Publications received.Current Musicology received copies of the following publications in 2007. When titles have been reviewed in one of our recent issues, we have provided the citation. Adams, Byron, ed. 2007. Edward Elgar and His World. Princeton, NJ: Princeton University Press. Almen, Byron, and Edward Pearsall, eds. 2006. Approaches to Meaning in Music. Bloomington and Indianapolis: Indiana University Press. Anderson, Gene H. 2007. The Original Hot Five Recordings of Louis Armstrong. CMS Sourcebooks in American Music, no. 3. Hillsdale, NY: Pendragon Press. Aubert, Laurent. 2007. The Music of the Other: New Challenges for Ethnomusicology in a Global Age, translated by Carla Ribeiro. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Austern, Linda Phyllis, and Inna Naroditskaya, eds. 2006. Music of the Sirens. Bloomington and Indianapolis: Indiana University Press. Awkward, Michael. 2007. Soul Covers: Rhythm and Blues Remakes and the Struggle for Artistic Identity (Aretha Franklin, Al Green, Phoebe Snow). Durham, NC, and London: Duke University Press. Barlow, Jeremy. 2006. The Cat and the Fiddle: Images of Musical Humour from the Middle Ages to Modern Times. Oxford: Bodleian Library, University of Oxford. Barz, Gregory. 2006. Singing for Life: HIV/AIDS and Music in Uganda. New York and London: Routledge. Berger, Karol. 2007. Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. Berkeley and Los Angeles: University of California Press. Biddle, Ian, and Vanessa Knights, eds. 2007. Music, National Identity. and the Politics of Location: Between the Global and the Local. Ashgate Popular and Folk Music Series. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Bithell, Caroline. 2007. Transported by Song: Corsican Voices from Oral Tradition to World Stage. Europea: Ethnomusicologies and Modernities, no. 5. Lanham, MD, and Oxford: Scarecrow Press. Borgo, David. [2005] 2007. Sync or Swarm: Improvising Music in a Complex Age. New York and London: Continuum. Borio, Gianmario, and Carlo Gentili, eds. 2007. Storia Dei Concetti Musicali. 2 vols. Rome: Carocci. Brett, Philip, Elizabeth Wood, and Gary C. Thomas. 2006. Queering the Pitch: The New Gay and Lesbian Musicology, 2nd ed. New York and London: Routledge. Brown-Montesano, Kristi. 2007. Understanding the Women of Mozart's Operas. Berkeley and Los Angeles: University of California Press. Butler, Gregory, ed. 2007. Bach Perspectives, vol. 6: J. S. Bach's Concerted Ensemble Music, The Ouverture. Urbana and Chicago: University of Illinois Press. Cassaro, James P., ed. 2007. Music, Libraries, and the Academy: Essays in Honor of Lenore Coral. Middleton, WI: A-R Editions. Cherlin, Michael. 2007. Schoenberg's Musical Imagination. Music in the Twentieth Century. Cambridge and New York: Cambridge University Press. Clark, Suzannah, and Elizabeth Eva Leach. 2005. Citation and Authority in Medieval and Renaissance Musical Culture: Learning from the Learned. Studies in Medieval and Renaissance Music, no. 4. Rochester, NY: The Boydell Press. Cohen, Sara. 2007. Decline, Renewal, and the City in Popular Music Culture: Beyond the Beatles. Ashgate Popular and Folk Music Series. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Cook, Nicholas. 2007. The Schenker Project: Culture, Race, and Music Theory in Fin-de-siecle Vienna. Oxford and New York: Oxford University Press. Cook, Richard. 2007. It's About That Time: Miles Davis On and Off the Record. Oxford and New York: Oxford University Press. Cowgill, Rachel, and Julian Rushton, eds. 2006. Europe, Empire, and Spectacle in Nineteenth-Century British Music. Music in Nineteenth-Century Britain. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Crist, Stephen A., and Roberta Montemorra Marvin. 