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MIX MASTER.


Asked to describe the curriculum he's devising as Pasadena's Art Center College of Design's new (and first) provost, Ronald Jones chooses the term "transdisciplinary" over "interdisciplinary." "Trans," after all, implies permeation and specifies an approach that Jones says best reflects today's fluid culture.

"What we're beginning to look at very seriously at Art Center is what Greenberg suggested in 'Avant-Garde and Kitsch kitsch [Ger.,=trash], term most frequently applied since the early 20th cent. to works considered pretentious and tasteless. Exploitative commercial objects such as Mona Lisa scarves and abominable plaster reproductions of sculptural masterpieces are described as kitsch, as are works that claim artistic value but are weak, cheap, or sentimental. A museum of kitsch was opened in Stuttgart.': that art will be absorbed into entertainment," says Jones. And what better place to contemplate the sunny manifestations of Greenberg's dark prophecy than Southern California? Jones's Greater Los Angeles coordinates, far from his previous appointments at Columbia, Yale, and RISD RISD - Rhode Island School for the Deaf
RISD - Rhode Island School of Design
RISD - Richardson Independent School District (Texas)
RISD - Rock Island School District (Rock Island, Illinois)
RISD - Rockwall Independent School District (Texas)
RISD - Roswell Independent School District (New Mexico)
RISD - Rwanda Initiative for Sustainable Development
, bring him to what's lately been deemed the land of the powerhouse art schools, dominated by Art Center, UCLA, and CalArts. But Jones would rather not talk about East Coast versus West Coast pedagogical rivalries. "I'm veering away from generalized distinction between the two.... I'm more interested in talking to leaders at Ford, Boeing, and NASA to see if we can bring cultural xenography into art education-which, might I add, could only happen at a design school."

Art Center is an appropriate setting for Jones's Bauhaus Bauhaus (bou`hous), school of art and architecture in Germany. The Bauhaus revolutionized art training by combining the teaching of the pure arts with the study of crafts. Philosophically, the school was built on the idea that design did not merely reflect society, it could actually help to improve it.-style vision. Founded in 1930 by Edward A. Adams, an advertising executive who sought to fill an educational gap by preparing designers for the commercial world, the school has been likened to a research and development center by its current president, Richard Koshalek. The formula must be working: The institution cultivates M.F.A. candidates who can quote Julia Kristeva with ease and at the same time currently produces more than half of America's car designers.

Jones is particularly well equipped to honor the balance between art for function's and art for art's sake. His credits as an artist include numerous international one-person shows in addition to group exhibitions such as last year's "Aussendienst," for which he designed a public garden in Hamburg. His byline as a critic has graced the pages of this and many other magazines, and he headed the Interactive Design Lab at Columbia University. Oh, and he holds an M.F.A. in sculpture and a Ph.D. in art history. So Jones should know a thing or two about the "transdisciplinary"--and how to put it into practice.

Reena Jana is a New York-based arts journalist.
COPYRIGHT 2001 Artforum International Magazine, Inc.
No portion of this article can be reproduced without the express written permission from the copyright holder.
Copyright 2001, Gale Group. All rights reserved. Gale Group is a Thomson Corporation Company.

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Title Annotation:Ronald Jones curriculum
Author:JANA, REENA
Publication:Artforum International
Article Type:Brief Article
Geographic Code:1U9CA
Date:Mar 1, 2001
Words:378
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