Newsweek Interview: Christopher Szpilman Son of 'The Pianist' Wladyslaw Szpilman.
-- Didn't Learn About Father's Experience In Nazi-Occupied Warsaw Until He Found
The Memoir In Attic attic
Floor of a dwelling contained within the eaves of the roof structure. The word originally denoted any portion of a wall above the main cornice (see entablature). When He Was A Child
'I Suspect My Father Wrote the Book to Put All His Unbearable Memories Into
It, Get Them Out of His Head and Never Return to It'
NEW YORK New York, state, United States
New York, Middle Atlantic state of the United States. It is bordered by Vermont, Massachusetts, Connecticut, and the Atlantic Ocean (E), New Jersey and Pennsylvania (S), Lakes Erie and Ontario and the Canadian province of , March 16 /PRNewswire/ -- Christopher Szpilman, the son of pianist Wladyslaw Szpilman, who survived in Warsaw during the Nazi occupation and is the subject of the Oscar-nominated Roman Polanski film, "The Pianist," tells Newsweek International that he didn't learn what his father went through until he found his memoir in the attic In the Attic can refer to:
(Photo: NewsCom: http://www.newscom.com/cgi-bin/prnh/20030316/NYSU007 )
"After that, he started concentrating on his work, again, to suppress these unpleasant ideas. Even after I read the book, it was very difficult to broach broach (broch) a fine barbed instrument for dressing a tooth canal or extracting the pulp.
A dental instrument for removing the pulp of a tooth or exploring its canal. the subject. He'd have just turned it into a joke. He had a strange way of turning any serious conversation into a joke to avoid it," Szpilman tells Special Correspondent special correspondent n → corresponsal m/f especial
special correspondent n → envoyé spécial
special correspondent special n Kay Itoi in the March 24 issue of Newsweek International (on newsstands Monday, March 17).
Szpilman died in 2000 as Polanski searched for an actor to play him. Christopher Szpilman says when the book was republished in 1998, his father was pleased, "but the renewed attention was very painful. By that time he was 87, with less strength to suppress the memories. He was pained by the idea that he survived but not anyone else." The first negotiation for the film took place in late 1999. "My father [passed away] in July 2000. He had been in excellent health but he was gone very suddenly. I can't help feeling that the success of the book and this film talk had something to do with that."
He says he can't imagine that his father would have been able to sit through the whole thing "and have to bear 2 1/2 hours of the memories of his own experiences on the screen."
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