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Le college de Dormans-Beauvais a la fin du Moyen Age: Strategies politiques et parcours individuels a l'Universite de Paris (1370-1458).


Thierry Kouame. Le college de Dormans-Beauvais a la fin du Moyen Age moy·en âge  
n.
The Middle Ages.



[French : moyen, middle + âge, age.]
: Strategies politiques et parcours individuels a l'Universite de Paris (1370-1458).

Education and Society in the Middle Ages and Renaissance 22. Leiden and Boston: Brill Brill or Bril, Flemish painters, brothers.

Mattys Brill (mä`tīs), 1550–83, went to Rome early in his career and executed frescoes for Gregory XIII in the Vatican.
, 2005. xxvi + 720 pp. index. append To add to the end of an existing structure. . illus. tbls. bibl. $236. ISBN ISBN
abbr.
International Standard Book Number


ISBN International Standard Book Number

ISBN n abbr (= International Standard Book Number) → ISBN m 
: 90-04-14135-9.

Because none of the forty or so colleges founded before 1500 at the University of Paris survived the French Revolution, they had no alumni (as Oxford colleges have) to write their histories--with the sole exception of Jean de Launoy's 1677 account of the College de Navarre. True, the past 150 years have seen monographs on the origins, statutes, topography, and institutional history of the colleges of Harcourt, Montaigu, Sainte-Barbe, Beauvais, Fortet, Cardinal Lemoine, Maitre-Gervais, Dormans-Beauvais, Laon, Presles, Ave Maria Ave Maria (ä`vā märē`ä) [Lat.,=hail, Mary], prayer to the Virgin Mary universal among Roman Catholics, also called the Ave, the Hail Mary, and the Angelic Salutation. , Cholets, Autun, and the Sorbonne. As well, a half-dozen theses each at the Ecole des chartes and at Notre Dame Notre Dame IPA: [nɔtʁ dam] is French for Our Lady, referring to the Virgin Mary. In the United States of America, Notre Dame  University (under the late Astrik Gabriel) have dealt with these same or other Paris colleges. With varying success, about half of the late medieval and Renaissance Paris colleges have been treated.

For some time Jacques Verger verg·er  
n. Chiefly British
1. One who carries the verge or other emblem of authority before a scholastic, legal, or religious dignitary in a procession.

2.
 has advocated a more "social" approach to university history--putting the emphasis on the students and teachers--by using prosopography pros·o·pog·ra·phy  
n.
A study, often using statistics, that identifies and draws relationships between various characters or people within a specific historical, social, or literary context:
, or collective biography. In recent works on the College de Navarre, Gilbert Ouy and Nathalie Gorochev have concentrated on the intellectual and communal life of the students. A recent thesis by Cecile Fabris has done the same for the College de Laon.

Thierry Kouame's book joins these new approaches to college history. Using a wide spectrum of printed sources and manuscript archives--particularly a rich, almost unbroken series of financial records--he provides a comprehensive picture not only of the college's origins and statutes but also of its students and the life of the college itself. Although chapter 1, "Naissance d'une institution," is the most "traditional" in the book, it moves beyond the foundation and statutes to show how the founder's provisions had to be interpreted to meet changing social, financial, and historical circumstances--the Hundred Years' War Hundred Years' War

(1337–1453) Intermittent armed conflict between England and France over territorial rights and the issue of succession to the French throne. It began when Edward III invaded Flanders in 1337 in order to assert his claim to the French crown.
 being a constant factor in it all. This reader was not convinced, however, by the documentation provided about the teaching of external students inside the precincts of the college, nor about public lectures at the College de Sorbonne.

Subsequent chapters give rein to Kouame's preference for the prosopographical. Chapter 2, "Entrer au college," confirms how, as was the case with many of the Paris colleges, the donor Jean de Dormans founded his college to educate students from a defined area (Soissons) who were descendants DESCENDANTS. Those who have issued from an individual, and include his children, grandchildren, and their children to the remotest degree. Ambl. 327 2 Bro. C. C. 30; Id. 230 3 Bro. C. C. 367; 1 Rop. Leg. 115; 2 Bouv. n. 1956.
     2.
 of, or affiliated with, his extended family. Like other provisions, this one gave way to an increasing number of nominations for college bursaries put forward by bishops, alumni, members of the Parlement of Paris, and others--resulting in a wider social and geographical provenance prov·e·nance  
n.
1. Place of origin; derivation.

2. Proof of authenticity or of past ownership. Used of art works and antiques.
. Chapter 3,"Vivre au college," examines the course of studies of the boursiers and the library resources available to them. As a resource for students returning to the college from classes held in halls rented by the four Nations that constituted the Faculty of Arts Historically the Faculty of Arts was one of the four traditional divisions of the teaching bodies of universities, the others being theology, law and medicine.[1] Nowadays it is a common name for the faculties teaching humanities. References

1.
, the presence of a good library does not justify the suggestion (269) that anything other than grammar was regularly taught within the college. Chapter 4, "Les boursiers dans la societe," shows, not unexpectedly, a large number of graduates who retained their clerical status and served in the Church, and who opted to remain as chaplains and officers in the college or in the university. Many naturally gravitated to the law, exercising as avocats or conseillers in the Parlement of Paris, where two even became premiers presidents. Woven through all four chapters is the strong relationship that develops between this college and the Parlement.

A highlight of this book is the Dictionnaire biographique of the 357 boursiers of the college. Here the statistics of chapters 2, 3, and 4 take on flesh with names, dates, familial and geographical origins, social rank, status at the college, studies, ecclesiastical or secular careers, and indications of their fortune in life.

My one reservation about this book, which is an integral publication of the author's thesis, is its length and resulting price. Additional reflection upon the thesis, to pare away some of the less significant details and statistics and to hone its prose, would have sharpened its vision and rendered it more accessible to a wider readership. Nevertheless, like the author's judgment that Jean de Dormans would be proud of the way his college developed, I think the author and publisher can feel justified in this informative book which fills a neglected gap in the history of education in Paris.

JAMES K. FARGE

Pontifical Institute of Mediaeval Studies The Pontifical Institute of Mediaeval Studies (commonly known as "PIMS") is an independent research institute at the University of Toronto, in Toronto, Ontario, Canada.

The Institute was founded in 1929, as the Institute of Mediaeval Studies, at the University of St.
, Toronto
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Author:Farge, James K.
Publication:Renaissance Quarterly
Article Type:Book review
Date:Mar 22, 2006
Words:772
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