2004. Historical Musicology: Sources, Methods, Interpretations. Eastman Studies in Music, no. 28. Rochester, NY: University of Rochester Press. David, Jonathan C. 2007. Together Let Us Sweetly Live: The Singing and Praying Bands. Music in American Life. Urbana and Chicago: University of Illinois Press. Davis, Mary E. 2007. Erik Satie. Critical Lives. London: Reaktion Books. Dawe, Kevin. 2007. Music and Musicians in Crete: Performance and Ethnography in a Mediterranean Island Society. Europea: Ethnomusicologies and Modernities. Lanham, MD, and Oxford: Scarecrow Press. Day-O'Connell, Jeremy. 2007. Pentatonicism from the Eighteenth Century to Debussy. Rochester, NY: University of Rochester Press. Dean, Winton. 2006. Handel's Operas, 1726-1741. Rochester, NY: The Boydell Press. Dickinson, Peter. 2002. Copland Connotations: Studies and Interviews. Rochester, NY: The Boydell Press. --, ed. 2006. CageTalk: Dialogues With and About John Cage. Rochester, NY: University of Rochester Press. Diekman, Diane. 2007. Live Fast, Love Hard: The Faron Young Story. Urbana and Chicago: University of Illinois Press. Dingle, Christopher. 2007. The Life of Messiaen. Musical Lives. Cambridge and New York: Cambridge University Press. Downes, Stephen. 2006. The Muse as Eros: Music, Erotic Fantasy, and Male Creativity in the Romantic and Modern Imagination. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Eliot, Karen. 2007. Dancing Lives: Five Female Dancers from the Ballet d'Action to Merce Cunningham. Urbana and Chicago: University of Illinois Press. Emmerson, Simon. 2007. Living Electronic Music. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Fairclough, Pauline. 2006. A Soviet Credo: Shostakovich's Fourth Symphony. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Feldman, Martha. 2007. Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy. Chicago and London: University of Chicago Press. Fetis, Francois-Joseph. 2006. Correspondance, rassemblee et commentee par Robert Wangermee. Collection Musique, musicologie. Sprimont: Mardaga. Fineberg, Joshua. 2006. Classical Music, Why Bother? Hearing the World of Contemporary Culture through a Composer's Ears. New York and London: Routledge. Finnegan, Ruth. [1989] 2007. The Hidden Musicians: Music-Making in an English Town. Middletown, CT: Wesleyan University Press. Fischer, Erik, ed. 2007. Musik-Sammlungen: Speicher interkultureller Prozesse. Stuttgart: Franz Steiner Verlag. Fontijn, Claire. 2006. Desperate Measures: The Life and Music of Antonia Padoani Bembo. Oxford and New York: Oxford University Press. Forgacs, Robert. 2007. Gallus Dressler's Praecepta musicae poeticae (The Precepts of Poetic Music). Studies in the History of Music Theory and Literature. Urbana and Chicago: University of Illinois Press. Fosler-Lussier, Danielle. 2007. Music Divided: Bartok's Legacy in Cold War Culture. California Studies in Twentieth-Century Music, no. 7. Berkeley and Los Angeles: University of California Press. Friedberg, Ruth C., and Robin Fisher, eds. 2007. The Selected Writings of John Duke, 1917-1984. Lanham, MD, and Oxford: Scarecrow Press. Frith, Simon. 2007. Taking Popular Music Seriously: Selected Essays. Ashgate Contemporary Thinkers on Critical Musicology. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Frith, Simon, and Lee Marshall, eds. 2004. Music and Copyright, 2nd ed. New York and London: Routledge. Gennari, John. 2006. Blowin' Hot and Cool: Jazz and Its Critics. Chicago and London: University of Chicago Press. [Reviewed in Issue 84 (Fall 2007): 169-74] George, Nelson. [1985] 2007. Where Did Our Love Go? The Rise and Fall of the Motown Sound. Urbana and Chicago: University of Illinois Press. Gerig, Reginald R. 2007. Famous Pianists and Their Technique. Bloomington and Indianapolis: Indiana University Press. Goldmark, Daniel, Lawrence Kramer, and Richard Leppert, eds. 2007. Beyond the Soundtrack: Representing Music in Cinema. Berkeley and Los Angeles: University of California Press. Gossett, Philip. 