Not just girl talk: fresh from The Laramie Project, out actor Kelli Simpkins tackles gender stereotypes in I Think I Like Girls. (Theater).At 6 foot 1 with close-cropped hair, Kelli Simpkins has what she calls "a masculine presence." That's what got her cast in the original stage production of The Laramie Project as, among other roles, teenager Aaron Kreifels, the bicyclist who found Matthew Shepard Matthew Wayne Shepard (December 1, 1976 – October 12, 1998) was an American student at the University of Wyoming who was fatally attacked near Laramie, on the night of October 6 – October 7, 1998 in what was widely reported by international news media as a savage tied to a fence. In a similar vein is Simpkins's next theater project, the documentary-based play I Think I Like Girls, created by Laramie's head writer, Leigh Fondakowski, and running September 3-21 at the La Jolla Playhouse La Jolla Playhouse is a not-for-profit, professional theatre-in-residence on the campus of the University of California, San Diego. near San Diego San Diego (săn dēā`gō), city (1990 pop. 1,110,549), seat of San Diego co., S Calif., on San Diego Bay; inc. 1850. San Diego includes the unincorporated communities of La Jolla and Spring Valley. Coronado is across the bay. . Simpkins plays three characters, one of whom is Daphne Scholinski, the transgendered transgendered adjective Relating to a person who has undergone genital/sexual reassignment surgery Transgender health issues Hormonal therapy, cosmetic surgery, fertility options–eg, egg and sperm banking. See Sexual reassignment. Cf Transsexual. painter and author of the memoir The Last Time I Wore a Dress, which recounts how she was involuntarily institutionalized in·sti·tu·tion·al·ize tr.v. in·sti·tu·tion·al·ized, in·sti·tu·tion·al·iz·ing, in·sti·tu·tion·al·iz·es 1. a. To make into, treat as, or give the character of an institution to. b. as a teenager for "gender identity disorder Gender Identity Disorder Definition The psychological diagnosis gender identity disorder (GID) is used to describe a male or female that feels a strong identification with the opposite sex and experiences considerable distress because of their actual ." Actually, Girls predates Laramie, and Simpkins was among the cast in its original 1999 staging at Here Theater in New York There are many famous theaters in New York, most notably the Broadway theatres in New York City.
Like Laramie, Girls developed out of interviews with a diverse group of real people--in this case, women telling coming-out stories. Their interviews were videotaped, logged, and transcribed by Fondakowski. Determined to bring new voices onto the stage and convinced that theater was "a little bit behind other media in terms of authentic lesbian representation," she wanted to let lesbians speak for themselves. The script, pulled verbatim from transcripts, evolved through interactive exercises between the actors and the director. Cast as Scholinski, Simpkins reveled in the chance to share creative input. "This is what theater can be," she says she felt at the time. "It can be as full as this, as profound as this, as amazing as this." Drawn in by the political power of portraying people on the fringes of society, she found the work to be a profound experience. "This was the most comprehensive research work I've ever done," she says, "and I did so lovingly." Poring over Scholinski's videotapes created a powerful sense of closeness with her subject--another woman perceived as "masculine." "I fell in love with her as I was playing her," Simpkins says. "It brought something inside me to life." In her professional life, Simpkins has lately struggled with some of the same issues her role in Girls raises about society's inflexible concepts of gender. Since Laramie, she has enjoyed newfound visibility as an actor--and increased pressure from agents and casting directors. "They tell me, `Grow your hair, or you'll never be cast in a straight role.' I say, `If you want to cast me, put a wig on me.'" Simpkins says her work with I Think I Like Girls and Laramie has given her the confidence to stand her ground. "There's something that Daphne says in the show: `When I wear a dress, I look like a man in drag. It's just not me.'" For that reason, Simpkins says, she won't be letting her hair grow out: "Until I decide to do it on my own, it's not going to be me. It's not going to fit." DuLong has written for Newsweek International, Rolling Stone rolling stone Noun a restless or wandering person , FSB (FrontSide Bus) See system bus. FSB - front side bus : Fortune Small Business, and Newsday. |
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La Jolla Playhouse is a not-for-profit, professional theatre-in-residence on the campus of the University of California, San Diego.
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