ERIC DE MARE 1910-2002
Eric de Mare changed the way we see. Born in 1910, he became immensely influential in the immediate post Second World War period, when his photographs transfixed two generations of young architects. His war had been a gentle one because of ill health, spent partly in the Home Guard designing what he called 'frondy camouflage', and from 1942 to 1946, being Editor of our sister paper, The Architects' Journal (when the AJ was exiled to suburban Cheam, and this magazine was edited by Nikolaus Pevsner Sir Nikolaus Bernhard Leon Pevsner, CBE, (January 30, 1902 – August 18, 1983) was a German-born British historian of art and, especially, architecture. He is best known for his 46-volume series of county-by-county guides, The Buildings of England from the same place).
But it was in the AR that his photographic genius flourished, in a series of special issues that celebrated canals, the Thames and, most importantly Adv. 1. most importantly - above and beyond all other consideration; "above all, you must be independent"
above all, most especially , the buildings of the Industrial Revolution, which were then ignored or being destroyed as a reaction to the horrors of the nineteenth-century transformation of society. His wonderfully contrasty con·trast·y
Having or producing sharp contrasts between light and dark areas in photography.
Adj. 1. contrasty - having sharp differences between black and white pictures made us all aware of the noble, Roman solidity of some of the structures and the simple, honed elegance of their detailing. James Stirling James Stirling may refer to:
Eric was the son of Bror and Ingrid, Swedes in the timber trade who had come to live in England as so many did at the time. He never forgot his Swedish roots, and was one of the people who promoted Scandinavian Modernism in The Review before and after the War. He produced the first book in English on Asplund, and was as devoted to the Gota Canal, which beautifully cuts across low forested southern Sweden, as he was to the Thames and its tributaries. Trained as an architect at the Architectural Association in the early '30s and a member of the RIBA RIBA Royal Institute of British Architects , he practised on his own between 1936 and 1940. But he already started to publish in the early '40s. In 1946, he bravely decided that he could not bear to have a job any more, and became a freelance writer and photographer. Yet he remained in much demand at the AR. He was part of that stunning group -- Hastings, Piper, Lancaster, Casson and their friends -- who gathered in the private basement pub of our old offices in Queen Anne's Gate to support British Functiona lism and the rise of a new version of the Picturesque. His association with the brilliant illustrator Gordon Cullen Gordon Cullen (1914-1994) was an English architect. He was an urban designer who carried on the of the Townscape movement theme. Later on he wrote and published Townscape. He was a key motivator and activist in the development of British theories of urban design in the post-war was particularly fruitful, generating moving visual polemics po·lem·ics
n. (used with a sing. or pl. verb)
1. The art or practice of argumentation or controversy.
2. The practice of theological controversy to refute errors of doctrine. on what could be done in the public realm, if only we could find vision. Sadly, though the images were very powerful, they largely ended up in generating now unloved tracts of cobbles cob·ble 1
1. A cobblestone.
2. Geology A rock fragment between 64 and 256 millimeters in diameter, especially one that has been naturally rounded.
3. cobbles See cob coal.
tr. surrounded by bollards -- about as far as planners and civil engineers could understand the complex and sensitive human proposal of Townscape town·scape
1. The appearance of a town or city; an urban scene: "The high school . . . once dominated American townscapes the way the cathedral dominated medieval European cities" .
On the whole, Queen Anne's Gate at that time, for all its suppressed problems, must have been absolutely wonderful. (It was when I got there too, but rather differently.) Eric recalled 'the pleasant summer days Gordon and I spent gliding along the Thames in a cruiser at the legitimate expense of the Architectural Press, taking snaps and concocting ideas'. And Jim Richards Jim Richards may refer to:
He was a most delightful companion, witty, sardonic but sensitive, long memoried and kind. He was a life-long passionate advocate of Social Credit, an idealistic predecessor of Keynesianism, which turned out not to work when it was applied in Alberta. It offered a gentle and happy existence to all. Throughout his life, he believed that civilization isn't 'easy to define but an essential ingredient is the leisure with security that would allow us, in Lethaby's phrase, "to add to what may be loved'" -- De Mare's work showed us how to extend our love.