2006. Divas and Scholars: Performing Italian Opera. Chicago and London: University of Chicago Press. Grimley, Daniel M. 2006. Grieg: Music, Landscape, and Norwegian Identity. Rochester, NY: The Boydell Press. Grolman, Ellen K. 2007. Joan Tower: The Comprehensive Bio-Bibliography. Lanham, MD, and Oxford: Scarecrow Press. Guilbault, Jocelyne. 2007. Governing Sound: The Cultural Politics of Trinidad's Carnival Musics. Chicago Studies in Ethnomusicology. Chicago and London: University of Chicago Press. Hahn, Tomie. 2007. Sensational Knowledge: Embodying Culture through Japanese Dance. Music/Culture. Middletown, CT: Wesleyan University Press. Haimo, Ethan. 2006. Schoenberg's Transformation of Musical Language. Music in the Twentieth Century. Cambridge and New York: Cambridge University Press. Hamilton, Andrew. 2007. Aesthetics and Music. London and New York: Continuum. Havighurst, Craig. 2007. Air Castle of the South: WSM and the Making of Music City. Urbana and Chicago: University of Illinois Press. Haynes, Bruce. 2007. The End of Early Music: A Period Performer's History of Music for the Twenty-first Century. Oxford and New York: Oxford University Press. Holt, Fabian. 2007. Genre in Popular Music. Chicago and London: University of Chicago Press. Jarman-Ivens, Freya, ed. 2007. Oh Boy! Masculinities and Popular Music. New York and London: Routledge. Johnson, Victoria, Jane F. Fulcher, and Thomas Ertman. 2007. Opera and Society in Italy and France from Monteverdi to Bourdieu. Cambridge Studies in Opera. Cambridge and New York: Cambridge University Press. Kalinak, Kathryn. 2007. How the West Was Sung: Music in the Westerns of John Ford. Berkeley and Los Angeles: University of California Press. Kapchan, Deborah. 2007. Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace. Music/Culture. Middletown, CT: Wesleyan University Press. Keefe, Simon P., ed. 2006. Mozart Studies. Cambridge and New York: Cambridge University Press. --. 2007. Mozart's Viennese Instrumental Music: A Study of Stylistic Re-invention. Rochester, NY: The Boydell Press. Kite-Powell, Jeffery, ed. 2007. A Performer's Guide to Renaissance Music, 2nd ed. Bloomington and Indianapolis: Indiana University Press. Kivy, Peter. 2007. Music, Language, and Cognition. Oxford and New York: Oxford University Press. Knapp, Raymond. 2006. The American Musical and the Performance of Personal Identity. Princeton, NJ: Princeton University Press. Kramer, Lawrence. 2006. Critical Musicology and the Responsibility of Response. Ashgate Contemporary Thinkers on Critical Musicology. Aldershot, UK, and Burlington, VT: Ashgate Publishing. --. 2007. Why Classical Music Still Matters. Berkeley and Los Angeles: University of California Press. Krebs, Harald, and Sharon Krebs. 2007. Josephine Lang: Her Life and Songs. Oxford and New York: Oxford University Press. Krims, Adam. 2007. Music and Urban Geography. New York and London: Routledge. Kroll, Mark. 2007. Johann Nepomuk Hummel: A Musician's Life and World. Lanham, MD, and Oxford: Scarecrow Press. La Chapelle, Peter. 2007. Proud to Be an Okie: Cultural Politics, Country Music, and Migration to Southern California. American Crossroads, no. 22. Berkeley and Los Angeles: University of California Press. Lambert, Philip. 2007. Inside the Music of Brian Wilson: The Songs, Sounds, and Influences of the Beach Boys' Founding Genius. London and New York: Continuum. Landy, Leigh. 2007. Understanding the Art of Sound Organization. Cambridge, MA, and London: MIT Press. Lausevic, Mirjana. 2007. Balkan Fascination: Creating an Alternative Music Culture in America. American Musicspheres. Oxford and New York: Oxford University Press. Leach, Elizabeth Eva. 2007. Sung Birds: Music, Nature, and Poetry in the Later Middle Ages. Ithaca, NY, and London: Cornell University Press. Lees, Heath. 