Printer Friendly
The Free Library
18,914,692 articles and books
Member login
User name  
Password 
 
Join us Forgot password?

Monument to the future.


Byline: Mark Baker The Register-Guard

PENDLETON - Their numbers may have dwindled over the years, their way of life and their culture tarnished and decimated over the centuries, they say, by a continuous infringement upon their land and people. But the Confederated Tribes of the Umatilla are not going anywhere, Bobbie Conner says.

That's why they are still here. That's why they built this place.

"It's a monument to our survival, and our legacy as a people," says Conner, director of the Tamastslikt Cultural Institute. "This place is to let people know we don't intend to leave. This is a living culture. This is not a monument to antiquity, this is a monument to the future."

The 45,000-square-foot institute just east of the city limits is owned by the Confederated Tribes of the Umatilla - the Walla Walla Walla Walla (wŏl`ə wŏl`ə), city (1990 pop. 26,478), seat of Walla Walla co., SE Wash., at the junction of the Walla Walla River and Mill Creek, near the Oregon line; inc. 1862. , Umatilla and Cayuse Cayuse (kīys`), Native North Americans who formerly occupied parts of NE Oregon and SE Washington.  - and opened in the summer of 1998 on the Umatilla Indian Reservation The Umatilla Indian Reservation is an Indian reservation in eastern Oregon in the United States, mostly located in Umatilla County, with a very small part extending south into Union County. The reservation is owned by the Confederated Tribes of the Umatilla Indian Reservation.  that also includes the Wildhorse Resort Casino and an 18-hole championship golf course.

The institute is housed in a sprawling, modern building reached by taking a winding road Winding Road is a digital automotive magazine owned by Absolute Multimedia, Inc., of Austin, Texas, which also publishes 'The Absolute Sound' and 'The Perfect Vision.'. It focuses on enthusiast-oriented vehicles along with news covering industry buzz, upcoming events, and more.  - one that could well have been built as straight as Interstate 5 between Eugene and Portland - about a mile beyond the resort and casino. There is a reason for the entry road's twists and turns, Conner says. It's symbolic of a different path, culture and way of life the tribes do not want forgotten.

"This is a story as much about a place as it is about a people," Conner says of the institute.

The Cayuse, Umatilla and Walla Walla tribes once numbered more than 8,000 and trace their roots in this area back 10,000 years. The confederation now numbers about 2,200. They say they are bound together by "blood, culture and history," and have maintained their traditional songs, dances, art, languages, clothing and religion despite the many intrusions to their way of life.

The death of sound

The name Tamastslikt (pronounced Tah-must-slicked) means "to translate," or "turn over," or "turn around" in Wallulapum, the native language of the Walla Walla Indians.

The institute is one of five interpretive centers along Interstate 84 on the Oregon National Historic Trail between Ontario and Oregon City There are two places named Oregon City in the United States:
  • Oregon City, California
  • Oregon City, Oregon
, and it is the only one that is American Indian-owned and the only one that tells the story from the indigenous point of view - in the words of the Cayuse, Umatilla and Walla Walla people.

About 20,000 to 25,000 visitors come through the institute annually, Conner says, and an added 20,000 use the library, gift store and cafe.

In addition to the "We Were" gallery, the other two galleries in the institute's permanent exhibit are the "We Are" and "We Will Be" galleries.

The exhibit experience begins with a walk at the base of the Blue Mountains Blue Mountains, Australia
Blue Mountains, region of New South Wales, SE Australia. Located W of Sydney, this elevation is actually a plateau forming part of the Great Dividing Range.
, leading to the permanent gallery where the tribes' story is shared through exhibits designed by British Columbia British Columbia, province (2001 pop. 3,907,738), 366,255 sq mi (948,600 sq km), including 6,976 sq mi (18,068 sq km) of water surface, W Canada. Geography
 artist and museum display creator Jean Jacque Andre.

In addition to the permanent exhibit, a couple of fresh exhibits are on display every six months or so. Through June 10, you can see "Pawiyalst'aksha Wayamna: Memorializing the Death of the Sound of the Falls," and "Discovering the Rivers of Lewis and Clark."

