Pigment dispersion and its effect on defects and appearance.The quality of the pigment dispersion in a paint can have a considerable effect on the appearance of the resultant coating and the frequency of defects. Partially dispersed pigment often appears as seeds and/or gives a rough, low gloss surface. The color may be different from what is expected. In other cases, the pigment may be well dispersed initially, but become flocculated on further grinding, during storage of the paste, on letdown letdown 1. the sudden flush of milk flow that occurs when the calf begins to suck or when milking commences in a properly prepared cow. Depends for its occurrence on the release of oxytocin from the pituitary gland in response to massage of the teats and udder. , or on storage as the finished paint. Flocculation flocculation /floc·cu·la·tion/ (flok?u-la´shun) a colloid phenomenon in which the disperse phase separates in discrete, usually visible, particles rather than congealing into a continuous mass, as in coagulation. can contribute to a number of defects, including poor gloss, poor leveling, flooding and floating, Benard cells, and poor color development (see the March 2006 issue of JCT JCT Junction JCT Jerusalem College of Technology JCT Joint Contracts Tribunal (UK build contracts governing body) JCT Journal of Coatings Technology JCT John Christner Trucking JCT Journal of Curriculum Theorizing COATINGSTECH for more information on flocculation). The dispersing of pigment involves three steps: wetting, deagglomeration, and stabilization. Good wetting depends on the dispersing medium Noun 1. dispersing medium - (of colloids) a substance in which another is colloidally dispersed dispersing phase, dispersion medium phase, form - (physical chemistry) a distinct state of matter in a system; matter that is identical in chemical composition (solvent, resin solution, or surfactant Surfactant Definition Surfactant is a complex naturally occurring substance made of six lipids (fats) and four proteins that is produced in the lungs. It can also be manufactured synthetically. dispersion) having a lower surface tension than that of the pigments, but surprisingly good deagglomeration can be done by brute force (programming) brute force - A primitive programming style in which the programmer relies on the computer's processing power instead of using his own intelligence to simplify the problem, often ignoring problems of scale and applying naive methods suited to small problems directly shearing even if wetting is not good. Deagglomeration is not difficult. What is difficult is to stabilize the pigment properly so that it does not flocculate floc·cu·late v. floc·cu·lat·ed, floc·cu·lat·ing, floc·cu·lates v.tr. 1. To cause (soil) to form lumps or masses. 2. To cause (clouds) to form fluffy masses. v.intr. in the paste, on letdown or when the paint is shipped and stored. We use dispersants to help with wetting and deagglomeration, but their main purpose is to stabilize the particles (to do that, they must stay on the pigment--no matter what). Dispersants adsorb adsorb /ad·sorb/ (ad-sorb´) to attract and retain other material on the surface; to conduct the process of adsorption. ad·sorb v. To take up by adsorption. on the particles and either impart a charge to the surface so that particles repel each other (charge stabilization--waterborne pastes and paints) or build up an adsorbed layer to repel other particles (steric steric /ste·ric/ (ster´ik) pertaining to the arrangement of atoms in space; pertaining to stereochemistry. ster·ic or ster·i·cal n. stabilization--solventborne pastes and paints). Most discussions of pigment dispersion assume single pigment grinds, but composite grinds containing several pigments are common and can save time and money. They also can be very frustrating because they may produce well dispersed and badly dispersed pigments in the same paste. The dispersion process often must be done in stages with difficult pigments added at the beginning and easily dispersed ones added toward the end. Materials such as clays, silicas and other extenders, and thixotropes that are used to raise low shear viscosity sometimes suffer a problem where they are wet and dispersed so well that they are unable to form the network structures needed to provide the high viscosity. Early in my career I learned the hard way that, although a super-dispersed master batch of fumed fume n. 1. Vapor, gas, or smoke, especially if irritating, harmful, or strong. 2. A strong or acrid odor. 3. A state of resentment or vexation. v. silica was very easy to stir into the paint and gave unusually good gloss, it was a failure because it had little ability to prevent sag. Although I have never been able to prove the connection, over the years I have seen a number of cases where paint with flocculated pigment or seeds showed solvent popping, but a better dispersed batch did not. In a few cases, the popping disappeared after the paint was sheared sheared adj. Shaped or finished by shearing, especially cut or trimmed to a uniform length: a sheared fur coat. Adj. 1. to break up some of the clumps or chunks. We theorized that the clumps of pigment trapped solvent that did not release immediately, but blew out after the film had formed. A somewhat similar thing has been seen with cratering, both in the lab and in production. Running a batch that craters through the mill again often stops the cratering. However, the disappearance of the craters probably involves the absorbance absorbance /ab·sor·bance/ (-sor´bans) 1. in analytical chemistry, a measure of the light that a solution does not transmit compared to a pure solution. Symbol . 2. of surface active components or contaminants onto the pigment during the extra milling rather than the breaking up of clumps. The best technique for characterizing the quality of pigment dispersions is optical microscopy at 200-400x with transmitted light and dark field. Pastes can be examined, but are difficult to evaluate because there are so many particles jammed together (as shown in Figure 1). It is more useful to view the paint since the quality of the dispersion in the paint rather than the paste is the key to performance. Figure 2 shows the paint made from the paste in Figure 1. (For more on optical microscopy, see Coatings Clinic in the February 2006 issue of JCT COATINGSTECH.) [FIGURE 1 OMITTED] [FIGURE 2 OMITTED] "Coatings Clinic" is intended to provide a better understanding of the many defects and failures that affect the appearance and performance of coatings. We invite you to send your questions, comments, experiences, and/or photos of coatings defects to Cliff Schoff, c/o "Coatings Clinic," CoatingsTech, 492 Norristown Rd., Blue Bell, PA 19422; or email publications@coalingstech.org. |
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