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Articles
1-100 out of 100 article(s)
| Title |
Author |
Type |
Date |
Words |
| GUILTY PLEASURES Vol. 1. |
|
Recommended readings |
Nov 1, 2009 |
4657 |
| Based on a truly gay story: forty years ago this summer, two momentous events happened just 100 miles apart, but they might as well have been on different planets. Now the Brokeback Mountain filmmakers have adapted Elliot Tibet's memoir, Taking Woodstock, and imbued Woodstock with the spirit of Stonewall in a controversial new film--and it's a comedy. |
Colman, David |
|
Sep 1, 2009 |
1712 |
| "White fear" and the studio system: a re-evaluation of Hansberry's original screenplay of A Raisin in the Sun. |
Ingle, Zachary |
Critical essay |
Jul 1, 2009 |
4563 |
| John Schlesinger's far from the Madding Crowd: a reassessment. |
Sasaki, Toru |
Critical essay |
Jul 1, 2009 |
3400 |
| Lost in translation: on Frank Miller's the Spirit. |
Wilson, Brian |
Critical essay |
Jun 22, 2009 |
1435 |
| "Outing" Edward, outfitting Marlowe: Derek Jarman's film of Edward II. |
Cardullo, Bert |
Critical essay |
Apr 1, 2009 |
5103 |
| On the road: reclaiming Korol Lir. |
|
Critical essay |
Apr 1, 2009 |
5595 |
| Controlling and controlled: Ophelia and the Ghost as defined by music in Grigori Kozintsev's Hamlet. |
Heine, Erik |
Critical essay |
Apr 1, 2009 |
6742 |
| "A dog, a rat, ... a cat to scratch a man to death!": Olivier's Richard III and popular cultures. |
Malone, Toby |
Critical essay |
Apr 1, 2009 |
6732 |
| Macbeth's wicked women: sexualized evil in Geoffrey Wright's Macbeth. |
Rooks, Amanda Kane |
Critical essay |
Apr 1, 2009 |
4689 |
| Criticism, crisis, and adaptation. |
Johnson, David T. |
Essay |
Jan 1, 2009 |
1567 |
| Kaos, Pirandello and the mother: questions of Identity in the Tavianis Sicily. |
Cadel, Francesca |
Critical essay |
Dec 22, 2008 |
7356 |
| The Little Mermaid: icon and disneyfication. |
Mortensen, Finn Hauberg |
Critical essay |
Dec 22, 2008 |
6245 |
| Projection runway: fashion designer Tom Ford segues into celluloid with a daring film project. |
Voss, Brandon |
|
Dec 16, 2008 |
386 |
| Alternative inheritances: re-thinking what adaptation might mean in Francois Ozon's Le Temps qui reste [Time to Leave]. |
Handyside, Fiona |
Critical essay |
Oct 1, 2008 |
4173 |
| Neo-Romantic Landscapes: pictorial aesthetics in Powell and Pressburger's Gone to Earth. |
Hockenhull, Stella |
Critical essay |
Oct 1, 2008 |
3783 |
| (In)fidelity criticism and the sexual politics of adaptation. |
Rizzo, Sergio |
Critical essay |
Oct 1, 2008 |
7547 |
| Healing by the community spirit: it's the story of the largest movement the world has ever seen. A movement with no charismatic leader; that follows no unifying ideology; and which politicians, the public and the media don't recognise. But it has the potential to heal the Earth. Alexandra de Blas examines Blessed Unrest, a book by Paul Hawken, soon to start production as a ground-breaking film. |
de Blas, Alexandra |
|
Oct 1, 2008 |
1152 |
| The Hollywood novel at the end of the twentieth century. |
Ames, Christopher |
Critical essay |
Jul 1, 2008 |
3831 |
| Riding in cars with boys: reconsidering smooth talk. |
