Painted in Light: This arts department of a university in a dreary Parisian suburb has been radically and imaginatively transformed by the use of light and colour.Moussafir Architectes Associes St Denis Denis, king of Portugal: see Diniz. is both the birthplace of Gothic architecture Gothic architecture Architectural style in Europe that lasted from the mid 12th century to the 16th century, particularly a style of masonry building characterized by cavernous spaces with the expanse of walls broken up by overlaid tracery. and the traditional burial place any place where burials are made. See also: Burial of the French kings, and a rather horrid industrial town on the outskirts of the Parisian conurbation. Much of it was built after the Second World War in contractor-led forms of industrial construction. In one of the drear drear adj. Dreary. Adj. 1. drear - causing dejection; "a blue day"; "the dark days of the war"; "a week of rainy depressing weather"; "a disconsolate winter landscape"; "the first dismal dispiriting days of November"; "a university buildings, Moussafir Architectes Associes were commissioned to redesign the arts department. They fell to with a will, and have radically reorganized what had been a crudely functional set of cells into what they call 'a society of rooms' in which theatre, dance, music, cinema, photography and the plastic arts Plastic arts are those visual arts that involve the use of materials that can be moulded or modulated in some way, often in three dimensions. Examples are clay, paint and plaster. are taught and practised. The plan is altered from the original grid, with what often seems like wilful wil·ful adj. Variant of willful. wilful or US willful Adjective 1. determined to do things in one's own way: a wilful and insubordinate child distortions (the main reason why some members of the jury felt that they could not give more than a commendation for this project). None the less, we were all very impressed by a scheme which, because of the depth of the original floorplates, has to rely much on artificial light. Each group of rooms is identified by a colour, and the architects suggest that the windows are 'lenses emitting coloured lights ... gaping holes leading to impossible worlds'. They are indeed impossible, but wonderful, sometimes like Rothkos painted in light. The architects decided that the original plan was not large enough, so some of the rooms spill out of confinement to be expressed as rusted steel boxes. Consequently, and at night in particular, the intense colours of the inside pour out; the dull dreary enclave of Saint Denis suddenly seems magical. The only nagging question that remains is whether the young art students will be able to cope with such a powerful, sensual, almost erotic environment: will they be overwhelmed or inspired? Hopefully the latter. Only time will tell. |
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