2007. Mallarme and Wagner: Music and Poetic Language. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Leman, Marc. 2007. Embodied Music Cognition and Mediation Technology. Cambridge, MA, and London: MIT Press. Levin, David. 2007. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago and London: University of Chicago Press. Lewin, David. [1987] 2007. Generalized Musical Intervals and Transformations. Oxford and New York: Oxford University Press. --. [1993] 2007. Musical Form and Transformation: Four Analytic Essays. Oxford and New York: Oxford University Press. Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. Minneapolis and London: University of Minnesota Press. Lowe, Melanie. 2007. Pleasure and Meaning in the Classical Symphony. Musical Meaning and Interpretation. Bloomington and Indianapolis: Indiana University Press. Loy, Gareth. 2007. Musimathics: The Mathematical Foundations of Music, vol. 2. Cambridge, MA, and London: MIT Press. Mai, Francois Martin. 2007. Diagnosing Genius: The Life and Death of Beethoven. Montreal and London: McGill-Queen's University Press. McCarthy, Kerry. 2007. Liturgy and Contemplation in Byrd's Gradualia. New York and London: Routledge. Melograni, Piero. 2007. Wolfgang Amadeus Mozart: A Biography, translated by Lydia G. Cochrane. Chicago and London: University of Chicago Press. Middleton, Richard. 2006. Voicing the Popular: On the Subjects of Popular Music. New York and London: Routledge. Mitchell, Gillian. 2007. The North American Folk Music Revival: Nation and Identity in the US and Canada. Ashgate Popular and Folk Music Series. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Monelle, Raymond. 2006. The Musical Topic: Hunt, Military, and Pastoral. Bloomington and Indianapolis: Indiana University Press. Nancy, Jean-Luc.[2002] 2007. Listening, translated by Charlotte Mandell. New York: Fordham University Press. Notley, Margaret. 2007. Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism. AMS Studies in Music. Oxford and New York: Oxford University Press. Owen, Barbara. 2007. The Organ Music of Johannes Brahms. Oxford and New York: Oxford University Press. Owens, Tom C., ed. 2007. Selected Correspondences of Charles Ives. Berkeley and Los Angeles: University of California Press. Parrott, Andrew. 2004. The Essential Bach Choir, rev. ed. Rochester, NY: The Boydell Press. Paul Sacher Stiftung. 2006. Dmitri Schostakowitsch, Tahiti-Trott (Tea for Two von Vincent Youmans), op. 16: Faksimile des Partiturautographs. Festgabe zum 60. Geburtstag von Hermann Danuser. Hamburg: Musikverlag Hans Sikorski. Perrey, Beate, ed. 2007. The Cambridge Companion to Schumann. Cambridge and New York: Cambridge University Press. Prokofiev, Sergey. 2006. Diaries 1907-1914: Prodigious Youth, translated and annotated by Anthony Phillips. Ithaca, NY: Cornell University Press. Raykoff, Ivan, and Robert Deam Tobin, eds. 2007. A Song for Europe: Popular Music and Politics in the Eurovision Song Contest. Ashgate Popular and Folk Music Series. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Rensch, Roslyn. [1989] 2007. Harps and Harpists. Bloomington and Indianapolis: Indiana University Press. Rentsch, Ivana. 2007. Anklange an die Avantgarde: Bohuslav Martinus Opern der Zwischenkriegszeit. Stuttgart: Franz Steiner Verlag. Richards, Fiona, ed. 2007. The Soundscapes of Australia: Music, Place, and Spirituality. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Riley, Matthew. 2007. Edward Elgar and the Nostalgic Imagination. Cambridge and New York: Cambridge University Press. Ritter, Jonathan, and J. Martin Daughtry, eds. 2007. Music in the Post-9/11 World. New York and London: Routledge. Rommen, Timothy. 