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Articles
1-100 out of 100 article(s)
| Title |
Author |
Type |
Date |
Words |
| Torn from today's headlines. |
|
Editorial |
Sep 22, 2009 |
906 |
| Francesco Rosi's Cristo si e fermato a Eboli: toward a cinema of painting. |
Lerner, Giovanna Faleschini |
Critical essay |
Jun 22, 2009 |
8770 |
| Pier Paolo Pasolini's La ricotta: the power of cinepoiesis. |
Carlorosi, Silvia |
Critical essay |
Jun 22, 2009 |
8500 |
| The art of persuasion: or: have you seen this man's films lately? |
Stefik, Daniel |
Critical essay |
Mar 22, 2009 |
2744 |
| Criticism, crisis, and adaptation. |
Johnson, David T. |
Essay |
Jan 1, 2009 |
1567 |
| Cult film or cinephilia by any other name: how movie love and movie madness intersect in the always changing dynamic of cult film. |
Gorfinkel, Elena |
|
Dec 22, 2008 |
4409 |
| What's cult got to do with it?: in defense of cinephile elitism. |
Martin, Adrian |
Essay |
Dec 22, 2008 |
2570 |
| Film criticism in the age of the Internet. |
|
Editorial |
Sep 22, 2008 |
1009 |
| Film criticism in the age of the internet: a critical symposium: caught in the Web, print and new media writers debate the pros and cons of online, where everyone's a critic. |
|
|
Sep 22, 2008 |
23495 |
| Whiting Up and Blacking Out: White Privilege, Race, and "White Chicks". |
Yancy, George; Ryser, Tracey Ann |
Critical essay |
Sep 22, 2008 |
11300 |
| Horton hears an agenda. |
Sweas, Megan |
Brief article |
Jun 1, 2008 |
176 |
| Content vs. style. |
Gehring, Wes D. |
|
May 1, 2008 |
970 |
| Meet the bloggers: Nathaniel Rogers. |
|
Brief article |
Mar 25, 2008 |
239 |
| Laughter from the dark side. |
Gehring, Wes D. |
Critical essay |
Mar 1, 2008 |
1022 |
| Communication. |
|
|
Jan 1, 2008 |
1463 |
| Cineaste's early years: the quest for a radical. readable film criticism: on mimeographs, movies, and Marxism: a long-time Cineaste Editor ponders the cultural an political origins of the magazine, prior to his own arrival on staff, from the Johnson to the Reagan era. |
Sklar, Robert |
|
Sep 22, 2007 |
2776 |
| Looking back at our beginnings: a personal history of Cineaste: straight from the source: the inside story of a movie-loving kid's political radicalization and the birth and growth of this magazine over the last forty year. |
Crowdus, Gary Alan |
|
Sep 22, 2007 |
3554 |
| The reality of dreams: a presentation of L'Ange et la femme (1977). |
Harcourt, Peter |
|
Jun 22, 2007 |
2558 |
| And Along Come Tourists; The Counterfeiters. |
Jacobowitz, Florence |
|
Jun 22, 2007 |
2731 |
| The new film studies and the decline of critique. |
Rushton, Richard |
|
Mar 22, 2007 |
5911 |
| Geographies of memory: Ruth Beckermann's film aesthetics (1). |
Remmler, Karen |
Critical essay |
Jan 1, 2007 |
10816 |
| Andre Bazin, "the cinema of Jacques Becker": four original reviews. |
Cardullo, Bert |
|
Oct 1, 2006 |
3876 |
| Law enforcement in the Old West: unlike Hollywood's frequent portrayal of Old Western townsfolk as cowards, these hardy individuals took care of themselves and did not rely solely on government for protection. |
McGrath, Roger D. |
Column |
Apr 3, 2006 |
3174 |
| Riflessioni sull'utilizzo dell'audiovisivo nella didattica della storia e della cultura italiane. |
Gieri, Manuela |
|
Mar 22, 2006 |
8426 |
| Il cinema come complemento di insegnamento. |
Vitti, Antonio |
|
Mar 22, 2006 |
5564 |
| Globalization and film criticism. |
|
Editorial |
Dec 22, 2005 |
975 |
| International Film Criticism today: A Critical Symposium. |
|
|
Dec 22, 2005 |
20435 |
