Living seas.As my third graders studied a unit on landscapes, seascapes Seascapes is an RTÉ Radio 1 programme broadcast on Fridays at 8.30 pm. and presented by Tom MacSweeney. It is intended to cover all subjects of maritime interest, from leisure to commercial shipping, as well as fishing and the environment. , and cityscapes, they used many different art media and created multimedia projects. In all the pictures, students thought about a foreground foreground - (Unix) On a time-sharing system, a task executing in foreground is one able to accept input from and return output to the user in contrast to one running in the background. , middle ground, and background. In this project, they studied the sea, its many colors, and what things they would incorporate into a seascape. They used their knowledge of how to create an effective composition to show space in their picture. Looking at Artwork Related to the Sea We first looked at sea paintings by artist Winslow Homer Noun 1. Winslow Homer - United States painter best known for his seascapes (1836-1910) Homer . Students could really see, feel, and hear the sounds of the sea during a storm or as a quiet evening lay over the water. We discussed how the colors he used in the paintings give you a certain mood or feeling. I asked them what colors they saw in his paintings. They saw that bright colors were missing; instead, the artist used shades of Noun 1. shades of - something that reminds you of someone or something; "aren't there shades of 1948 here?" reminder - an experience that causes you to remember something gold, brown, and gray. Although students would use bright colors in this assignment, I wanted them to see that not all artwork has to be painted that way. It was important for them to feel what the artist was trying to show. Many students didn't know the term "white caps the members of a secret organization in various of the United States, who attempt to drive away or reform obnoxious persons by lynch-law methods. They appear masked in white. Their actions resembled those of the Ku Klux Klan in some ways but they were not formally affiliated with the ." I explained to them what it meant, as this would have importance in their picture. We also discussed what they might include in their seascape--fish, sea creatures, boats, land, lighthouses, islands, coconut trees, and people--taking them to a tropical place of warmth and color. Painting Water and Creating Wavy Textures During the first class, students painted their sea colors on white 12 x 18" (31 x 46 cm) paper with tempera tempera (tĕm`pərə), painting method in which finely ground pigment is mixed with a solidifying base such as albumen, fig sap, or thin glue. paint in colors of blue, teal teal: see duck. teal Any of about 15 species (genus Anas, family Anatidae) of small dabbling ducks found on the major continents and many islands. Many are popular game birds. , green, white, and purple. As they painted and mixed these colors on their paper, they used plastic scrapers to make wavy, textured lines through the paint. This added more interest in the water, showing a feeling of the movement of waves. They enjoyed freely painting, thinking about which colors appealed to them and how to mix them to make other colors. Students painted one long section at a time across the paper and scraped that before the paint dried. Then, they painted and scraped the next section across the paper. Students covered the whole sheet of paper with these vibrant colors and textures of paint. We set these papers to dry for use later. Creating Sea Life To create fish, seaweed seaweed, name commonly used for the multicellular marine algae. Simpler forms, consisting of one cell (e.g., the diatom) or of a few cells, are not generally called seaweeds; these tiny plants help to make up plankton. , and sea creatures, we used torn pieces of colored not of the white race; - commonly meaning, esp. in the United States, of negro blood, pure or mixed. See also: Color tissue paper. Each student had a piece of 9 x 12" (23 x 31 cm) oak tag. Students tore small tissue paper pieces in shades of pink, purple, blue, yellow, orange, and green and arranged them on the oak tag. I showed them how to glue down the pieces using a mixture of water and glue I had previously mixed for them. They used a bristle bristle 1. the thick strong animal fibers collected at commercial abattoirs for use in brushes. 2. the sharp serrated awns of grass and some cereal seeds that confer a capacity to penetrate normal skin and mucosa and to cause ulcerative stomatitis, grass seed abscess and the like. brush to paint over the tissue paper pieces. I encouraged them to overlap some edges of the tissue paper pieces to discover different colors coming through; not too many pieces, though, as that would make for a muddy color. I emphasized that using bright colors different from their sea colors would add more contrast in their pictures. We set these boards aside to dry and would later use them to cut out their fish, seaweed, and other sea creatures. Making Waves Taking the large sea-painted sheets of paper, students tore them down in long strips, carefully using one hand as a guide while the other hand ripped paper down beside it. Some students needed assistance here so they would not rip off little pieces. Through tearing different ways, students made either sharp, large waves or straight, calm waves, with the white edges of each torn piece creating their white caps. Students placed these strips on their backgrounds of oak tag paper, starting in the middle of the paper. I demonstrated how to slightly over lap each strip before gluing the ends in place. They did not glue the tops of the strips so they would be left open for tucking in fish or boats in the waves. Watercolor Skies and Details Complete Seascape After they glued the strips of waves, students used watercolor paint to fill in their sky. We talked about what type of skies they could paint with clouds, rain, rainbows, and sunsets. I showed them how to do a light wash using clear water first and then dripping the colors of watercolor paint to make a soft glowing sky. While that was drying, students returned to their tissue paper collages. Using crayons, they drew sea creatures on the tissue paper collage collage (kəläzh`, kō–) [Fr.,=pasting], technique in art consisting of cutting and pasting natural or manufactured materials to a painted or unpainted surface—hence, a work of art in this medium. and cut them out. They made fish, octopus, dolphin, seaweed, and other sea creatures and placed them in and on the waves. Students created other details to put in their pictures as the last step. Some used sandpaper sandpaper, abrasive originally made by gluing grains of sand to heavy paper sheets. Today sandpaper is made primarily with quartz, aluminum oxide, or silicon carbide grains, and is graded according to the size of the grains. for islands and rocks. They also cut scraps of colored construction paper for light houses, boats, people, trees, and any other things they wanted in the picture. For drawing any other added details, students used crayons. Our Final Masterpiece Students created colorful, living seas. They saw, felt, and heard the sounds of their beautiful seascapes as they had when looking at Winslow Homer's paintings. The process involved students in a multitude of art concepts and materials that allowed all students to successfully create a multimedia project. The pictures, so bright and alive, were noticed by all when on display. NATIONAL STANDARD Students use different media, techniques, and processes to communicate ideas, experiences, and stories. Trina Wicks-Patnaude is an art teacher in the elementary schools elementary school: see school. in Loudon, Webster, and Salisbury, New Hampshire Salisbury is a town in Merrimack County, New Hampshire, USA. The population was 1,143 at the 2000 census. History While still part of Massachusetts, the town was granted as Baker's Town after Captain Thomas Baker in 1736. . |
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