The first honors the 50th anniversary (March 10, 1957) of the damming of Celilo Falls Located between the states of Oregon and Washington, Celilo Falls (Chinookan: Wyam – "echo of falling water" or "sound of water upon the rocks") was a unique natural feature formed by the relentless push of the Columbia River through basalt-laden narrows east  east of The Dalles dalles  
pl.n.
The rapids of a river that runs between the steep precipices of a gorge or narrow valley.



[French, pl. of dalle, gutter, from Old French, from Old Norse dæla.]
, where American Indians American Indians: see Americas, antiquity and prehistory of the; Natives, Middle American; Natives, North American; Natives, South American.  fished for thousands of years until The Dalles Dam was built. Black-and-white photographs fill the walls of the exhibit area. There is a huge aerial photograph of the falls taken in 1935. There's a canoe carved out of a tree by members of Wanapum Tribe of Priest Rapids Priest Rapids was a narrow, fast-flowing stretch of the Columbia River, where the river dropped 20 feet over a short distance, located in central Washington state. It was given the name Priest Rapids by Alexander Ross of the Pacific Fur Company in 1811. , Wash., sitting in the middle of the room. You can watch old films of Indians fishing the falls for 100-pound salmon. And there is a map where people can mark where they used to fish and write a description of their experience.

"Discovering the Rivers of Lewis and Clark" is a traveling exhibit produced by the American Rivers Council to enhance public interest in river conservation and to encourage citizen involvement in key decisions affecting the future of the rivers Lewis and Clark traveled. The exhibit covers the four main Western rivers - the Missouri, Yellowstone, Snake and Columbia - navigated by Lewis and Clark as they were, as they are today after years of exposure to modern human beings, and as they might be if current efforts to restore the rivers are successful.

There are also photographs, art reproductions and excerpts from Lewis and Clark journals and maps.

" ... No cigar store Indian The cigar store Indian or wooden Indian is an old advertisement figure made to represent cigar shops, much like barber poles advertise barber shops or the three gold balls of the pawn shop. "

The next time you're in northeastern Oregon, keep an eye out for the billboards along Interstate 84 that are part of the institute's current marketing campaign. Actually, you won't have to work very hard to see them - depictions of Chief Wahoo

Chief Wahoo is a trademarked mascot for the Cleveland Indians.
, the logo of Major League Baseball's Cleveland Indians Editing of this page by unregistered or newly registered users is currently disabled due to vandalism. , Tonto of "Lone Ranger Lone Ranger

arch foe of criminals in early west. [Radio: “The Lone Ranger” in Buxton, 143–144; Comics: Horn, 460; TV: Terrace, II, 34–35]

See : Crime Fighting


Lone Ranger
" fame and a cigar store Indian that comes with the words, "Close, but no cigar store Indian," are hard to miss.

The billboards' stereotypes are intentionally evocative, Conner says. "They're also intended to make people curious. We want them to consider coming here and do some critical thinking."

The billboards line Interstate 84 not only because it's the main thoroughfare through these parts, but also because it's the route of the Oregon Trail Oregon Trail, overland emigrant route in the United States from the Missouri River to the Columbia River country (all of which was then called Oregon). The pioneers by wagon train did not, however, follow any single narrow route.  that swept northward through the Grand Ronde Valley, up through the Blue Mountains and right through what is now Pendleton.

In the "We Were" gallery, a journey through Fort Nez Perce near Walla Walla and the Mission Church precede tales of the massive migration of immigrants that brought wars, hangings and government treaties until the tribes' horse herds and languages were nearly wiped out.

"It did not take long for our people to become disenchanted dis·en·chant  
tr.v. dis·en·chant·ed, dis·en·chant·ing, dis·en·chants
To free from illusion or false belief; undeceive.



[Obsolete French desenchanter, from Old French,
 by the missionary enterprise," says an exhibit about the "zeal to save Indian souls in the 1830s and '40s. We began to view these messengers of God as common, mundane men and women possessing human weaknesses."

