Messy pilgrims blamed for puzzling fossils.PARIS Paris, in Greek mythology Paris or Alexander, in Greek mythology, son of Priam and Hecuba and brother of Hector. Because it was prophesied that he would cause the destruction of Troy, Paris was abandoned on Mt. , 1746. Monsieur de Voltaire this week offered a startling star·tle v. star·tled, star·tling, star·tles v.tr. 1. To cause to make a quick involuntary movement or start. 2. To alarm, frighten, or surprise suddenly. See Synonyms at frighten. new theory to explain the origin of fossils, a problem that has vexed philosophers since Aristotle. In an Italian essay, the French writer proposes that fossilized fos·sil·ize v. fos·sil·ized, fos·sil·iz·ing, fos·sil·iz·es v.tr. 1. To convert into a fossil. 2. To make outmoded or inflexible with time; antiquate. v.intr. bones found today in the mountains represent picnic remains left by passing pilgrims and crusaders centuries ago. "Rotten fish were thrown away by a traveler and were petrified pet·ri·fy v. pet·ri·fied, pet·ri·fy·ing, pet·ri·fies v.tr. 1. To convert (wood or other organic matter) into a stony replica by petrifaction. 2. thereafter," says Voltaire. The pilgrim-picnic-petrifaction hypothesis clashes with the standard prayer-book explanation that fossils are a reflection of God's powers. The Royal Office of the Fourth Estate and Public Information put out a release saying, "Monsieur de Voltaire is clever indeed, but we are not amused by his musings. If he persists, he will find himself once again ensconced en·sconce tr.v. en·sconced, en·sconc·ing, en·sconc·es 1. To settle (oneself) securely or comfortably: She ensconced herself in an armchair. 2. in a Bastille Bastille (băstēl`) [O.Fr.,=fortress], fortress and state prison in Paris, located, until its demolition (started in 1789), near the site of the present Place de la Bastille. It was begun c. cell, this time without his linen handkerchiefs." Leading scientists also have weighed in on the new theory. Georges-Louis Leclerc, Comte de Buffon This article is about the 18th century French naturalist. For other uses, see Buffon (disambiguation). Georges-Louis Leclerc, Comte de Buffon (September 7, 1707 – April 16, 1788) was a French naturalist, mathematician, biologist, cosmologist and , called Voltaire a buffoon. "The fossils present in the Alps are not the tastiest varieties of fish and would make a poor lunch," says Buffon. Researchers remain divided over how patterns resembling shells, shark's teeth, and other living objects made their way inside rock strata near the tops of mountains. Near the end of the last century, the English physician Martin Lister concluded that fossils are inorganic structures that grow within rocks and coincidentally bear a resemblance to living marine creatures. Although fossil shells look superficially like living mollusks, scrutiny reveals that they are not identical to any known today. "Our English Quarry-shells were not cast in any Animal mold, whose species or race is yet to be found in being at this day," he said in a letter published in the PHILOSOPHICAL TRANSACTIONS. Early this century, Swiss physician Johann Scheuchzer argued that fossil fish, plants, and other forms are the remains of once-living species, lofted into the mountains by the biblical flood. There are hints of unpublished data on fossil origins compiled in the early 16th century by the master painter Leonardo da Vinci Leonardo da Vinci (də vĭn`chē, Ital. lāōnär`dō dä vēn`chē), 1452–1519, Italian painter, sculptor, architect, musician, engineer, and scientist, b. near Vinci, a hill village in Tuscany. (SN: 4/23/1504). A copy of his long-hidden manuscript was recently purchased by Lord Leicester in England. According to gossip, in this Codex Leicester, Leonardo argued that the flood did not transport fossils, but rather that Earth itself is capable of moving upward. Fossils once at the bottom of the sea would then rise up to the mountains. Contemporary researchers, however, are unwilling to comment on this theory because the manuscript is not available for peer review. Lord Leicester says simply, "For a painter, the man had horrible penmanship." Some predict the manuscript will only come to public light when, centuries in the future, a man controlling the gates to unfathomable wealth buys it and brings the word of Leonardo to the marketplace. |
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