Nicholle Rochelle: this North Carolino Dance Theatre principal is glamorous, versatile, ambitious, and has endless legs.Nicholle Rochelle dances large. At 5' 7" she is a willowy wil·low·y adj. wil·low·i·er, wil·low·i·est 1. Planted with or abounding in willows. 2. Resembling a willow tree, especially: a. Flexible; pliant. b. Tall, slender, and graceful. , feminine presence onstage, drawing audiences in with her lucscious movement quality, extended line, and confident skill. "When I first saw her in an audition for the company I was taken by her physique--she reminded me of Sylvie Guillem," says North Carolina North Carolina, state in the SE United States. It is bordered by the Atlantic Ocean (E), South Carolina and Georgia (S), Tennessee (W), and Virginia (N). Facts and Figures Area, 52,586 sq mi (136,198 sq km). Pop. Dance Theatre artistic director Jean-Pierre Bonnefoux. "She eats up the space around her onstage," says NCDT NCDT Naval Cadet (Canadian) NCDT National Council for Drama Training NCDT National Coffee Drinking Trends NCDT Non Chargeable Down Time ballet associate artistic director Patricia McBride. "It is divine to watch. And she can do anything from classical to contemporary." High praise for the 23-year-old Malibu, California, native who admits to being rather sickly her first season with NCDT's second company. Now entering her fifth season with the main company, Rochelle is in peak form. Recognized as one of the company's stars, she is drawing critical attention with bold performances at home and on tour. As a finalist at the New York New York, state, United States New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of International Ballet Competition in June, she wowed those who got to see her dance--including her partner at NCDT, Adam Stein. "She is a ballerina who can really move," says Stein. "In the beginning it was a bit intimidating partnering her because she is so good." Stein says at times he would be late for his own music during a variation because he was fixated fix·ate v. fix·at·ed, fix·at·ing, fix·ates v.tr. 1. To make fixed, stable, or stationary. 2. To focus one's eyes or attention on: fixate a faint object. on Rochelle's dancing. "She is mesmerizing mes·mer·ize tr.v. mes·mer·ized, mes·mer·iz·ing, mes·mer·iz·es 1. To spellbind; enthrall: "He could mesmerize an audience by the sheer force of his presence" to watch and a tough act to follow." Introduced to dance at age 6, Rochelle says she couldn't stop moving as a child, so her mother, a former professional belly dancer, enrolled her in ballet and jazz classes at Malibu Civic Ballet. "At first I hated ballet," says Rochelle. "Being sort of hyperactive, I preferred the freedom of jazz class." At age 10, that changed. She found she had an affinity for the art form and by 12 knew she would make ballet her career. A product of Royal Academy of Dance The Royal Academy of Dance (RAD) was established in 1920 by a group of professional dance artists brought together by Philip Richardson, editor of the Dancing Times and including:
While the recognition of a promotion means a lot, Rochelle has already begun to feel the pressure. "All eyes are going to be on me now," she says. "You have to act like it, look like it, be regal, and everything has to be polished and fine-tuned." Rochelle was all that and more in a performance at New York's Chautauqua Institution in July. In the opening volley of choreography in Alonzo King's Map, she attacked the stage like a predator on the hunt, limbs slicing through the air with muscular aggression and near flawless technique. And in the grand pas de deux pas de deux (French; “step for two”) Dance for two performers. A characteristic part of classical ballet, it includes an adagio, or slow dance, by the ballerina and her partner; solo variations by the male dancer and then the ballerina; and a coda, or from Le Corsaire with Stein, her statuesque stat·u·esque adj. Suggestive of a statue, as in proportion, grace, or dignity; stately. stat u·esque carriage, impeccable turning ability, and breathtaking classicism earned her a standing ovation. In addition to dancing the Black Swan pas de deux and performing the lead in Balanchine's Serenade this season, Bonnefoux expects Rochelle will figure prominently in next month's production of The Nutcracker and in Dwight Rhoden's new ballet for the company, slated for February. "She has a way of being loyal to the choreographer but making the choreography better than it is," says Bonnefoux. "She loves to be challenged with different dance styles." Rochelle says for a long time she dreamed of dancing with American Ballet Theatre American Ballet Theatre, one of the foremost international dance companies of the 20th cent. It was founded in 1937 as the Mordkin Ballet and reorganized as the Ballet Theatre in 1940 under the direction of Lucia Chase and Rich Pleasant. , but now feels fortunate to be where she is. She believes the repertoire and roles she has gotten to dance with NCDT over the years are invaluable. "You can give me a principal role one night and a corps role the next. I don't mind, I just want to perform," says Rochelle. Ever ambitious, Rochelle is still very much on the hunt when it comes to her performance career, looking to feed her insatiable hunger for the stage. "I want to be famous, and dance in the grandest opera halls in the world," Rochelle says. "Not for the attention, but for the thrill of it. I am going to dance for you and relish every moment of it!" Steve Sucato is a former dancer turned writer/critic. He is based in Erie, Pennsylvania and is a frequent contributor to several newspapers and national dance publications. |
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