Pennsylvania Ballet The Pennsylvania Ballet is a ballet company in Philadelphia, Pennsylvania, established in 1963 by Barbara Weisberger. The company became a regionally important institution, and performed in New York for the first time in 1968. celebrated its thirtieth anniversary this season. The good news was the restructuring of the company's mortgage, considerably reducing the troupe's indebtedness and the amount of its annual payments. It thereby seems assured of maintaining its position as the southern anchor of Philadelphia's planned "Avenue of the Arts." The bad news was the loss of two fine principals, Lisa Sundstrom (now with American Ballet Theatre American Ballet Theatre, one of the foremost international dance companies of the 20th cent. It was founded in 1937 as the Mordkin Ballet and reorganized as the Ballet Theatre in 1940 under the direction of Lucia Chase and Rich Pleasant. ) and Giorgio Madia (who returned to his native Italy). Then, there is the question of where the company stands, artistically, at this juncture.
As president and artistic director (both of the main company and its experimental wing, Off-Center Ballet), was Christopher d'Amboise Christopher d'Amboise (born in 1960) is an American dancer, choreographer, writer, and theatre director.
Born and raised in New York City, the son of dancers Jacques d'Amboise and Carolyn George, d'Amboise became a principal dancer in the New York City Ballet, where he , who resigned in May, juggling too many roles? What makes a good company better, or even great? How can the growth of individual dancers be nurtured along with that of the full ensemble? What gives a company a special signature? These were questions I found myself asking as I watched the March programs.
The sleeper was Ib Andersen's Rhapsody (1) A subscription-based online music service from RealNetworks that gives users unlimited access to a vast library of major and independent label music. Within a single interface, Rhapsody provides access to streaming music, Internet radio and extensive music information and Concerto, choreographed to Bohuslav Martinu's score of the same name. There was something old-fashioned about this piece: no tricks, no meta-references, and, unlike most current concert dance, no quirky lifts or gymnastic technical feats. The through-line is the intensity, sensitivity, and credibility of the choreography in projecting an emotional state without getting emotional about it. The dance establishes a palpable, yet restrained, sense of yearning and nostalgia that is communicated through the movements and by the superb way in which the choreography reflects and resonates within the musical structure. The combined restraint plus longing result in a mood of quiet endurance bordering on heroism. This straightforward work is aesthetically akin to the Humphrey-Limon choreography of traditional modern dance. It bespeaks the human condition, as tempered and humbled through experience.
Leslie Carothers and Andrew Carroll, the pair who danced so well together last year in d'Amboise's praiseworthy praise·wor·thy
adj. praise·wor·thi·er, praise·wor·thi·est
Meriting praise; highly commendable.
praise Golden Mean (1991), were stunning again, wearing Andersen's choreography like a second skin. This is a fine, understated dramatic ballet.
D'Amboise's choreography gets into hot water when he tackles dramatic expressionism expressionism, term used to describe works of art and literature in which the representation of reality is distorted to communicate an inner vision. The expressionist transforms nature rather than imitates it. . Last year's Da Mummy, Nyet Mummy, The Planets (1992), and Face to Face (1989) fall into that general category. Not that these works completely fail--d'Amboise is too skilled a craftsman for that. But they are driven by device. "Woman seeking to know more than she should" is the thematic hook on Verb 1. hook on - adopt; "take up new ideas"
fasten on, seize on, take up, latch on
sweep up, embrace, espouse, adopt - take up the cause, ideology, practice, method, of someone and use it as one's own; "She embraced Catholicism"; "They adopted the Jewish which hangs Pandora's Box Pandora’s box
contained all evils; opened up, evils escape to afflict world. [Rom. Myth.: Brewer Dictionary, 799]
See : Evil , a d'Amboise premiere. Jennita Russo's reaching, searching movements are restrained by Jeffrey Gribler. Two brief passages of robotlike, staccato, stop-start choreography end with Russo crawling into Gribler's arms, cradled in a fetuslike position. Why not? The dance really had no place to go. D'Amboise's Dumbarton Oaks Dumbarton Oaks is a 19th century Federal-style mansion with famous gardens in the Georgetown neighborhood of Washington, D.C. It currently houses the Dumbarton Oaks Research Library and Collection (1991) and Balanchine's Western Symphony completed the program.
Off-Center Ballet performances followed in less than a week. Last year's offerings of works by Joe Goode and PB corps member Meredith Rainey were better company vehicles than the facile choreographies of Lucinda Hughey (Variaciones Picantes) and Michael Downing (Texas). Neither work challenged the capabilities of the dancers. Thanks to Philadelphian Terry Beck for giving them something beyond their grasp that may expand their range and sensitivity. His Dig held together as a unified concept, free of cliche. Daring to take the women off pointe, he invigorated in·vig·or·ate
tr.v. in·vig·or·at·ed, in·vig·or·at·ing, in·vig·or·ates
To impart vigor, strength, or vitality to; animate: "A few whiffs of the raw, strong scent of phlox invigorated her" his cast, impressively led by Christine Cox, with somber, stark, sink-your-teeth-in-'em phrases.
PB needs more strong statements-traditional, like Andersen's, and experimental, like Beck's--if it hopes to grow and glow through the next thirty years.