Dickinson, Peter |
Critical essay |
Jul 1, 2008 |
6975 |
| Egoyan's film adaptation of Banks's The Sweet Hereafter: "The Pied Piper" as trauma narrative and mise-en-abyme. |
Landwehr, Margarete Johanna |
Critical essay |
Jul 1, 2008 |
3818 |
| The end of the affair. |
Douthat, Ross |
Critical essay |
Jun 30, 2008 |
943 |
| No exit in Texas. |
Brown, Royal |
|
Jun 22, 2008 |
2036 |
| Comic dread in the modern frontier. |
Sharrett, Christopher |
|
Jun 22, 2008 |
2365 |
| "Darkness rumbling": Kozintsev's Karol Lier and the visual acoustics of nothing. |
Catania, Saviour |
Critical essay |
Apr 1, 2008 |
4023 |
| Tracking the sounds of Franco Zeffirelli's The Taming of the Shrew. |
Kranz, David L. |
Critical essay |
Apr 1, 2008 |
9458 |
| Stoppard's space men: Rosencrantz and Guildenstern on film. |
Nardo, Anna K. |
Critical essay |
Apr 1, 2008 |
4078 |
| Dressing the girl / playing the boy: Twelfth Night learns soccer on the set of She's The Man. |
Pittman, L. Monique |
Critical essay |
Apr 1, 2008 |
7647 |
| "Closed in a dead man's tomb": Juliet, space, and the body in Franco Zeffirelli's and Baz Luhrmann's films of Romeo and Juliet. |
Scott, Lindsey |
Critical essay |
Apr 1, 2008 |
4616 |
| All Night Long: jazzing around with Othello. |
Skrebels, Paul |
Critical essay |
Apr 1, 2008 |
4741 |
| "An excellent short cut to Shakespeare on film". |
Vela, Richard |
Critical essay |
Apr 1, 2008 |
1458 |
| Horton Hears a Who! |
|
Brief article |
Mar 22, 2008 |
107 |
| The Chronicles of Narnia: Prince Caspian. |
|
Brief article |
Mar 22, 2008 |
79 |
| Sexo, politica y fe: aproximacion a cronica de una muerte anunciada y la manana de sangre. |
Chang, Luisa Shu-Ying |
Critical essay |
Jan 1, 2008 |
9750 |
| Movies from books. |
|
Brief article |
Jan 1, 2008 |
72 |
| Materializing adaptation theory: the adaptation industry. |
Murray, Simone |
Essay |
Jan 1, 2008 |
11175 |
| Adaptations without sources: the Adventures of Robin Hood. |
Leitch, Thomas |
Critical essay |
Jan 1, 2008 |
6144 |
| The mirror didn't crack: costume drama & Gothic horror in Sally Potter's Orlando. |
Mayer, Sophie |
Critical essay |
Jan 1, 2008 |
3780 |
| The passion translated: literary and cinematic rhetoric in Pride and Prejudice (2005). |
Grandi, Roberta |
Critical essay |
Jan 1, 2008 |
4240 |
| Using Riffaterre to rehabilitate The Lover. |
Brownlie, Siobhan |
Critical essay |
Jan 1, 2008 |
5533 |
| 'I am nobody': contemporary subjectivity and new surveillance technologies. |
Cooper, Simon |
Critical essay |
Dec 1, 2007 |
1345 |
| "Documentary as adaptation: an intertextual analysis of an Injury to One". |
Metz, Walter C. |
Critical essay |
Oct 1, 2007 |
3707 |
| Making the cut: documentary work in John Ford's The Grapes of Wrath. |
Smith, John R. |
Critical essay |
Oct 1, 2007 |
3843 |
| Once, he was a manly man to whose patriotic valor every little boy aspired. |
|
Brief article |
Sep 24, 2007 |
146 |
| The Seeker: The Dark is Rising. |
|
Brief article |
Sep 22, 2007 |
55 |
| Movies from Books. |
|
Brief article |
Sep 1, 2007 |
126 |
| "Adapting Genesis". |
Metz, Walter C. |
Report |
Jul 1, 2007 |
5678 |
| Acts of suppression: Adapting Le Rouge et le Noir. |
Scott, Maria |