| Teaching film theory in a post-film era. |
Donelan, Carol |
|
Mar 22, 2004 |
5028 |
| Female masculinity in Weimar cinema. |
Sutton, Katie |
Critical essay |
Jan 1, 2004 |
7347 |
| The Gospel of John. |
|
|
Jan 1, 2004 |
373 |
| Matrix myths. |
|
|
Oct 1, 2003 |
327 |
| How the West was spun: McCabe and Mrs. Miller and Genre revisionism. |
Arthur, Paul |
Critical Essay |
Jun 22, 2003 |
2893 |
| Questions of value. |
Wood, Robert Paul |
Editorial |
Jun 22, 2003 |
402 |
| Who can you trust? This year's Hollywood blockbusters reveal that the thing we fear most may be lurking right in our own backyards. (culture in context). |
McCormick, Patrick |
|
Oct 1, 2002 |
1374 |
| Editorial. |
|
Editorial |
Sep 22, 2002 |
1049 |
| The politics of American cinephilia: from the Popular Front to the age of video. |
Porton, Richard |
|
Sep 22, 2002 |
7143 |
| Oliver Payne and Nick Relph talk about Mixtape, 2002. (A Thousand Words). |
Wilson, Michael |
Interview |
Sep 1, 2002 |
1121 |
| Everyone's a critic: Don't shed any tears for cinephilia. |
Walker, Jesse |
|
Jun 1, 2002 |
781 |
| Paul Cowan's inouisitive eye: war games porn stars and the Ghosts of Westray. |
Alioff, Maurie |
Interview |
May 1, 2002 |
3107 |
| The best, the worst, and should we care? (Reel World). |
Sharrett, Christopher |
Brief Article |
Mar 1, 2002 |
1077 |
| Leaving Los Angeles: Louisa buck on mike figgis's battle of orgreave. (Film). |
Buck, Louisa |
Brief Article |
Jan 1, 2002 |
892 |
| FILM CRITICISM IN CANADA TODAY. |
TOWNEND, PAUL |
|
Sep 1, 2001 |
4743 |
| The Abolition of Man? |
Walker, Jesse |
|
Jun 1, 2001 |
767 |
| Cinema Studies. |
|
Critical Essay |
Mar 22, 2001 |
1644 |
| BALKAN CINEMA in the 90s: AN OVERVIEW. |
IORDANOVA, DINA |
|
Jan 1, 2001 |
8664 |
| "Has the Jury Reached Its Verdict?": DELIBERATING THE CASE OF CINEMA AND THE LAW. |
Lucia, Cynthia |
|
Dec 22, 1999 |
4245 |
| Ooh la la dumb. |
Pollack, Joe |
|
Dec 1, 1999 |
122 |
| Hollywood boycotts. |
Pollack, Joe |
Brief Article |
Nov 1, 1999 |
402 |
| John and the Missus: progress, resistance, and "common sense". |
Khouri, Malek |
|
Jun 1, 1999 |
7308 |
| Glace Bay miners' museum / Margaret's museum: adaptation and resistance. |
Currie, Peter Urquhart%XSheldon |
|
Jun 1, 1999 |
3451 |
| Rude; or the elision of class in Canadian movies. |
McCullough, John |
|
Jun 1, 1999 |
4069 |
| Everybody has his reasons: John Sayles's City of hope and Lone star. |
Walker, Michael |
|
Jun 1, 1999 |
10467 |
| Divergent dialogues: a question of subjectivity. |
Sippl, Diane |
|
Jun 1, 1999 |
4546 |
| Third cinema in the "first" world: Eve's Bayou and Daughters of the dust. |
Biccum, April |
|
Jun 1, 1999 |
4501 |
| Julian Henriques' Babymother. |
Goldberg, Marcy |
|
Jun 1, 1999 |
1838 |
| Fantasy, resistance and Third cinema. |
Forsyth, Scott |
|
Jun 1, 1999 |
1148 |
| Kim Novak: Vertigo, performance and image. |
Lippe, Richard |
|
Jan 1, 1999 |
7119 |
| Vertigo: authorship as transformation. |
Williams, Anthony (African American musician) |
|
Jan 1, 1999 |
4228 |
| Notes on the long take in George Cukor's A life of her own. |
O'Neill, Edward R. |
|
Jan 1, 1999 |
9150 |
| Manufacturing horror in (Alfred) Hitchcock's Psycho. |
Schneider, Steven |
|
Jan 1, 1999 |
6694 |
| Illusion and deception in (George) Cukor's Justine. |
Clark, Randall |
|
Jan 1, 1999 |
4088 |
| Looking at The birds and Marnie through the Rear window. |
Wood, Robert Paul |
|
Jan 1, 1999 |
5650 |
| Editorial. |
|
Editorial |
Sep 22, 1998 |
949 |
| Through a lens darkly. |
Adamick, Paula |
|
Mar 1, 1998 |
867 |
