Peter (Stipe Erceg) and Jan (Daniel Bruhl, ``Goodbye, Lenin!'') and debt-ridden waitress Jules (Julia Jentsch). (Jules and Jan ... Jules and Jim, get it?) Peter and Jan break into rich people's homes, rearrange the furniture and leave cryptic notes like, ``Your days of plenty are numbered. The Edukators.'' This ``new approach'' to confronting corporate wealth is meant to put the fear of the proletariat into heads of the unfeeling moneyed class, including people like Hardenberg (Burghart Klaussner), who is forcing Jules to pay for the S-class Mercedes that she totaled. The boys have big plans for waking up Hardenberg and his ilk. Realizing these goals depends on whether ideology can triumph over hormones, which, given the ages of the characters, is an iffy if·fy adj. if·fi·er, if·fi·est Informal Doubtful; uncertain: an iffy proposition. [From if. proposition at best. ``The Edukators'' is not completely without incident or interest, the latter being generated primarily by its trio of young, gifted actors. The ending brings a smile, both from its twist of truth and, unfortunately, because it comes after a half-hour of blather that could have easily been cut to 10 minutes. Like the rest of the movie, the finale strikes a misanthropic mis·an·throp·ic adj. 1. Of, relating to, or characteristic of a misanthrope. 2. Characterized by a hatred or mistrustful scorn for humankind. note. As one character puts it: ``Been there, done that. Why bother?'' Indeed. Glenn Whipp, (818) 713-3672 glenn.whipp(at)dailynews.com THE EDUKATORS - Two stars (R: language, sexuality, drug use) Starring: Daniel Bruhl, Stipe Erceg, Julia Jentsch. Director: Hans Weingartner. Running time: 2 hr. 9 min. Playing: Landmark's Nuart Theater in West Los Angeles
In a nutshell: Overlong o·ver·long adj. Excessively long: an overlong play. adv. For too long: talked overlong. bull session about the futility of ideals. In German with English subtitles. |
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