Critical essay |
Jul 1, 2007 |
3809 |
| Graham Baker's Beowulf: intersections between high and low culture. |
Forni, Kathleen |
Critical essay |
Jul 1, 2007 |
3790 |
| Adapting The Revengers Tragedy. |
Cook, Patrick J. |
|
Apr 1, 2007 |
3752 |
| King Lear as western elegy. |
Griggs, Yvonne |
|
Apr 1, 2007 |
4686 |
| Michael Radford's The Merchant of Venice and the vexed question of performance. |
Magnus, Laury |
Critical essay |
Apr 1, 2007 |
8902 |
| Filming non-space: the vanishing point and the face in Brook's King Lear. |
Ryle, Simon J. |
Critical essay |
Apr 1, 2007 |
5641 |
| The monstrosity of the gaze: critical problems with a film adaptation of The Lord of the Rings. |
Harl, Allison |
|
Mar 22, 2007 |
4180 |
| Doing it their way: authors producing films. |
Dodson, Angela P. |
Brief article |
Mar 1, 2007 |
281 |
| The kindest cut of all: adapting Thomas Harris's Hannibal. |
Schmid, David |
Critical essay |
Jan 1, 2007 |
4392 |
| "The book belongs to all of us": Gone With the Wind as postcultural product. |
Cronin, Jan |
Critical essay |
Jan 1, 2007 |
5135 |
| What Would Jane Cut? |
Fowler, Karen Joy |
Essay |
Jan 1, 2007 |
2316 |
| The strange pleasure of The Leopard Man: gender, genre and authorship in a Val Lewton thriller. |
Preston, Scott |
|
Jan 1, 2007 |
8120 |
| Readers recommend their favorite books. |
|
|
Jan 1, 2007 |
1384 |
| Directors on adaptation: a conversation with Richard Linklater. |
Johnson, David T. |
Interview |
Jan 1, 2007 |
2703 |
| "Postmodern mirrors". |
Hoagwood, Terence |
Critical essay |
Oct 1, 2006 |
4127 |
| Reel Italian: melodrama, Magnani, and alternative subjects in The Rose Tattoo. |
McDaniel, L. Bailey |
Critical essay |
Oct 1, 2006 |
7871 |
| "Who am I in this story?": on the film adaptations of Max Ophuls. |
Metz, Walter C. |
Critical essay |
Oct 1, 2006 |
5519 |
| The problem body politic, or "these hands have a mind all their own!": figuring disability in the horror film adaptations of Renard's Les mains d'Orlac. |
Olney, Ian |
Critical essay |
Oct 1, 2006 |
6483 |
| Bride and Prejudice: a Bollywood comedy of manners. |
Wilson, Cheryl A. |
|
Oct 1, 2006 |
6300 |
| "Where is that worthless dreamer?" Bottom's fantastic redemption in Hoffman's A Midsummer Night's Dream. |
Riga, Frank P. |
Character overview |
Sep 22, 2006 |
6084 |
| Summer of adaptations. |
Johnson, David T. |
|
Jul 1, 2006 |
1032 |
| Tess, Jude, and the problem of adapting Hardy. |
Strong, Jeremy |
Cover story |
Jul 1, 2006 |
5748 |
| Nomi returns! |
|
Brief article |
Jun 20, 2006 |
43 |
| Dialogue in Shakespearean offshoots. |
Nardo, Anna K. |
|
Apr 1, 2006 |
4426 |
| Empowered by madness: Ophelia in the films of Kozintsev, Zeffirelli, and Branagh. |
Teker, Gulsen Sayin |
Critical essay |
Apr 1, 2006 |
4006 |
| "The promised end" of cinema: portraits of cinematic apocalypse in 21st century Shakespearean cinema. |
Cooke-Jess, Carolyn |
|
Apr 1, 2006 |
4693 |
| The movie The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe (Walden) has spawned a small library. |
|
Brief Article |
Jan 1, 2006 |
126 |
| "I am a wild beast": Patricia Rozema's forward Fanny. |
Shea, Alison |
|
Jan 1, 2006 |
2877 |
| In defense of Patricia Rozema's Mansfield Park. |
