Louis Armstrong: In His Own Words.Louis Armstrong: In His Own Words edited by Thomas Brothers Oxford University Press, 1999, $25.00 ISBN ISBN abbr. International Standard Book Number ISBN International Standard Book Number ISBN n abbr (= International Standard Book Number) → ISBN m 0-195-11958-4. "My mother May Ann and my uncle Ike Miles used to tell us about slavery times. They said slavery wasn't half as bad as some of the history books would like for you to believe." Between jam sessions, Louis Armstrong typed up personal thoughts and memories such as this, and now they can be read in Louis Armstrong: In His Own Words. Edited by Thomas Brothers, these selected writings provide new insight into the musician's life--much more than what most previous biographies have given the reader or fan. The majority of In His Own Words consist of Armstrong's writings on his ex-wives and lovers and a jazz musician's life in general, from sharing the stage with Bill Robinson and Lionel Hampton Noun 1. Lionel Hampton - United States musician who was the first to use the vibraphone as a jazz instrument (1913-2002) Hampton , to other such "exciting" moments as wearing blackface in a Mardi Gras Mardi Gras (mär`dē grä), last day before the fasting season of Lent. It is the French name for Shrove Tuesday. Literally translated, the term means "fat Tuesday" and was so called because it represented the last opportunity for parade. Phrases such as "hep to the jive" and "suffering with the shorts" (financially broke) are commonplace throughout Armstrong's writing, helpful in conjuring conjuring Art of entertaining by giving the illusion of performing impossible feats. The conjurer is an actor who combines psychology, manual dexterity, and mechanical aids to effect the desired illusion. up his moods and atmosphere. Brothers' decision to use Armstrong's "jive" talk and idiosyncrasies, as opposed to standard English Stan·dard English n. The variety of English that is generally acknowledged as the model for the speech and writing of educated speakers. Usage Note: People who invoke the term Standard English , succeed in presenting to the reader a style that is uniquely Armstrong's. However, despite all of the book's different topics, it is Armstrong's first chapter which may make one most uncomfortable. The first chapter details the admiration Armstrong held for the Jewish community, and how "lazy" African Americans African American Multiculture A person having origins in any of the black racial groups of Africa. See Race. were. Armstrong strongly believed that Negroes did not appreciate the great "things" he had done for his race. He blamed blacks for his personal failures, and felt that were it not for a lack of encouragement, "I could have really done something worthwhile." But long before controversy was fashionable, Armstrong held contentious opinions that often made him unpopular. As Brothers notes in one chapter preface, the jazz trumpeter John "Dizzy" Gillespie summed up the opinion of many: "Louis is Louis I, king of Bavaria Louis I, 1786–1868, king of Bavaria (1825–48), son and successor of King Maximilian I. He was chiefly responsible for transforming Munich into one of the handsomest capitals of Europe and for making it a center of the the plantation character that so many of us younger men resent." Nevertheless, lessons of hard-time survival, cultural history and jazz are offered in these selected writings, making for a rare portrait of a complicated man. Louis Armstrong: In His Own Words successfully presents Armstrong's unique thoughts and views, and will be most appreciated by fans of the author, the musician, and jazz culture. Tracy Roberts is a freelance writer and music critic Noun 1. music critic - a critic of musical performances critic - a person who is professionally engaged in the analysis and interpretation of works of art based in St. Louis, MO. |
|
||||||||||||||||||||

Printer friendly
Cite/link
Email
Feedback
Reader Opinion