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NDP gives half million for touring.


WASHINGTON--1996 was a dismal year for performing arts touring: Arts America's vital touring program was eliminated, and the National Endowment for the Arts National Endowment for the Arts (NEA)

Independent agency of the U.S. government that supports the creation, dissemination, and performance of the arts. It was created by the U.S.
 (NEA NEA
abbr.
1. National Education Association

2. National Endowment for the Arts

NEA (US) n abbr (= National Education Association) → Verband für das Erziehungswesen
) virtually eliminated all grants to individual choreographers and artists, as well as eliminating dance and presenters as separate categories under its new grant restructuring. But dance touring is poised to make a comeback. In January the New England New England, name applied to the region comprising six states of the NE United States—Maine, New Hampshire, Vermont, Massachusetts, Rhode Island, and Connecticut. The region is thought to have been so named by Capt.  Foundation for the Arts (NEFA NEFA nonesterified fatty acids. ) announced the second phase of grants for its new National Dance Project (NDP NDP New Democratic Party (Canada)
NDP National Development Plan (Republic of Ireland)
NDP National Development Plan
NDP National Democratic Party (Barbados) 
), an initiative that supports the development and presentation of contemporary dance works across the U.S. In this round, $500,000 was awarded to support seventeen tours in thirty-three states.

NDP was developed by NEFA, both as a response to funding cuts by the NEA, and out of a need to develop and maintain relationships between presenters and artists for producing and touring. "Our goal," says NEFA executive director Samuel Miller Samuel Miller may be:
  • Samuel Miller, professor at Princeton Theological Seminary and author of The Ruling Elder (1831)
  • Samuel Miller (saw), inventor of the Circular saw in 1777: see http://inventors.about.com/library/inventors/bltools.
, "is to sustain dance by supporting artist/presenter partnerships through funding that acknowledges the link between making and showing work." The emphasis is not just on new work, but on ensuring audience access, says deputy director Rebecca Blunk.

With a regional New England Dance Project already in place to serve as a prototype, and a promised $300,000 grant from the Andrew Mellon Foundation Mellon Foundation, officially the Andrew W. Mellon Foundation, philanthropic trust formed (1969) through the merger of the Avalon Foundation (est. 1940 by Ailsa Mellon Bruce) and the Old Dominion Foundation (est. 1941 by Paul Mellon). , NEFA attracted a $1 million Leadership Initiative grant from the NEA. One of only twenty grants given out under the new grant guidelines, the award signified the NEA's endorsement of tour subsidies. "Dance depends on touring activities," says Blunk. "It makes sense that regional organizations take on a portion of the national challenge."

Twelve presenters and five other advisors were chosen to advise on the selection of presenters and troupes.

In the grants announced last spring, the companies received grants totaling $420,000 for creation of new works or production of existing works. In January the cycle was completed as the companies were allocated the additional $500,000 to support touring. The tour plans tentatively submitted reflect the broad reach of the NDP, from rural locales to urban centers. Ballet Hispanico, for example, received $30,000 to support a fifteen-city tour.

That the money will enable major companies to hit medium- and small-sized towns is important to NEFA and to the companies. Limon Dance Company general manager Maryellen Kernaghan said a $20,000 grant will help Limon "bring the choreography of Jose Limon [and] modern master-pieces to the nation--even to presenters who might not ordinarily be able to afford a modern dance company of our stature and size."

Touring grants ranged from $12,000 to $40,000. Grantees include Donald Byrd Donaldson Toussaint L'Ouverture Byrd II (born December 9, 1932) is an American jazz and rhythm and blues trumpeter, born in Detroit, Michigan. He attended Cass Technical High School. He performed with Lionel Hampton before finishing high school. ; David Dorfman Dance; DV8 Physical Theatre This article is about DV8 Physical Theatre. For other uses, see DV8 (disambiguation)

DV8 Physical Theatre was formed in 1986 by an independent collective of dancers who, they claim, had become frustrated and disillusioned with the preoccupation and direction of most
; Eiko & Koma; Pat Graney; Jazz/Tap/Hip-Hop Festival and Tour with Rennie Harris; Bill T. Jones/Arnie Zane Dance Company; John Kelly and Company; Ralph Lemon Company; Mark Morris Dance Group; Muntu Dance Theatre; Stephen Petronio Company; David Rousseve/Reality; Elizabeth Streb; Maria Benitez Teatro Flamenco; Min Tanaka; and Ohio Ballet.
COPYRIGHT 1997 Dance Magazine, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 1997, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:National Dance Project
Author:Ben-Itzak, Paul
Publication:Dance Magazine
Date:Apr 1, 1997
Words:493
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