2007. "Mek Some Noise": Gospel Music and the Ethics of Style in Trinidad. Music of the African Diaspora, no. 11. Berkeley and Los Angeles: University of California Press; Chicago: Center for Black Music Research, Columbia College. Said, Edward W. 2008. Music at the Limits. New York: Columbia University Press. Schulenberg, David. 2006. The Keyboard Music of J. S. Bach, 2nd ed. New York and London: Routledge. Senici, Emanuele. 2005. Landscape and Gender in Italian Opera: The Alpine Virgin from Bellini to Puccini. Cambridge Studies in Opera. Cambridge and New York: Cambridge University Press. Shim, Eunmi. 2007. Lennie Tristano: His Life in Music. Jazz Perspectives. Ann Arbor: University of Michigan Press. Smith, Catherine Parsons. 2007. Making Music in Los Angeles: Transforming the Popular. Berkeley and Los Angeles: University of California Press. Solis, Gabriel. 2007. Monk's Music: Thelonious Monk and Jazz History in the Making. Berkeley and Los Angeles: University of California Press. Starr, Larry, and Christopher Waterman. American Popular Music: From Minstrelsy to MP3, 2nd ed. Oxford and New York: Oxford University Press. Stauffer, George B., ed. 2006. The World of Baroque Music: New Perspectives. Bloomington and Indianapolis: Indiana University Press. Stewart, Alex. 2007. Making the Scene: Contemporary New York City Big Band Jazz. Berkeley and Los Angeles: University of California Press. Taylor, Timothy D. 2007. Beyond Exoticism: Western Music and the World. Durham, NC, and London: Duke University Press. [Reviewed in Issue 84 (Fall 2007): 159-67] Thacker, Toby. 2007. Music after Hitler, 1945-1955. Aldershot, UK, and Burlington, VT: Ashgate Publishing. Tomlinson, Gary. 2007. Music and Historical Critique: Selected Essays. Ashgate Contemporary Thinkers on Critical Musicology. Aldershot, UK, and Burlington, VT: Ashgate Publishing. --. 2007. The Singing of the New World: Indigenous Voice in the Era of European Contact. Cambridge and New York: Cambridge University Press. Turbet, Richard. 2006. William Byrd: A Guide to Research, 2nd ed. New York and London: Routledge. Van Rij, Inge. 2006. Brahms's Song Collections. Cambridge and New York: Cambridge University Press. Veal, Michael E. 2007. Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Music/Culture. Middletown, CT: Wesleyan University Press. Wallace, Helen. 2007. Boosey & Hawkes: The Publishing Story. London: Boosey & Hawkes. Walley, David. [1998] 2006. Teenage Nervous Breakdown: Music and Politics in the Post-Elvis Age. New York and London: Routledge. Warwick, Jacqueline. 2007. Girl Groups, Girl Culture: Popular Music and Identity in the 1960s. New York and London: Routledge. Weisbard, Eric, ed. 2007. Listen Again: A Momentary History of Pop Music. Durham, NC, and London: Duke University Press. Weiss, Piero, and Richard Taruskin, eds. 2008. Music in the Western World: A History in Documents, 2nd ed. Belmont, CA: Thomson Schirmer. Wilson, Alexandra. 2007. The Puccini Problem: Opera, Nationalism, and Modernity. Cambridge Studies in Opera. Cambridge and New York: Cambridge University Press. Winold, Allen. 2007. Bach's Cello Suites: Analyses and Explorations. 2 vols. Bloomington and Indianapolis: Indiana University Press. Wolff, Konrad. 2006. The Writings and Letters of Konrad Wolff, edited by Ruth Gillen, translations by Otto Begus. Contributions to the Study of Music and Dance, no. 48. Bloomington and Indianapolis: Indiana University Press. Wollman, Elizabeth L. 2006. The Theater Will Rock: A History of the Rock Musical, from Hair to Hedwig. Ann Arbor: University of Michigan Press. Yeomans, David. 2006. Piano Music of the Czech Romantics: A Performer's Guide. Bloomington and Indianapolis: Indiana University Press. |
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