| Faces changing colour changing canon: shifting cultural foci within contemporary Canadian cinema. |
Harcourt, Peter |
|
Jan 1, 1998 |
5046 |
| Highway 61 revisited. |
Byford, Chris |
|
Jan 1, 1998 |
6042 |
| To act is to be: identity in recent Quebec cinema. |
White, Jerry |
|
Jan 1, 1998 |
6446 |
| "I want out!" Bound and invested: lesbian desire Hollywood ethnography. |
Noble, Jean |
|
Jan 1, 1998 |
8637 |
| Gay movies, west and east: In & out; Happy together. |
Lippe, Richard |
|
Jan 1, 1998 |
5259 |
| Rapport of screens: new sites for crosscultural media. |
Sippl, Diane |
|
Jan 1, 1998 |
5097 |
| Anything but Hollywood. |
Morrison, Susan |
|
Jan 1, 1998 |
692 |
| If it moves - we'll shoot it (travel films). |
Stone, Melinda |
|
Jan 1, 1998 |
1833 |
| Flowers in the dustbin: termite culture and detritus cinema. |
MacKenzie, Scott |
|
Jan 1, 1998 |
4434 |
| Contesting cinema: a Carmelo Bene project. |
Siegel, Marc |
|
Jan 1, 1998 |
4125 |
| Pedro Almodovar: on the verge of a pornographic space. |
Aurand, Brian K. |
|
Jan 1, 1998 |
6434 |
| "Breakthrough" film? Hal Hartley's Henry Fool. |
Phillips, Sarah |
|
Jan 1, 1998 |
1632 |
| Edward Yang: a Taiwanese independent filmmaker in conversation. |
Kraicer, Shelly; Roosen-Runge, Lisa |
|
Jan 1, 1998 |
4351 |
| Commercialism and nationalism: Chinese cinema's first wave of entertainment films. |
Zhu, Ying |
|
Jan 1, 1998 |
6629 |
| (Ghostbusters as a Canadian film). |
Wise, Wyndham |
Editorial |
Mar 22, 1997 |
571 |
| Sweet necrophilia (Kissed). |
Alioff, Maurie |
|
Mar 22, 1997 |
2300 |
| Robert Lepage's Le confessionnal & Le polygraphe: a rumination. |
Dault, Gary Michael |
|
Mar 22, 1997 |
2323 |
| Films of Ning Ying: China unfolding in miniature. |
White, Jerry |
|
Feb 1, 1997 |
5775 |
| Allegory and ambiguity in Zhang Yimou's Shanghai Triad. |
Kraicer, Shelly |
|
Feb 1, 1997 |
1682 |
| Music and femininity in Zhang Yimou's family melodrama. |
Wei, Yanmei |
|
Feb 1, 1997 |
5574 |
| Centre stage: reconstructing the bio-pic. |
Stringer, Julian |
|
Feb 1, 1997 |
7035 |
| John Woo and his discontents. |
Williams, Anthony (African American musician) |
|
Feb 1, 1997 |
4374 |
| Identity, mimicry and transtextuality in Mina Shum's Double happiness and Quentin Lee and Justin Lin's Shopping for fangs. Asian American filmakers: the next generation? |
O'Neill, Edward R. |
|
Feb 1, 1997 |
10022 |
| Irma Vep. |
Morrison, Susan |
|
Feb 1, 1997 |
1895 |
| For ever Mozart. |
Lynch, David Thomas |
|
Feb 1, 1997 |
950 |
| Revolutions that fail: Michael Collins. |
Forsyth, Scott |
|
Feb 1, 1997 |
1436 |
| Michael Antonioni: the late years. |
Jacobowitz, Florence; Lippe, Richard |
|
Feb 1, 1997 |
1983 |
| Making of The willing voyeur. |
Richard Kerr |
|
Sep 22, 1996 |
3072 |
| On the irresponsibility of a certain film critic: a note to an "Outsider". |
R.L. Cagle |
|
Sep 1, 1996 |
4189 |
| Bandit queen. |
Brenda Longfellow |
|
Sep 1, 1996 |
3293 |
| Porn, porosity and promiscuity: the recombinant self and industrialized celebrity in Super 8 1/2. |
David McIntosh |
|
Sep 1, 1996 |
1856 |
| Les silences du palais. |
Kay Armatage |
|
Sep 1, 1996 |
2141 |
| John Woo, Wong Kar-wai, and me: an ethnographic meditation. |
Susan Morrison |
|
Sep 1, 1996 |
3125 |
| To live and die in Hong Kong: the crisis cinema of John Woo. |
Tony Williams |
|
Sep 1, 1996 |
6783 |
| Ghosts of stories: Black Audio Film Collective's Who needs a heart? |
Laura U. Marks |
|
Sep 1, 1996 |
6363 |
| Guess who else is coming to dinner: racial/sexual hysteria in Candyman. |
Elspeth Kydd |
|
Sep 1, 1996 |
5001 |
|