Monaghan, David |
|
Jan 1, 2006 |
2452 |
| From page to screen: dancing to the altar in recent film adaptations of Jane Austen's novels. |
Stovel, Nora Foster |
|
Jan 1, 2006 |
5837 |
| Old tosh and balderdash: earnest critics keep The Da Vinci Code alive. |
Faiz, Andrew |
|
Oct 1, 2005 |
802 |
| Reader comments from www.advocate.com. |
|
Brief Article |
Mar 29, 2005 |
170 |
| Message from the president. |
Ray, Joan Klingel |
Editorial |
Jan 1, 2005 |
367 |
| Incarnating Jane Austen: the role of sound in the recent film adaptations. |
Hudelet, Ariane |
|
Jan 1, 2005 |
4258 |
| Cutting Colin: as A Home at the End of the World hits the screen, the filmmakers talk about slimming down the novel--and axing Colin Farrell's nude scene. |
Giltz, Michael |
Interview |
Aug 17, 2004 |
631 |
| Clergy sex abuse, the movie: coming soon to a small screen near you. |
Grennan Gary, Heather |
Brief Article |
May 1, 2004 |
154 |
| JR Lankford's. |
|
Brief Article |
May 1, 2004 |
33 |
| Longing for Titus' big screen debut. |
Strong, David |
|
Mar 22, 2004 |
2968 |
| The quintessential New Yorker and global citizen: an interview with Spike Lee. |
Massood, Paula J. |
Interview |
Jun 22, 2003 |
3401 |
| Doyle's law: an interview with David Benioff. |
Massood, Paula J. |
Interview |
Jun 22, 2003 |
3322 |
| The Age of Innocence: Martin Scorsese, 1993. |
Thomas, Deborah |
Critical Essay |
Jun 22, 2003 |
10597 |
| From the novel to the screen: three directors talk about the perils and pleasures of film adaptation. |
Amsden, Cynthia |
|
Jun 1, 2003 |
1411 |
| How Greene is our worldview? The fractured souls that inhabit Graham Greene's fiction offer timely lessons about the dangers of idealistic zealotry. (culture in context). |
McCormick, Patrick |
|
May 1, 2003 |
1335 |
| The golden Hours: with Meryl Streep as a lesbian, Nicole Kidman as Virginia Woolf, and Julianne Moore kissing Toni Colette, The Hours would seem to be the gayest movie ever nominated for nine Oscars. But the actresses and filmmakers argue that transcending such labels is exactly what has made the film so successful. (The Hollywood Issue). |
Giltz, Michael |
Cover Story |
Mar 18, 2003 |
3326 |
| Musicals and the gay gene. (last word). |
Rotello, Gabriel |
Column |
Mar 18, 2003 |
684 |
| Michael Cunningham after Hours. (Artist's Profile). |
|
Interview |
Mar 1, 2003 |
1567 |
| Putting it together: Matt Wolf charts the road traveled to get Austen actors to the table. |
Wolf, Matt |
|
Jan 1, 2003 |
2208 |
| Past classics, summer rubbish. (Reel World). |
Sharrett, Christopher |
|
Sep 1, 2002 |
1153 |
| Role reversal: Hollywood writers take their act from print to screen and vice versa. |
Kennedy, Lisa |
|
Jul 1, 2002 |
2182 |
| Oscar winners Denzel and Halle take books to the movies. (Film). |
|
Brief Article |
May 1, 2002 |
336 |
| Cribbing Cleopatra, or How to Turn an Acclaimed Novel Into a Bad TV Movie. (Cinema Studies). |
|
Brief Article |
Mar 22, 2002 |
165 |
| Morphing Best-Sellers Into Oscars. |
|
Brief Article |
May 1, 2001 |
778 |
| Alfred Hitchcock's Mary Rose: An Old Master's Unheard Cri de Coeur. |
McBride, Joseph |
|
Mar 22, 2001 |
5415 |
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