At first, the Indians' view of the immigration immigration, entrance of a person (an alien) into a new country for the purpose of establishing permanent residence. Motives for immigration, like those for migration generally, are often economic, although religious or political factors may be very important.  was mixed, according to a history of the Confederated Tribes of the Umatilla. "Tribesmen saw the travelers as poor people moving through the country," it says on the tribes' Web site. "Their horses and cattle were as exhausted as the immigrants themselves. For the most part, both races viewed each other as inferior people."

Relations between settlers and Indians were mostly friendly until the Indians became strained by continual immigration onto their land, loss of resources, disease and other pressures.

"Certainly there were cultural differences between Indians and non-Indians but in the beginning there was diplomacy, communication and consideration," the tribes' history says. "Treaties would be the tool to move all Indians to reserva- tions."

An 1855 treaty between the U.S. government and the Confederated Tribes of the Umatilla brought the tribes together on the Umatilla Indian Reservation near Pendleton, where many of their descendents still live.

The exhibits, though, are educational in their focus, and optimistic in their tone and feel. "Being angry doesn't achieve anything," Conner says. "Every one of us has no choice but to be optimistic, because the only other choice is to give up."

TAMASTSLIKT CULTURAL INSTITUTE

What: An interpretive center owned by the Confederated Tribes of the Umatilla explaining the history of the Umatilla, Walla Walla and Cayuse Indian tribes of northeast Oregon and southeast Washington

Where: Just east of Pendleton

Exhibits through June 10: Celilo Falls exhibit - "Memorializing the Death of the Sound of the Falls"; and "Discovering the Rivers of Lewis and Clark"

Hours: 9 a.m. to 5 p.m. daily

Admission: $6 adults; $4 seniors, students and children; family up to five, $12; free 5 and younger

Directions: From Interstate 84 take Exit 216 to Highway 331 and follow the signs

Contact: (541) 966-9748; www.tamastslikt.org

Editor's note: This is the second of two stories about Eastern Oregon museums whose roots can be traced to the Oregon Trail - one directly, the other indirectly. The National Historic Oregon Trail Interpretive Center The National Historic Oregon Trail Interpretive Center is a 23,000 square foot interpretive center about the Oregon Trail located five miles east of Baker City, Oregon on Oregon Route 86. It is operated by the Bureau of Land Management.  near Baker City was featured last Sunday; today, it's the story of the Tamastslikt Cultural Institute in Pendleton, owned and operated by the Confederated Tribes of the Umatilla. Although the tribes have little reason to celebrate the Oregon Trail and the decimation DECIMATION. The punishment of every tenth soldier by lot, was, among the Romans, called decimation.  that followed, they still felt it was important to observe the Oregon Trail Sesquicentennial ses·qui·cen·ten·ni·al  
adj.
Of or relating to a period of 150 years.

n.
A 150th anniversary or its celebration.

Noun 1.
 in 1993, and for their view of the trail to be told. This vision led to the building of the institute.
COPYRIGHT 2007 The Register Guard
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2007, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

 Reader Opinion

Title:

Comment:



 

Article Details
Printer friendly Cite/link Email Feedback
Title Annotation:General News; The Tamastslikt Cultural Institute is a reminder that the Confederated Tribes of the Umatilla and their way of life will not fade away
Publication:The Register-Guard (Eugene, OR)
Date:Apr 8, 2007
Words:1411
Previous Article:Hang up and fly.(Editorials)(FCC says no to in-flight cell phones)(Editorial)
Next Article:Hopping has its ups and downs.(Animals)



Related Articles
Oregon's Senate Bill 61: balancing protection and privatization of cultural resources.
Grant to boost Indian teachers.(Minorities)
Ancestral homelands.(Editorials)(Bill would restore 63,000 acres to coastal tribes)(Editorial)
New agency may fund Columbia power line.(Utilities)(EWEB and partners consider forming an entity to issue bonds for the project)
Letters in the Editor's Mailbag.(Letters)(Letter to the Editor)
Programs preserve both past and future.(Schools)
Books received.
Monuments to the Lost Cause: Women, Art, and the Landscapes of Southern Memory.(Book Review)
Museum director brings an archaeologist's view.(Arts & Literature)
Lewis and Clark Bicentennial gives flesh perspective on history.(2005 CONVENTION)

Terms of use | Copyright © 2010 Farlex, Inc. | Feedback | For webmasters | Submit articles