Printer Friendly
The Free Library
22,728,960 articles and books

Proclaiming a Classic: The Canonization of Orlando Furioso.



In the last few years, scholarship on the Orlando Furioso Orlando Furioso

Ariosto’s romantic epic; actually a continuation of Boiardo’s plot. [Ital. Lit.: Orlando Furioso]

See : Epic
 has been particularly fruitful. This is the case both in Italy and in other countries. Two non-Italians, each of whom adopts a different methodological approach, have recently written critical works of note. Ariosto's Bitter Harmony: Crisis and Evasion in the Italian Renaissance, 1987, by the American Italianist Albert Russell
Albert Russell can also refer (erroneously) to the full name of the cricketer Jack Russell.


Albert Russell, KC (1884–12 May 1975) was a Scottish Unionist Party politician and advocate.
 Ascoli, is a work of deconstructivist hermeneutics hermeneutics, the theory and practice of interpretation. During the Reformation hermeneutics came into being as a special discipline concerned with biblical criticism.  that places Ariosto's masterpiece in the literary and philosophical context of its times. In Diskrepante Lektiiren: die Orlando Furioso Rezeption im Cinquecento cin·que·cen·to  
n.
The 16th century, especially in Italian art and literature.



[Italian, from (mil) cinquecento, (one thousand) five hundred : cinque, five (from Latin
, 1987, Klaus W. Hempfer employs a Rezeptionforschung method in constructing a reception model through the exhaustive exploration of a variety of critical texts that accompanied the poem's publication: editions, commentaries, controversies. In the same reader-response approach we now have another important contribution: Proclaiming a Classic: The Canonization canonization (kăn'ənĭzā`shən), in the Roman Catholic Church, process by which a person is classified as a saint. It is now performed at Rome alone, although in the Middle Ages and earlier bishops elsewhere used to canonize.  of Orlando Furioso, by the American Daniel Javitch. While Hempfer brought to light the discrepancies between the "reception paradigms" imposed by the expanding printing industry and the particular semiosis Semiosis is any form of activity, conduct, or process that involves signs, including the production of meaning. The term was introduced by Charles Sanders Peirce to describe a process that interprets signs as referring to their objects, as described in his theory  required by Ariosto's poem, Javitch aims at reconstructing the responses of sixteenth-century readers by analyzing the way in which they interpreted, manipulated and tamed the text. Hempfer believes that the contradictory readings of the Furioso fu·ri·o·so  
adv. & adj. Music
In a tempestuous and vigorous manner. Used chiefly as a direction.



[Italian, from Latin furi
 are the outcome of the poem itself, which he sees as an essentially "ambiguous" work. Javitch, on the other hand, states that they are the result of particular cultural models and of the way in which the readers accepted them. In this respect Javitch differs also from Weinberg (A History of Literary Criticism in the Italian Renaissance, 1961), to whom, however, he declares himself indebted for the long list of critical responses to the Furioso before the publication of Tasso's poem. While, according to according to
prep.
1. As stated or indicated by; on the authority of: according to historians.

2. In keeping with: according to instructions.

3.
 Weinberg, the neoclassical ne·o·clas·si·cism also Ne·o·clas·si·cism  
n.
A revival of classical aesthetics and forms, especially:
a. A revival in literature in the late 17th and 18th centuries, characterized by a regard for the classical ideals of reason, form,
 critics of the last decade of the Cinquecento viewed Tasso's work as the first vernacular epic to equal the classical one--thus contributing to the decline of Ariosto's critical fortunes--Javitch maintains that the same critics sanctioned both the entrance of the Furioso in the literary canon and its acceptance as a modern classic. Javitch's primary objective is to investigate the process that brought about the canonization of Ariosto's romance, and to outline the strategies of legitimation that such a process implied: how the poem was compared to the great classical epics--by Homer, Virgil and Ovid; how it was rendered more easy to absorb by additional allegorical interpretations; and, finally, how it was adjusted for use in the school curricula.

Javitch's book is organized into eight chapters, some of which have already appeared in print. The first chapter deals with the numerous editions of the poems, with its continuations and commentaries; it also considers the success of the Furioso as the "high" model for narrative poetry in comparison with the parallel model of Petrarch's Canzoniere. The second chapter analyzes the connections that were made with classical models, the prestigious genealogy that grew around Ariosto's romance, which simplified and elevated its origins to a high status; the chapter also records the process of standardization of its language. the critical responses to the influencs exercised by the Aeneid, Thebaid and the Metamorphoses This article is about the poem. For other uses, see Metamorphoses (disambiguation).

The Metamorphoses by the Roman poet Ovid is a narrative poem in fifteen books that describes the creation and history of the world, drawing from Greek and Roman mythological
 are studied in the third chapter. In the fourth one, the author analyzes the way in which the Furioso in turn influenced the translations of classical narrative poems, especially Ovid's Metamorphoses. Critical reactions to narrative discontinuities are studied in the fifth chapter. The sixth and the seventh show how Ariosto's romance became the main object of contention in, or the pretext for, the literary debates of the age. Finally, in the eighth chapter, Javitch compares the Furioso with Harington's English translation: by flattening Ariosto's poem, the translator tried to adapt it to the concept of modern heroic poem Noun 1. heroic poem - a long narrative poem telling of a hero's deeds
epic, epic poem, epos

poem, verse form - a composition written in metrical feet forming rhythmical lines

chanson de geste - Old French epic poems
 that grew out of its very tradition.

UNIVERSITA DI PADOVA
COPYRIGHT 1994 Renaissance Society of America
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1994, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

 Reader Opinion

Title:

Comment:



 

Article Details
Printer friendly Cite/link Email Feedback
Author:Borsetto, Luciana
Publication:Renaissance Quarterly
Article Type:Book Review
Date:Mar 22, 1994
Words:622
Previous Article:Epistolario I. La tradizione manoscritta e a stampa.
Next Article:Giordano Bruno and the Embassy Affair.
Topics:



Related Articles
The Lady Vanishes: Subjectivity and Representation in Castiglione and Ariosto.
Cinque Canti.
Tredici canti del Floridoro.
Compromising the Classics: Romance Epic Narrative in the Italian Renaissance.
Sainthood in the Later Middle Ages.
The Orlando furioso: A Stoic Comedy.
The Custom of the Castle: From Malory to Macbeth.
Marriage in Italy, 1300-1650.
Ladies Errant: Wayward Women and Social Order in Early Modern Italy.
The Epic Rhetoric of Tasso: Theory and Practice & Renaissance Transactions: Ariosto and Tasso.

Terms of use | Copyright © 2014 Farlex, Inc. | Feedback | For webmasters