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Quilting's local legacy.


Port Gibson's rich quilt heritage goes back at least 200 years and remains vibrant through the efforts of artisans working to pass their needles to the next generation.

One of the most extraordinary stories uncovered by the Mississippi Quilt Association's Heritage Quilt Search Project was that of members of the Shaifer family of Port Gibson, who, since the early 19th century, have produced a collection of quilts that has for the most part survived the fates of time.

Libby Shaifer Hollingsworth, caretaker of the family collection, says she had "no idea" what she had in her stockpile stock·pile  
n.
A supply stored for future use, usually carefully accrued and maintained.

tr.v. stock·piled, stock·pil·ing, stock·piles
To accumulate and maintain a supply of for future use.
 of quilts, which fills three closets and many rooms, until the quilt search. Through the research team's examination of each quilt's materials, designs, and stitches, she was able to date and identify her family's four-generation collection of 51 quilts.

"Before this, there was no way for me to tell who made what," Hollingsworth says. "I only knew the ones of my mother, 'Dear Laura' (an aunt), and my grandmother."

The story of this collection has been recounted in the new book Threading the Generations: A Mississippi Family's Quilt Legacy, written by longtime quilt authorities and historians Carol Vickers and Mary Elizabeth Johnson and recently released by University Press of Mississippi The University Press of Mississippi, founded in 1970, is a publisher that is sponsored by the eight state universities in Mississippi:
  • Alcorn State University
  • Delta State University
  • Jackson State University
  • Mississippi State University
.

Knowing the history of her quilts gave Hollingsworth a fresh perspective on what had seemed to be ordinary group of bed linens that her aunt Laura Percy Shaifer had begun giving her 50 years ago. "It has made me see each of the women in our family as such strong people," she says. "They all became their own person, with their own traits, which were so different. They all had lives filled with tragedy, yet a strong sense of love and family that surmounted sur·mount  
tr.v. sur·mount·ed, sur·mount·ing, sur·mounts
1. To overcome (an obstacle, for example); conquer.

2. To ascend to the top of; climb.

3.
a. To place something above; top.
 that tragedy."

Likewise, Hollingsworth says, each quilt has a different story, "and you can't separate the quilts from their stories. To me, the whole worth of these quilts is sentimental."

Port Gibson boasts another important link in the state's quilting quilting, form of needlework, almost always created by women, most of them anonymous, in which two layers of fabric on either side of an interlining (batting) are sewn together, usually with a pattern of back or running (quilting) stitches that hold the layers  story, serving as home to the Crossroads Quilters for nearly two decades. The group is part of Mississippi Cultural Crossroads, long dedicated to exploring and preserving the cultural history of Claiborne County Claiborne County is the name of more than one county in the United States:
  • Claiborne County, Mississippi
  • Claiborne County, Tennessee
There is also:
  • Claiborne Parish, Louisiana
All are named after William C. C. Claiborne.
.

Through numerous state and national recognitions, Master Quilter Geraldine Nash at Crossroads has been among the dozens of African-American women who have helped bring the contributions of African-influenced styles to the forefront of the state's quilt story. This style is typified by the asymmetry Asymmetry

A lack of equivalence between two things, such as the unequal tax treatment of interest expense and dividend payments.
, brash brash (brash) heartburn.

water brash  heartburn with regurgitation of sour fluid or almost tasteless saliva into the mouth.
 colors, and relaxed pattern styles that are often in direct contrast to Euro-American quilting traditions of meticulous piecework piecework, work for which the laborer is paid on the basis of the amount of work done. The system is best adapted to standardized operations in which quantity is preferred to quality. Its advocates maintain that it pays the worker according to his ability. , tight stitching, and symmetrical design.

Nash is known for her skill in creating string or "strip" quilts and complex geometric patterns but insists she has no real preference in designs. "1 enjoy all different patterns and colors and how they can be put together," she says. Quilting is so relaxing for me--I can just get at my sewing machine sewing machine, device that stitches cloth and other materials. An attempt at mechanical sewing was made in England (1790) with a machine having a forked, automatic needle that made a single-thread chain. In 1830, B.  or sit down at a quilt and all my troubles melt away."

Nash's contemporaries at Crossroads include nationally recognized quilting legends Hystercine Rankin and Gustina Atlas, among others, all of whom have worked to cultivate an appreciation among the area's youth for quilting and folk arts folk art, the art works of a culturally homogeneous people produced by artists without formal training. The forms of such works are generally developed into a tradition that is either cut off from or tenuously connected to the contemporary cultural mainstream. .

Crossroads' 19th annual quilt contest and exhibition, "Pieces and Strings," is set for March 24-26 at its headquarters at 507 Market Street in Port Gibson. The quilts will remain on display throughout April.
COPYRIGHT 2006 Downhome Publications, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2006, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Article Details
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Author:Hoops, Jana
Publication:Mississippi Magazine
Date:Jan 1, 2006
Words:564
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