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PRAISE THE 'LORD' 'RETURN OF THE KING' SHINES AS FINAL JEWEL IN DIRECTOR PETER JACKSON'S CROWN.


Byline: Glenn Whipp Film Critic

NAYSAYERS squawked when early Academy Awards predictors pegged ``The Lord of the Rings: The Return of the King,'' the final chapter in Peter Jackson's amazing a·maze  
v. a·mazed, a·maz·ing, a·maz·es

v.tr.
1. To affect with great wonder; astonish. See Synonyms at surprise.

2. Obsolete To bewilder; perplex.

v.intr.
 film trilogy, as a sure thing for an Oscar nomination. Now what will they say?

``The Return of the King'' is every bit as extraordinary as the series' first two installments - who didn't have faith in this guy after watching the first six hours? - and, for the filmmakers, only one question remains. How will they cram three movies' full of thank-yous into one acceptance speech for best picture?

Taking in the 200 minutes of pleasures that ``The Return of the King'' offers is to be reminded of just what an extraordinary achievement Jackson and company have pulled off with these films. Obviously, J.R.R. Tolkien deserves a nod, too. One need only remember the Wachowski brothers Laurence "Larry" Wachowski (born June 21, 1965) and Andrew "Andy" Wachowski (born December 29, 1967), collectively known as The Wachowski Brothers, are American motion picture writers, producers, and directors, most famous for creating The Matrix series.  stumbling on the final leg of ``The Matrix'' series or George Lucas' Ewoks in the trilogy-ending ``Return of the Jedi'' to realize that myth-making of this proportion isn't easy. Having a rich source material helps.

But then, having epic talent doesn't hurt, either. Jackson and his honor roll of collaborators - co-writers Fran Walsh and Philippa Boyens, cinematographer Andrew Lesnie, effects supervisor Richard Taylor Richard Taylor is the name of:
  • Richard Taylor (general) (1826–1879), Confederate general in the American Civil War
  • Richard Taylor (philosopher) (1919–2003), American metaphysician
, production designer Grant Major, composer Howard Shore ... we could go on, but then, what good would the closing credits serve? - have brought a sustained level of inventiveness and passion to these movies, reminding Hollywood that great films can only come from taking great risks. It's a lesson often heard and rarely learned.

Just look at how ``Return of the King'' begins - not with a recap, but a sliver sliver

in wool processing a continuous band of carded and combed wool which has not yet been twisted into yarn.
 of unseen history. We watch the Hobbit-like Smeagol (Andy Serkis Andy Serkis (born 20 April, 1964) is an English actor and director best known for his work with Peter Jackson. Biography
Serkis was born and brought up in Ruislip Manor, Middlesex, England.
) get his first glimpse First Glimpse is a monthly consumer electronics magazine published by Sandhills Publishing Company in Lincoln, Nebraska, USA. The magazine was known as CE Lifestyles before a name change in early 2006.  of his ``precious,'' the ring, and then mentally and physically deteriorate over time, becoming Gollum, the hairless guide leading Frodo (Elijah Wood) and Sam (Sean Astin) through Mordor. The brief episode serves to remind us of two essential points: Gollum is not to be trusted and that ring can really freak you out.

The weary, Christ-like Frodo's journey (and we'll take him as a savior over Neo any day) with his ``burden'' is the film's intimate story line. Meanwhile, the good folks of the Middle-earth kingdoms, led by the reluctant, but willing, warrior king Aragorn (Viggo Mortensen), the archer elf Legolas (Orlando Bloom Orlando Jonathan Blanchard Bloom[1] (born 13 January 1977) is an English actor. He had his break-through role in the early 2000s as the elf-prince Legolas in The Lord of the Rings[2] and blacksmith Will Turner in the Pirates of the Caribbean ) and the wondrous wizard Gandalf (Ian McKellen) battle (and battle and battle) the armies of Sauron (those nasty Orcs, along with assorted other marvelous monsters) in a war that is surprising (at least for those who haven't read Tolkien), horrifying and palpably desperate.

With ``The Two Towers,'' the film's three disparate story lines sometimes made the experience seem fragmented, but here, Jackson effortlessly ties the plot threads together, creating a saga that thunders through its three- plus-hour running time with a primal urgency. Being the final chapter, ``Return of the King'' flings off the need for further exposition, delivering one satisfying payoff after another. It's nothing short of thrilling, up until the end, when Jackson feels obliged to send off his characters with a pile-up pile·up or pile-up  
n.
1. Informal A serious collision usually involving several motor vehicles.

2. An accumulation: "the pile-up of unsold autos" 
 of endings, all of which are nicely done and, in fact, told far more concisely than in the book.

Beyond the top-drawer effects wizardry wiz·ard·ry  
n. pl. wiz·ard·ries
1. The art, skill, or practice of a wizard; sorcery.

2.
a. A power or effect that appears magical by its capacity to transform:
 and Jackson's majestic camera work and everything else we've come to expect from these movies, what makes ``Return of the King'' so gripping is the continuing evolution of the characters. Certainly, some of the major players in this struggle between good and evil wear their white and black hats with gusto GUSTO Cardiology A series of clinical trials that have examined a series of strategies to reduce the M&M of acute MI; the GUSTOs include: Global Utilization of Streptokinase & tPA for Occluded coronary arteries trial–GUSTO I; Global Use of Strategies , but there are also many shades of Noun 1. shades of - something that reminds you of someone or something; "aren't there shades of 1948 here?"
reminder - an experience that causes you to remember something
 gray in this final chapter, particularly in the uneasy alliance between Frodo, Sam and Gollum.

Other character revelations reflect Tolkien's inclusiveness (a woman plays a crucial role in the decisive battle) along with the grim certainty that power can corrupt even the most stout-hearted. Hopefully, it's a lesson Jackson learned himself because after ``The Lord of the Rings'' movies, there is no more-powerful filmmaker working today. His next project: A remake of ``King Kong King Kong

giant ape brought to New York as “eighth wonder of world.” [Am. Cinema: Payton, 367]

See : Giantism
.'' Of course. What else could he do, but tackle the Eighth Wonder of the World
For other meanings of this and similar phrases, see Wonders of the World (disambiguation).


Eighth Wonder of the World is a term sometimes used to describe things in comparison to the Seven Wonders of the World, the widely-known list of seven
, after crafting the most glorious trilogy in film history?

Glenn Whipp, (818) 713-3672

glenn.whipp(at)dailynews.com

THE LORD OF THE RINGS: THE RETURN OF THE KING - Four stars

(PG-13: intense epic battle sequences, frightening images)

Starring: Viggo Mortensen, Elijah Wood, Ian McKellen.

Director: Peter Jackson.

Running time: 3 hr. 20 min.

Playing: Wide release.

In a nutshell: A thrilling conclusion to the greatest trilogy in film history.

CAPTION(S):

3 photos

Photo:

(1 -- 3) Ian McKellen as Gandalf, left, Elijah Wood as Frodo and Viggo Mortensen as Aragorn star in the thrilling conclusion to the ``Lord of the Rings'' trilogy, ``Return of the King.''
COPYRIGHT 2003 Daily News
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2003, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:U; Review
Publication:Daily News (Los Angeles, CA)
Date:Dec 17, 2003
Words:797
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