Managing Colour from the Design Stage to the Finished Product Can be a Difficult Activity - Get Key Insights into Many Aspects of Textile Colour Management.DUBLIN Dublin, city, Republic of Ireland Dublin, Irish Baile Átha Cliath, county borough (1991 pop. 915,516), Leinster, capital of the Republic of Ireland, on Dublin Bay at the mouth of the Liffey River. , Ireland Ireland, Irish Eire (âr`ə) [to it are related the poetic Erin and perhaps the Latin Hibernia], island, 32,598 sq mi (84,429 sq km), second largest of the British Isles. -- Research and Markets (http://www.researchandmarkets.com/reports/c29228) has announced the addition of Total Colour Management in Textiles textiles, all fabrics made by weaving, felting, knitting, braiding, or netting, from the various textile fibers (see fiber). Types of Textiles to their offering. Managing colour from the design stage to the finished product can be a difficult activity as colour perception is subjective and can therefore be inconsistent. Total colour management provides a basic yet comprehensive knowledge on many aspects of textile colour management with industrial applications in mind. The book is divided into two parts; measuring colour and managing colour. Chapter 1 introduces the topic by explaining the nature of colour and colour perception. Chapter 2 covers colour specification systems including the CIE (Commission Internationale de l'Eclairage, International Commission on Illumination, Vienna, Austria, www.cie.co.at) An international organization that sets standards for all aspects of lighting and illumination, including colorimetry, photometry and the measurement of visible and system, colour order systems and colour specifiers, it also discusses the difficulties inherent in subjective measurements. Chapter 3 explores instrumental colour measurement; the measurements in terms of diffuse diffuse /dif·fuse/ 1. (di-fus´) not definitely limited or localized. 2. (di-fuz´) to pass through or to spread widely through a tissue or substance. dif·fuse adj. and regular reflectance re·flec·tance n. The ratio of the total amount of radiation, as of light, reflected by a surface to the total amount of radiation incident on the surface. Noun 1. and transmittance are explained as are the optical configuration and standard or recommended geometrics ge·o·met·rics n. (used with a pl. verb) 1. Geometric qualities or properties. 2. A pattern or design characterized by the use of geometric figures: for making these measurements. Colour quality evaluation is dealt with in chapter 4. In particular, the colour difference formulae CIELAB and those formulae developed after it. Chapter 5 offers a practical guide to visual evaluation of textile samples, discussing various aspects of the visual colour evaluation process including the illuminant il·lu·mi·nant n. Something that gives off light. [Latin ill min , the object, and the observer. In Part Two, chapter 6 discusses the accurate colour simulation on display devices including solid colour and colour samples with texture structures, such as textile fabrics. Chapter 7 explores effective methods of colour communication within retail. A chapter on computer colorant col·or·ant n. Something, especially a dye, pigment, ink, or paint, that colors or modifies the hue of something else. adj. Of or being a subtractive primary color. formulation formulation /for·mu·la·tion/ (for?mu-la´shun) the act or product of formulating. American Law Institute Formulation follows and looks at the ways in which computers have advanced methods within the industry. Chapter 9 focuses on the factors that users of digital textile printing technology must take into consideration in order to control the application of colour to digitally printed fabrics. Chapter 10 discusses colour management across the supply chain, and finally chapter 11 concludes with quality assurance management for coloured goods. Total colour management will prove invaluable for individuals from a variety of disciplines and organisation levels in colour management, colour quality monitoring and evaluation as well as for graphic designers, merchandisers, product development specialists and anyone who uses colour in their work. It is also of use to academics and students researching textiles, fashion, design, fine arts, or any colour related subjects. Key Features: --concentrates on managing colour from the design stage to the finished product --provides a comprehensive discussion on the many aspects of textile colour management --written with an industrial applications viewpoint --edited by a leading authority in the field The book is broken down into the following sections: Part 1 Measuring Colour --Colour perception --Colour description/specification systems --Instrumental colour measurement --Colour quality evaluation --A practical guide to visual evaluation of textile samples Part 2 Managing Colour --Colour simulation of textiles --Effective colour communication from mind to market --Controlling colorant formulation --Controlling digital colour printing on textiles --Colour management across the supply chain --Quality assurance management for coloured goods For more information visit http://www.researchandmarkets.com/reports/c29228. |
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