My favorite sites.TREVOR KAUFMAN CHIEF EXECUTIVE THE CONTENT PROJECT GetCreativity.com This is a newsletter that Ad Age puts out. The Web site is a sign up for an e-mail newsletter that highlights the best creative market work. So it's a great way to see what's going on What's Going On is a record by American soul singer Marvin Gaye. Released on May 21, 1971 (see 1971 in music), What's Going On reflected the beginning of a new trend in soul music. in everything from commercial development to Web site development. They also have company news in the creative marketing industry. Slashdot.com This is just a great resource for reading the pulse of the software development community. It's a fantastic way to see where people are getting concerned about privacy or digital rights issues, or where people are getting excited about a new technology, whether that be a software technology or new science. Redherring.com Lately Red Herring Red Herring A preliminary registration statement that must be filed with the SEC describing a new issue of stock (IPO) and the prospects of the issuing company. Notes: has been covering companies that go out of business. So I use this site to keep track of potential sources for new talent. I get the name of the company from the site, and I call to see if the rumors are true and then see if anyone is looking for Looking for In the context of general equities, this describing a buy interest in which a dealer is asked to offer stock, often involving a capital commitment. Antithesis of in touch with. new opportunities. Gamespot.com All the most interesting computer-based design and video game work is featured on the site. The lines between marketing information and content is really starting to blur blur (blur) indistinctness, clouding, or fogging. spectacle blur the indistinct vision with spectacles occurring after removal of contact lenses, especially non–gas-permeable lenses; it is , and I think there's no better model for how to use interactive technology than video games See video game console. . |
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